Macu Machín’s ‘The Undergrowth’ Wins Top Prize at Tenerife-based MiradasDoc

Patrick Frater Asia Bureau Chief Rights to “I, The Executioner,” which will premiere as a Midnight Screening at the Cannes Film Festival this year, have been picked up by South Korea’s CJ ENM. The crime-action film directed by Ryu Seung-wan (also written Ryoo Seung-wan) is a sequel to Ryu’s 2015 hit “Veteran” and in Korea goes by the title “Veteran 2.” Few details of the story have yet been disclosed, but CJ describes the film as “combining Ryu’s trademark action with observations and messages about social change.” Ryu last year enjoyed major box office success with crime comedy “Smugglers.” Hwang Jung-min, who recently enjoyed box office success in “12.12: The Day,” reprises his role from “Veteran.” He is joined in the sequel by Jung Hae-in (“Tune in for Love”) as a new member of the film’s Violent Crime Investigation Squad. “I, The Executioner” was produced by Filmmaker R & K, the production shingle owned by Ryu and his wife Kang Hae-jung, with CJ ENM as financier and local and international distributor. CJ ENM expects to give the film a theatrical release in South Korea at an unspecified date in the second half of the year. The original “Veteran” had its international premiere in a sidebar of the 2015 Toronto festival, was named best film at the Sitges genre festival in Spain.

German series The Zweiflers (Die Zweiflers) took home the prize for Best Series at the Canneseries Awards last night.

Marta Balaga Fockers who? Meet “The Zweiflers” instead: Brand new winners of Canneseries. Created and showrun by David Hadda, the show picked up multiple awards at the French TV fest on Wednesday, including best series and music. Selected as a Variety Hot Pick earlier this month, “it’s destined to be billed as a Jewish ‘Succession’ set in contemporary Germany, with all the baggage that can bring to the table, Variety wrote.

Annika Pham Copenhagen-based REinvent International Sales has closed Spain and Portugal with AMC Networks International Southern Europe, on the Finnish suspense disaster drama “Seconds”, Variety has learned exclusively. One of REinvent’s MipTV highlights, “Seconds,” made a strong debut on Finnish pubcaster Yle this week, according to head of drama, Jarmo Lampela. “It will easily go over the average viewing target,” he said.

Nick Vivarelli International Correspondent Prime Video has announced the full cast for action comedy show “Costiera” set on Italy’s iconic Amalfi Coast being directed by Emmy-winner Adam Bernstein (“30 Rock,” “Breaking Bad”) and featuring Jesse Williams (“Take Me Out”) as the lead. The ensemble cast for the English-language series being co-produced by Amazon Studios and Luca Bernabei for Lux Vide comprises British actor Jordan Alexandra (“Doctor Strange in the Multiverse of Madness,” “The Winter King”) (pictured, center); Spain’s Alejandra Onieva (“Alta Mar”) (pictured, left); Italy’s Maria Chiara Giannetta (“Blanca”) (pictured, right); Antonio Gerardi; Tommaso Ragno (“Nostalgia”); Amanda Campana; Pierpaolo Spollon; Britain’s Sam Haygarth (“Jojo Rabbit”); and France’s Jean-Hugues Anglade (“Sink or Swim”).

Well Go USA has landed North American rights for Dutch action thriller Invasion about a daring military operation in the wake of a hostile attack on the Caribbean islands of Aruba and Curacao.

Rafa Sales Ross Guest Contributor Germany’s Beta Film is bringing the love story between a Dutch prince and a beautiful Argentinian financier to the Croisette. The world premiere of “Máxima” screens out-of-competition at Canneseries on April 9 after being teased at the London TV Screenings in late February.

