‘Love Me’ Review: The Evolution Of Love In A World Without Humans – Sundance Film Festival

Daughters is Natalie Rae and Angela Patton’s odyssey documenting Patton’s program that empowers girls of incarcerated Men yields insight through the subjects themselves – carefree tweens enjoying their chance to just be kids.

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

The 2024 Sundance Film Festival is almost at an end, but there are still films to screen in the online portion of the festival and, almost as importantly, awards to hand out to happy independent filmmakers. The big winners at this year’s awards ceremony were Alessandra Lacorazza’s “In the Summers” which won the Grand Jury Prize U.S.

The 2024 Sundance Film Festival awards ceremony honoring the best of this year’s lineup in Park City is in progress right now at the Ray Theatre. Refresh frequently as the winners are announced.

Alex Ritman The 20th edition of the Glasgow Film Festival has landed one of Sundance’s most talked-about films for its opening night. “Love Lies Bleeding,” Rose Glass‘ queer romantic noir starring Kristen Stewart that earned critical acclaim in Park City, is set to raise the curtain on the event with its U.K.

In 2019, Rose Glass announced herself to the world with the phenomenal Saint Maud. The film was an immersive character study of one lonely woman clinging to sanity in the wake of a personal trauma. Audiences loved Saint Maud with a common thread across all reviews being how hard it was to believe that it was only Glass’ feature debut. This year Glass returns with her second film, Love Lies Bleeding, which just debuted at Sundance. Whereas Saint Maud made a star out of lead Morfydd Clark, Love Lies Bleeding is set to do the same for Katy O’Brian.

The Sundance Institute and Alfred P. Sloan Foundation today named the recipients of three artist grants aimed at supporting projects currently in development, as they officially bestowed their Feature Film Prize on Sam and Andy Zuchero’s Love Me, all through their joint Science-In-Film Initiative.

Zack Sharf Digital News Director Kristen Stewart‘s domination of the 2024 Sundance Film Festival continued at the Variety Sundance Cover Party presented by United Airlines, where Stewart was honored for her starring roles in two big festival premieres: “Love Me,” a post-apocalyptic romance film in which she stars opposite Steven Yeun, and “Loves Lies Bleeding,” an A24-backed crime thriller in which she played a reclusive gym manager who falls for a local bodybuilder. “It’s hard to get here,” Stewart told Variety at the party about returning to Sundance, where she has premiered more than a dozen movies throughout her career. “Not because it’s an established and elite film festival, but because it supports marginalized voices.

Rafa Sales Ross Guest Contributor Norwegian director Thea Hvistendahl’s zombie movie “Handling the Undead,” premiering at Sundance and to be released in the U.S. by Neon, sees the reunion of Renate Reinsve and Anders Danielsen Lie, the stars of Oscar-nominated “The Worst Person in the World,” in a poetic, visually-charged chronicling of a hot summer’s day in Oslo when the dead mysteriously come back to life.

Jena Malone is opening up about Kristen Stewart.

Love Lies Bleeding is an intense, queer, unconventional love story between two unstable people. Directed and written by English filmmaker Rose Glass, and starring Kristen Stewart, Katy O’Brian, Ed Harris, Dave Franco, Jena Malone, and Anna Baryshinkov, the film explores the destructive nature of relationships marked by strong performances and a visually arresting narrative.

Kristen Stewart is one of the coolest stars in Hollywood, but even she still gets nervous when she heads to the red carpet.

In the realm of zombie-themed films, a genre often filled with clichés and predictable plot lines, Handling the Undead aims to stand out as something different.

Anyone with more than a passing interest in the weird and wonderful will have seen, if not heard of, the Patterson-Gimlin footage, the cryptoozological equivalent of the Zapruder film. Shot in 1967 in the forests of Northern Carolina, it purports to show a large, ape-like creature with an elongated forehead striding purposefully into the trees. Unlike an ape, the creature walks upright, and, unlike the furtive behavior of any other forest creature, it has the casual air of the average human being popping over to the 7-11 to pick up a gallon of milk. Most people who see the footage wonder what the hell this damn thing is, but the sibling directors of Sasquatch Sunset have a couple more questions that they’d like answered. Like, where is it going? And what does it do all day?

Between the Temples, directed by Nate Silver and written by Silver and C. Mason, is an exploration of grief, faith and self-discovery. Starring Carol Kane and Jason Schwartzman, it’s not just a story about overcoming grief but a testament to the power of self-belief, the importance of accepting support and the transformative potential of unexpected relationships.

Peter Debruge Chief Film Critic On the most literal level, Sam and Andy Zuchero’s “Love Me” is about the relationship between a buoy adrift at sea and a satellite circling the earth. The eccentric rom-com takes place in a time after humans have gone extinct, when the surviving machines’ only references are a massive hard drive’s worth of data combed from search engines and social media sites.

PARK CITY – Whatever your thoughts on Sam and Andy Zuchero’s “Love Me” few will dispute that for an independently financed film it’s a unique and creative achievement. At least a third of the movie is CG animation, another third is motion capture animation, and the final portion is live action.

Kristen Stewart is keeping busy at the 2024 Sundance Film Festival.

In the space of just two movies, Jane Schoenbrun has established a completely unique aesthetic; from the opening credits alone, a riot of black light and neon pastels, it’s obvious that I Saw the TV Glow comes from the same mind that created the trippy 2021 cult hit We’re All Going to the World’s Fair. Anyone puzzled by the latter is advised to stay clear, since the follow-up is more vertiginously dizzying and twice as impressionistic, causing lots of head-scratching at its Sundance premiere. For those ready and willing to embrace its commitment to mood over logic, I Saw the TV Glow is a must-see, pairing the otherworldly ambience of Kyle Edward Ball’s Skinamarink with the morbid surrealism of Charlie Kaufman’s Synecdoche, New York. (If you know, you know.)

Rebecca Rubin Film and Media Reporter Netflix has acquired “Ibelin,” a documentary that premiered at the Sundance Film Festival. Benjamin Ree (“The Painter and the Thief”) directed the film, which centers on a Norwegian gamer named Mats Steen, who died of a degenerative muscle disease at the age of 25. According to the official logline, “his parents mourned what they thought had been a lonely and isolated life, when they started receiving messages from online friends around the world.” “Many of my favorite documentary films and series of all time have been distributed by Netflix,” Ree said in a statement.