Listen to The Gaslight Anthem’s heavy cover of Billie Eilish’s ‘Ocean Eyes’

Ariana Grande kicked off the season atop the Billboard 200 with “Eternal Sunshine” — scoring what was then the biggest opening week of any album in 2024 — while simultaneously notching a No. 1 debut on the Hot 100 with her current single “We Can’t Be Friends (Wait for Your Love),” it’s been one boss lady after another running the music game.Indeed, before we even got to April Fool’s Day, we were also flipping our lace-front wigs over new albums by Kacey Musgraves (“Deeper Well”) and, of course, Beyoncé (“Cowboy Carter”).

Billie Eilish surprised her fans when she added everyone to her Close Friends section of Instagram!

April 4, 2024.

Billie Eilish, Robert Smith, Stevie Wonder and Nicki Minaj are just a handful of artists who have signed an open letter warning against the “predatory” use of artificial intelligence (AI) in music.Yesterday (April 2), non-profit organization Artist Rights Alliance issued an open letter titled ‘Stop devaluing music’ about the rise of AI in music, signed by over 200 prominent names in the music industry. Read the full letter here.Through the letter, the artist-run nonprofit organization asks that developers, technology companies, and platforms and digital music services “pledge that they will not develop or deploy AI music-generation technology, content, or tools that undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”The letter states: “Make no mistake: we believe that, when used responsibly, AI has enormous potential to advance human creativity and in a manner that enables the development and growth of new and exciting experiences for music fans everywhere.”“Unfortunately, some platforms and developers are employing AI to sabotage creativity and undermine artists, songwriters, musicians and rightsholders.

An open letter from the Artists Rights Alliance and signed by more than 200 major figures in the music and entertainment industries is calling on AI companies and digital music service platforms to pledge that they won’t develop or use AI tools “that undermine or replace the human artistry of songwriters and artists or deny us fair compensation for our work.”

Billie Eilish‘s forthcoming album have been popping in major cities across the world.Although they do not feature the album title, the billboards which have appeared in New York, Los Angeles and Sydney, feature her blohsh symbol and what appear to be lyric snippets saying things like “Did I cross the line?,” “I try to live in black and white” and “She’s the headlights I’m the deer.”The lyrics on the billboards also feature a shade of blue that is now the profile photo and backdrop of her social media accounts.

Jem Aswad Executive Editor, Music A series of billboards apparently teasing Billie Eilish’s new album have popped up in major cities across the world, as noted in multiple social media posts on Tuesday. The billboards do not feature the Grammy- and Oscar-winning artist’s name but do include her familiar “blohsh” symbol and what appear to be lyric snippets saying things like “Did I cross the line?,” “I try to live in black and white” and “She’s the headlights I’m the deer.” A rep for the artist did not immediately respond to Variety‘s requests for comment.

Jem Aswad Executive Editor, Music Billie Eilish, Nicki Minaj, Stevie Wonder, Pearl Jam, Kacey Musgraves, Camila Cabello and more than 200 other artists have joined with the Artist Rights Alliance non-profit – an artist-led education and advocacy organization – to issue an open letter supported by more than 200 artists calling on “AI developers, technology companies, platforms, and digital music services to cease the use of artificial intelligence (AI) to infringe upon and devalue the rights of human artists.” A full list of signatories appears below. While AI-related threats such as deepfakes and voice cloning continue to attract significant (and legal) scrutiny, the letter also highlights two related trends: the use of musical works by AI developers without permission to train and produce AI “copycats,” and the use of AI “sound” to dilute royalty obligations.

Billie Eilish is making it clear she was not calling out any artist in particular after she deemed “wasteful” the practice of releasing multiple vinyl variants to boost album sales.

Billie Eilish is hitting back at the backlash over her recent comments.

Taylor Swift fans for “putting words into my mouth” after she seemingly shaded Swift for not being environmentally conscious. “Okay so it would be so awesome if people would stop putting words into my mouth and actually read what I said in that billboard article,” the 22-year-old singer wrote in an Instagram story.

