‘Luck’ Film Review: Animated Tale Delivers More Horseshoes Than Broken Mirrors

It’s NYFF day. OK, yes, earlier today, we were honored to premiere the trailer for the 60th New York Film Festival.

Elsa Keslassy International CorrespondentKino Lorber has acquired North American distribution rights to Pietro Marcello’s sprawling post-WWI film “Scarlet,” which opened Cannes’ Directors Fortnight.Represented in international markets by Orange Studio, “Scarlet” will have its North American premiere at the New York Film Festival, before a theatrical release in 2023.A loose adaptation of Alexander Grin’s novel, “Scarlet” marks Kino’s second collaboration with Marcello. It follows “Martin Eden,” which competed at Venice, won best actor for Luca Marinelli and went on to play at Toronto.Marcello, who rose to prominence as a documentarian with his film “The Mouth of the Wolf,” penned the script for “Scarlet” with his regular screenwriting partner Maurizio Braucci (“Martin Eden”) and Maud Ameline, with the participation of novelist Geneviève Brisac.

Borat 2 star Maria Bakalova will chair the committee selecting Bulgaria’s best international film submission for the 2022-23 Oscar race, the country’s National Film Center has confirmed.

Marta Balaga Tom Hardiman’s feature debut “Medusa Deluxe,” which premiered at Locarno on Saturday, has already seduced multiple international distributors with its mixture of humor, grief and competitive hairdressing.Now Warsaw-based New Europe Film Sales has sealed further deals for the unusual murder mystery in Spain (Elastica Films), Benelux (Filmfreak), Scandinavia and the Baltics (NonStop Entertainment), Variety has learnt in exclusivity.As previously reported, A24 has acquired North American rights to the film, produced by Emu Films with the support of BFI, BBC Films, and Time Based Arts.MUBI holds the rights to U.K./Ireland, France, Latin America, Germany, Austria, Switzerland, Italy, Turkey, India and Southeast Asia. “The buyers are excited about ‘Medusa Deluxe’ because it’s a quirky, original piece of cinema which can appeal to younger audiences, especially since A24 and MUBI will lead the way on global marketing,” said New Europe Film Sales CEO, Jan Naszewski.Hardiman, a self-confessed hairdressing aficionado, has joined forces with celebrity hairstylist Eugene Souleiman in order to show a community struggling with tragic loss yet still striving for perfection.“There is this cathartic moment at one point, two people genuinely caring about each other, and you have this hairstyle with a boat on the top.

Over usage. Khloé Kardashian shaded Taylor Swift subtly for using her private jet more than her family. The Good American founder liked a post that joked about how the shocking information got leaked.

The 66th BFI London Film Festival has announced Rian Johnson’s Glass Onion: A Knives Out Mystery as its Closing Night Gala.

Bullet trains seem great; why don’t we have them in the United States? Will I ever get to see Mount Fuji? I wonder what flavors of Kit Kats they sell on that train?These thoughts occurred because my brain refused to engage with this glib, terminally self-satisfied blood-and-bullets extravaganza, one that feels like it was plucked from what we might call the “Things to Do in Denver When You’re Dead” period of American cinema, when Quentin Tarantino’s first two features emboldened far too many young filmmakers to think that they, too, could make a zippy comedy with excessive gunplay, explicit gore, pop-culture references, needle drops, and a briefcase full of cash.Having programmed a film festival from 1995 to 1999, I was subjected to more bad “Reservoir Dogs” wannabes than the average filmgoer, which might explain why this new film turned me off early and never won me back. “Bullet Train” pretty much leaves no cliché of this subgenre unturned, from swoopy, self-conscious camera moves to a shootout scored to an innocuous hit single of the past.

EXCLUSIVE: Gravitas Ventures has acquired North American right to Genevieve Adams’ dramedy Simchas and Sorrows, along with worldwide rights to Peter Curtis Pardini’s doc The Last Band on Stage, and North American rights to Jaclyn Bethany’s queer thriller, The Falling World. The Anthem Sports & Entertainment Company will release the former title at the Laemmle Soho in Los Angeles on September 16, and on all major digital and VOD platforms on the 20th. Pardini’s film will hit VOD and theaters in three cities on September 30, with Bethany’s indie unspooling on VOD on October 18.