Losing ‘The White Lotus’ Season 3 Over Tax Incentive & Dodging Police To Shoot In Shibuya: Japanese Producers Discuss Industry Struggles — Tokyo Film Festival
25.10.2023 - 11:23
/ deadline.com
As the Tokyo Film Festival returns with a focus on international expansion, this year’s MPA seminar hosted as part of the festival industry program was centered around how to make the country a more attractive production environment for international producers.
“The world is in love with Japan,” Toho Tombo producer Georgina Pope told the seminar in her opening keynote speech. “There is a massive global interest in everything Japanese: art, fashion, youth culture, food. And IP such as Anime, Manga, and film.”
To harness this interest, however, Japan must address a series of key lapses in official film infrastructure, Pope told the audience. One of the main issues, Pope said, is the country’s lack of an official shooting permit system.
“Most directors want to shoot in Shibuya and Shinjuku. Yet, the days I put on my work boots to shoot in those areas, I’m made to feel like a criminal,” Pope said. “There isn’t a proper location permit system in place. It’s all run and gun. And fingers crossed you don’t get shut down or asked to move on. It’s also very risky, especially for a large crew.”
Pope said that shooting without permits is “an extremely stressful way to work,” particularly when the production involves the use of large international crews, later adding in a Q&A session alongside Debra Richards, director of APAC content and studio affairs at Netflix, producer Niv Fichman and Ruriko Sekine of the Japan Film Commission, that she had developed “very pleasant ways” to explain the unique set up to international producers.
“I use the word guerilla a lot to make it sound exciting and just explain that it is difficult in some areas,” Pope said. “And there are some parts of town that really don’t like film crews, and I tell