Marc Maron Told Jodie Foster That David Fincher Scrapped An Entire 2.5 Hour Podcast [Flashback]

Carole Horst Oscar-winning doc makers Elizabeth Chai Vasarhelyi and Jimmy Chin chose an appropriate subject for this move into traditional narrative feature: Diana Nyad, the athlete who swam from Cuba to Florida in 2013 at the age of 64. The “Nyad” directing duo won an Oscar for rock climbing doc Free Solo in 2019, and earned much critical praise 2015’s “Mero” and 2021’s “The Rescue” (which, even though it’s not an extreme sports movie, does feature physical acts of courage and daring). Nyad burned with a passion to complete the swim, a feat that she had to abort four times before; her first time in her twenties. So at an age when most people are planning retirement, she planned a hundred-mile swim.

Oscar-winning documentarian filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin have made an entire career out of making nerve-wracking feats-of-athleticism documentaries like the incredible, Oscar-winning “Free Solo,” “Meru” and 2021’s “The Rescue,” about the death-defying race against time to rescue the boys trapped in the caves of Thailand that made international news. Naturally, given the intensity of their films, Hollywood has come knocking for them to try their hand at non-documentaries and dramas.

The first trailer for Nyad just debuted online!

It surprised no one earlier this year when Trent Reznor & Atticus Ross officially came on board to score David Fincher‘s “The Killer.” After all, the pair have scored all of Fincher’s films since 2010’s “The Social Network.” But it surprised audiences at the movie’s world premiere in Venice last weekend when Reznor & Ross’ work didn’t feature prominently in “The Killer” at all.

TELLURIDE – The life of Diana Nyad is the sort of true story that’s absolutely ripe for a movie biopic. A record-setting distance swimmer in her 20s, she retired at the age of 30 to pursue a career in sports journalism.

David Fincher has explained why he chose to include tracks by The Smiths on the soundtrack for his upcoming film The Killer.Michael Fassbender stars as a troubled assassin in the upcoming thriller, which is based on the French graphic novel by Alexis Nolent. It was adapted by screenwriter Andrew Kevin Walker, who previously worked with Fincher on Seven.While the film’s score is composed by Trent Reznor and Atticus Ross, Fincher explained at the Venice Film Festival how The Smiths also came to feature heavily on the soundtrack.“The Smiths were a post-production addition because I knew I wanted to use ‘How Soon Is Now?’ and I love the idea of that song specifically as a tool for assuaging his anxiety,” Fincher said (via IndieWire).

David Fincher and Boots Riley are both very good filmmakers. In terms of Fincher, some put him up there as one of the best working today.

The first clip and poster for Nyad have debuted online!

David Fincher’s latest feature, The Killer, earned 6 minutes and 45 seconds of applause Sunday evening after the lights went up on the film’s world premiere screening at the Venice Film Festival.

David Fincher spooked Venice with the world premiere of his latest movie “The Killer,” which stars Michael Fassbender as an assassin. The Netflix drama earned a respectable 5-minute standing ovation at its screening on the Lido on Sunday night. Fassbender and co-star Tilda Swinton couldn’t attend the premiere because of the SAG-AFTRA strike.

The question of whether or not technology has killed the classic crime thriller has popped in and out of the discourse as the years saw pocket watches morph into sci-fi-looking gadgets capable of getting one both dinner and a first-class ticket to Dubai in the space of a couple of minutes.

In principle, using the rainy-day, kitchen-sink post-rock of Manchester band The Smiths so prominently in a film like The Killer seems incredibly perverse, given that it’s an exotic, globe-trotting thriller about an American assassin. But in reality, it’s actually very sound choice indeed: legend has it that the band’s singer, Morrissey, had two reasons for naming his band so, the first being that “Smith” is one of the most common and thus unremarkable surnames in the world. The second, and much more subversive theory, suggests that it’s also a reference to David and Maureen Smith, brother-in-law and sister of ’60s serial killer Myra Hindley, the snappily dressed couple whose testimony blew open the Moors Murderers case and whose beatnik likenesses adorn the cover of Sonic Youth’s 1990 album “Goo”.

Owen Gleiberman Chief Film Critic In the bravura opening sequence of David Fincher’s “The Killer,” we watch the title character, a cold-as-dry-ice professional hitman who is never named, as he prepares to assassinate his latest victim. The hit is taking place in Paris, and the target is some sort of powerful corporate tycoon who we, like the killer, know nothing about. His home occupies the entire penthouse floor of one of those ornate block-long Parisian apartment buildings.

David Fincher is in town today for the world premiere of The Killer starring Michael Fassbender as an assassin who battles his employers, and himself, on an international manhunt while insisting none of it is personal.

Clayton Davis Senior Awards Editor In “Nyad,” the titular character is entitled, mean, self-centered and treats people around her terribly… and she’s our hero? Supporting actors Jodie Foster and Rhys Ifans manage to keep the film moving along, but the main subject, played passionately by Annette Bening, is one who is difficult to connect with and root for in this modern take on a sports drama. A still Oscar-less Bening could be a possibility for traction in the best actress race – at least, Netflix hopes so.

Oscar-winning documentarian filmmakers Elizabeth Chai Vasarhelyi and Jimmy Chin have made an entire career out of making nerve-wracking feats-of-athleticism documentaries like the incredible, Oscar-winning “Free Solo,” “Meru” and 2021’s “The Rescue,” about the death-defying race against time to rescue the boys trapped in the caves of Thailand that made international news. Naturally, given the intensity of their films, Hollywood has come knocking for them to try their hand at non-documentaries and dramas.

As the Venice Film Festival kicks off this week, so too does it begin the Fall film festival circuit.  Telluride also starts this weekend, then onto TIFF, NYFF, and the BFI London Film Festival. And Variety has the scoop on the full line-up for London this October, which features several major films that premiered at Cannes and other fests earlier this year.

Naman Ramachandran The 67th BFI London Film Festival has unveiled its full lineup, which includes galas and special presentations of films by contemporary masters. As previously announced, Emerald Fennell’s “Saltburn” will open the festival and Kibwe Tavares and Daniel Kaluuya’s “The Kitchen” will close it.

Michaela Zee Netflix has unveiled its complete film slate for this fall, including Zack Snyder’s “Rebel Moon – Part One: A Child of Fire,” Bradley Cooper’s “Maestro,” Wes Anderson’s short “The Wonderful Story of Henry Sugar” and much more. The fall film slate features 28 movies that will be released on the streamer beginning in September.

“Stick to your plan. Trust no one.”