Mario Martone on Why ‘Nostalgia’ Depicts Naples As a ‘Global South’

Disney/Pixar’s Lightyear begins offshore rollout this week, but won’t be hitting cinemas in such Middle East markets as Saudi Arabia, the UAE, Bahrain, Egypt, Kuwait, Oman and Qatar. Nor will it go to theaters in Malaysia or Indonesia. Deadline understands the film has not received distribution certificates in these markets. As with other recent Hollywood films, the issue is believed to be related to LGBTQ content.

Dan Kwan and Daniel Scheinert’s fantasy family martial arts movie, Everything Everywhere All at Once, has officially taken over Ari Aster’s Hereditary as the highest grossing movie worldwide ever from A24, $80.9M to $80.2M.

APPOINTMENTSThe O2 in London has hired Robbie Balfour as Marketing Director. “It’s a big year for The O2 as we celebrate fifteen years of the venue, and we’re THRILLED to welcome Robbie to the team to help drive our iconic brand forward into the next phase”, says General Manager Steve Sayer.Apple Music has hired Juan Paz as Global Head Of Latin Music Business.

Refresh for latest…: Paramount/Skydance’s Top Gun: Maverick, as projected yesterday, has flown past $500M worldwide, with $548.6M through its first two frames. The offshore weekend is estimated at $81.7M, an incredible hold of -20%, to lift the international box office cume to $257M in 64 markets. This does not include big Tom Cruise hub Korea which rolls out on June 23 (nor are China and Russia in the mix).

Saudi Arabia is getting its own version of “The Office.”“Al Maktab,” the name of the Saudi Arabian version, will span 20 episodes. MBC Studios is producing the show, after making a deal with BBC Studios, which licenses the franchise.The new version, which begins production in June, is set at a courier company.It will star Saleh Abuamrh, who will play the boss – Malik Al-Tuwaifi.

The Office is set to air later this year.BBC Studios recently struck a deal with local producer and broadcaster MBC, who will air the new show via streamer Shahid VIP.The new remake will be called Al Maktab and will be directed by Egyptian filmmaker Hisham Fathi, according to Deadline.The self-absorbed boss played by Ricky Gervais in the UK version and Steve Carell in the US remake will be played by Saleh Abuamrh in Al Maktab, and is called Malik Al-Tuwaif.So far, The Office has been remade in 10 territories including France, Germany, Canada and India. Al Maktab will be the first in the Arabic language.André Renaud, BBC Studios’ SVP Format Sales, said in a statement: “Although office working may look slightly different for many of us in 2022, the familiarity of these well-observed characters as they navigate petty rivalries, moments of friendship and humour, and a boss that sometimes makes a fool of themselves still rings just as true.”Meanwhile, several cast members of The Office revealed they were “almost killed twice” while filming episode ‘Work Bus’. Actors Jenna Fischer and Angela Kinsey, who play Pam Beesley and Angela Martin in the US sitcom, recalled the incident in their new book The Office BFFs: Tales Of The Office From Two Best Friends Who Were There.The episode, directed by Breaking Bad actor Bryan Cranston, saw Dwight (Rainn Wilson) convert a bus into an office space after Jim (John Krasinski) convinces him the office building is unsafe.In an excerpt from the book on Mashable, Kinsey wrote: “We want you to know that we see the irony that Bryan Cranston, aka Walter White Sr.

Mohamed and Yve are clashing over his expectations of her given his Muslim faith. On Sunday's episode of, Mohamed met Yve's friends, which turned out disastrous, and led to a huge fight between Yve and Mohamed about how she's expected to behave now that the two live together in her home in New Mexico. Mohamed is 25 years old and began a relationship with 48-year-old Yve when he slid into her DMs.

Material girl! Jordyn Woods was gifted a whole new, luxurious wardrobe from boyfriend Karl-Anthony Towns in honor of the couple’s two-year anniversary.

Unlike most films and series set in Naples, “Nostalgia” really does show us the city like we’ve never seen it before: from the melancholy perspective of someone who left forty years ago. Italian director Mario Martone makes the astute and powerful decision not to make this immediately obvious, opening the film with a stunning sequence showing a man (Pierfrancesco Favino) silently arrive in and explore the city at night.

Kourtney Kardashian and Travis Barker hold hands as they walked to their car together on Tuesday afternoon (May 24) in Portofino, Italy.

For decades, Italian filmmakers dominated Cannes.If the 1960s saw Federico Fellini, Michelangelo Antonioni and Luchino Visconti reign supreme, somehow the 1970s were even richer. Elio Petri and Francesco Rosi won shared top prizes in 1972, while for two consecutive years later that decade the Taviani brothers and then Ermanno Olmi hoisted Palmes across a border that sits just 40 miles away.This year’s lone competition title from an Italian director (the only other Italian language film, “The Eight Mountains,” comes courtesy of two Belgians), Mario Martone’s “Nostalgia” will probably not break that particular drought, but the Neapolitan director can take solace in another modest honor: Telling a story about mothers and sons, about gangsters and priests, and about a peculiar kind of longing for the past in a place where little has changed for hundreds of years, “Nostalgia” is a nigh perfect candidate to wave il Tricolore.Taking a thin amount of plot and stretching it as far and wide as it can go, the film itself is far from perfect, but it does benefit from “The Traitor” star Pierfrancesco Favino’s terrific lead performance as a man who learns the hard way that there’s no going home again.After forty years abroad, Felice (Favino, of course) returns to his native Naples a stranger in a familiar land.

Nostalgia has seldom looked grittier, or more treacherous, than it does in Mario Martone’s eponymous new film. The Italian director splashes his teaming, boisterous, unruly native city of Naples across the screen in fulsome fashion in telling the story of a man who left as a teenager but, some 40 years later, is drawn back into its sinister embrace.

Guy Lodge Film CriticHometowns forget us quickly when we leave them, even if some of the people left behind do not. Architecture, infrastructure and whole communities can change with scant warning or regard for our memories, or our bearings when we return.

The writing’s on her side! Kristin Cavallari debuted new ink on her torso, and the art seemingly honors her love of travel.

It’s over. Candice Accola and Joe King have called it quits after celebrating seven years of marriage, Us Weekly can exclusively confirm.

Tom Hollander Starring In Billie August Post-WWII Drama ‘Me, You’

Justin Bieber has announced the final international dates for his record-setting Justice World Tour, including a new UK date. Having sold in excess of 1.3 million tickets so far, the Justice World tour will travel to over 30 countries.

Italy is for lovers! The European country has been a top destination for celebrity weddings — including George and Amal Clooney’s 2014 nuptials — for years thanks to its romantic scenery.

A star-studded affair! Kourtney Kardashian and Travis Barker‘s Italian wedding ceremony was the invite of the year, but there were some celebs whose absences from the bash raised eyebrows.

Patrick Frater Asia Bureau ChiefCinema box office this year in North America is poised to overtake theatrical revenues in China, the country that has been the world’s largest movie market for the past two years.Before the latest weekend, gross revenues in the year to date stood at $2.38 billion for the North American compared with $2.43 billion for China, according to data from ComScore.U.K.-based research firm Gower Street Analytics forecast that the North American figure would overtake China’s revenues over the weekend or early this week. That reflects business growth in North America and the current reversal in China, where anti-COVID measures are causing renewed cinema closures.Gower Street says that some 85% of global cinemas are now open for business, compared with pre-pandemic levels.