Billie Eilish is going toe-to-toe with angry fans.

Billie Eilish has responded to the backlash against her recent comments on artists releasing multiple vinyl variants.In an interview with Billboard discussing her climate activism, Eilish made headlines for criticising the practise of releasing multiple vinyl variants to boost album sales, calling it “wasteful”. “It’s irritating to me that we’re still at a point where you care that much about your numbers and you care that much about making money — and it’s all your favorite artists doing that sh-t,” she added.Some outlets such as TMZ and The New York Post interpreted Eilish’s comments as a dig at Taylor Swift, who is known for releasing multiple variants of her albums.

Billie Eilish is opening up about her music, and her thoughts about music consumption.

Flavor Flav and Billie Eilish now have matching custom Barbie clock necklaces with their names on them. On Sunday, the famous rapper and reality star walked the Vanity Fair red carpet with a pink custom Barbie clock necklace with his name on it.

Angelique Jackson As the clock inched toward midnight at the Vanity Fair Oscars party (and on the eight-month long “Barbie” press tour), Greta Gerwig gleefully danced the night away. With an In-N-Out burger in one hand and a cocktail in the other, Gerwig grooved to Dua Lipa’s hit “Dance the Night” with another one of her Barbies, Hari Nef, who sported a pink feathered Balenciaga jacket with a sizable train.

Billie Eilish got the best surprise at the 2024 Vanity Fair Oscar Party thanks to Flavor Flav!

Billie Eilish and her brother, Finneas, were among those who donned red "Artists4Ceasefire" pins at the 96th Academy Awards, as they joined calls for peace in the Middle East. And the Best Original Song winners weren't the only celebs who chose to wear these pins. Poor Things actor Ramy Youssef also donned a red pin.Talking to reporters ahead of the awards ceremony, he said: "We're calling for immediate, permanent ceasefire in Gaza.

snooze-o-rama Oscars, “Oppenheimer” deservedly took home seven trophies: best picture, director (Christopher Nolan), actor (Cillian Murphy), supporting actor (Robert Downey Jr.), cinematography, score and editing.It wasn’t a brutal beatdown. “Poor Things,” starring Emma Stone, snapped three technical awards away from it (as well as a Best Actress honor for Stone), and Cord Jefferson’s “American Fiction” deprived the atom bomb movie of Best Adapted Screenplay.

“I’m Just Ken” might actually win Best Original Song over “What Was I Made For?” — Billie Eilish’s far superior “Barbie” tune.After all, another Oscar win would make Eilish, 22, and her producer brother, Finneas, 26, the youngest two-time Academy Award winners in history after their victory in 2022 for the Bond theme song “No Time To Die.”Perhaps with some voters thinking “too much, too soon,” an upset seemed to be brewing.But now the siblings are in the history books — as they should be.Sometimes it’s just as simple as real recognizing real — whether it’s at the Oscars or the Grammys.And when Eilish got a standing O from Hollywood’s finest after performing “What Was I Made For?” at the Dolby Theatre in Los Angeles on Sunday night, it was an acknowledgement of just how far ahead she was of the other Best Original Song nominees.To be honest, it wasn’t even as hauntingly heartbreaking as her performance of the tune just before it took Song of the Year at the Grammys last month.But it was still real artistry on raw display that was all the chills and feels.“What Was I Made For?” also became only the 10th song in history to win both the Grammy for Song of the Year and the Oscar for Best Original Song.That puts it in some pretty prestigious company, with the likes of “Moon River” (from 1961’s “Breakfast at Tiffany’s”) “The Way We Were” (from 1973’s “The Way We Were”), “Evergreen” (from 1976’s “A Star Is Born”), “You Light Up My Life” (from 1977’s “You Light Up My Life”), “A Whole New World” (from 1992’s “Aladdin”) and “My Heart Will Go On” (from 1997’s “Titanic”).Bravo, Billie and Finneas.