Emiliano De Pablos Spain’s film and TV industries are in their second wave as standout content providers for global streamers. Some of the country’s most intriguing titles will take the international stage this weekend at MipTV in Cannes. Built on a foundation of hits such as “The Red Band Society,” “Grand Hotel,” “Velvet” and “Locked Up,” a new era of internationally renowned content creation in Spain kicked off in 2018 with Alex Pina’s blockbuster series “Money Heist,” picked up by Netflix.

John Hopewell Chief International Correspondent In an acquisition which underscores the often shared sensibility between Canal+, France’s biggest pay TV operator, and Movistar Plus+, the largest Spanish pay TV player, Canal+ has acquired Canneseries winner “The Left-Handed Son” (“El hijo zurdo”), a Movistar Plus+ original series. The series will bow on Canal+ on April 5 in a deal brokered by Movistar Plus+ International. A psychological thriller with a lyrical undertow which surfaces to moving effect in key scenes, “The Left-Handed Son” marks the auspicious directorial debut of Rafael Cobos, the career-long co-scribe of Alberto Rodríguez, from 2005’s “7 Virgins” through international hit “Marshland” to 2017’s “The Plague,” still one of the biggest series which Movistar Plus+ has ever made.

The Mediapro Studio’s parent company, produced. Like Cruz, Fernández Espeso is driven. At a dinner during Spain’s San Sebastian Film Festival in 2020, most of the executive attendees started out with small talk.

The Thessaloniki International Documentary Festival is coming off a successful — and at times turbulent — 26th edition, wrapping “amidst an explosive ambiance with episodes of violence and intolerance.”

El Viaje Films, has moved into production on “La Lucha,” a feature film set against the background of lucha canaria wrestling, a contact sport dating back to ancient times. “La Lucha” marks the latest title from Tenerife-based El Viaje Films, behind 2015 international breakout “Dead Slow Ahead,” “Undergrowth” which took two prizes at this month’s Malaga Festival, the standout 2021 “They Carry Death,” selected for Venice’s Critics Week, as well as serving as the Spanish producer on Chile’s Oscar entry “White on White,” a 2019 Venice Horizons best film and director entry. Just a decade back, “La Lucha’s” shoot would have been notable for its very existence.

Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea). 

Series Mania was Warner Bros. Discovery’s European roll-out timeline for Max, announced Thursday at the climax of the Series Mania’s Lille Dialogues. The most keenly anticipated session was nearly Series Mania’ Forum first: a Netflix showcase hosted by a confident Larry Tanz who significantly proved the only goal streamer exec to drill down on volume commitment.

Elsa Keslassy International Correspondent In one of the most anticipated keynotes at Series Mania Festival, JB Perrette, president/CEO of global streaming and games at Warner Bros. Discovery, dropped the launch date for Max across the first nine European countries on May 21.

Holly Jones Premiering in January to a Sundance Dramatic World Cinema Grand Jury Prize, “Sujo” from “Identifying Features” filmmakers Astrid Rondero and Fernanda Valadez has expanded its global reach, closing multiple distribution deals forged by Paris-based Alpha Violet, who heads international distribution. Paris-based Damned Films has picked up the title for France while Twelve Oaks Pictures, Trigon Films, Cinobo and MCF Megacom have swooped on the film for Spain, Switzerland, Greece and Cyprus and Ex-Yugoslavia territories respectively, with Auckland’s Vendetta Films securing rights to the title for the Australia and New Zealand markets.

Sony Pictures Television‘s President of International Production, Wayne Garvie, has said the scripted TV landscape in the post-peak TV era is like “going back to the future” — especially with his Netflix hits The Crown and Sex Education coming to an end.

Coming out of the weekend, and with Sunday’s actuals and Monday’s numbers included, there are new global milestones to celebrate for the two major Hollywood titles currently in release.

EXCLUSIVE: Acorn TV, the streaming service aimed at Anglophiles, is getting a new look.

Iranian filmmaker Farahnaz Sharifi’s My Stolen Planet won the Golden Alexander at the Thessaloniki International Documentary Festival today, automatically qualifying the film for Oscar consideration.