Lempicka has proven to be one of the most polarizing shows of the Broadway season with some people loving it and others not so much.
15.04.2024 - 02:51 / variety.com
Frank Rizzo To the list of larger-than-life, survivalist women in musical theater, add Tamara de Lempicka — but with an asterisk. The name of the Polish-born portraitist who died in 1980 might not be familiar to many, but you might recognize her paintings. Lempicka’s Art Deco-era images depict lustrous women with self-assured gazes, endowing “the new woman” with a mixture of luminosity and strength that’s at the heart of “Lempicka,” a long-in-development but still uneven musical which finally made it to Broadway following runs at Williamstown Theatre Festival in 2018 and La Jolla Playhouse last year.
Certainly Eden Espinosa, starring in the title role, brings both luminosity and strength to her powerful performance as the ambitious, visionary and resilient artist known for capturing the women of her day in an aspirational light: perfectly poised, coiffed and seemingly glowing from within. But the musical’s titular character is not so polished. Rather she’s a complicated woman — to a fault.
This might not be as much of a concern in a thick biography, but it’s harder to convey successfully in a musical where a clearer line is needed as it follows epochs of life, society and art. “History’s a bitch, but so am I,” Lempicka says slyly at the start of the show. She is an elderly woman sitting alone on a park bench in 1975 Los Angeles, all but forgotten save for her memories of a long-ago, glamorous — and turbulent — era.
Lempicka has proven to be one of the most polarizing shows of the Broadway season with some people loving it and others not so much.
Alicia Keys is speaking out after making Broadway history with her new musical Hell’s Kitchen.
Alicia Keys is a Tony Awards favorite. “Hell’s Kitchen,” featuring Keys’ music and loosely based on her teenage years, earned 13 nominations at the Tony Awards, including best musical and several nods for acting. Alicia Keys makes her dreams come true as ‘Hell’s Kitchen’ hits BroadwayAlicia Keys and Swizz Beatz host art exhibition in New YorkA post shared by Alicia Keys (@aliciakeys)Keys, who wrote the show’s score and arranged its music, shared in an interview that she lost her mind when she learned the show’s nominations.
Siddhant Adlakha A film that pivots around a court case about its own making, buried treasure documentary “A Band of Dreamers and a Judge” features hints of allure that eventually wane. Shot in Iran, where unauthorized excavations remain illegal, Hesam Eslami’s chronicle of a group of treasure hunters is an occasionally intense process piece that often loses steam, especially during its attempts at intimate portraiture.
Christian Lewis Sufjan Stevens’s indie folk concept album “Illinois”(2005) is whimsical, earnest, and sorrowful; it weaves together events and figures from Illinois history (including UFO sightings, Pullman cars, the World’s Fair of 1893, and the Lincoln/Douglas debates) with Biblical allusions and feelings of shame and loss. This multifaceted mix, often stirring and fascinating to listen to, is not an inherently logical choice for a narrative work of art — and yet, Justin Peck has devised, directed, and choreographed a 90-minute dance theater piece based on it, one that will indelibly be remembered as one of the most singular productions in recent Broadway history.
1 hour, 30 minutes, no intermission. The St.
Two hours and 30 minutes, with one intermission. At the Broadway Theatre, 53rd Street and Broadway.Forget East Egg and West Egg.
Christian Lewis F. Scott Fitzgerald’s 1925 novel “The Great Gatsby,”which captured the roaring twenties with shocking clarity,is a staple of high school curricula and has been immortalized in two famous film adaptations (in 1974 by Richard Clayton and in 2013 by Baz Lurhman). It’s most remembered for the titular character’s lavish parties, though as any good reader of the novel will tell you, the party’s are all razzle dazzle — what really matters is what’s underneath.
Aramide Tinubu “Hell’s Kitchen” opened on Broadway on April 20, 2024. The following is Aramide Tinubu’s review of the show’s Off Broadway premiere published on Nov. 19, 2023. The credits and copy have been updated to reflect any changes for the Broadway transfer. “Hell’s Kitchen,” playwright Kristoffer Diaz‘s new musical with songs by Alicia Keys, begins at a dinner table.
Frank Rizzo In Peter Morgan’s tantalizing but disappointing new play “Patriots,” Boris Berezovsky is presented as a larger-than-life oligarch in a post-Soviet Russia who transforms Vladimir Putin from a middling “nobody” to an autocrat who will transform his country in ways unforeseen at home or globally. There’s an expectation that in Morgan’s latest merging of historic fact and fiction that the writer of “The Crown” on TV, “The Audience” on stage and “The Queen” on film will once again provide an intimate and revealing look behind another well-guarded curtain, this time one that is made of iron.
finally on fire. Two hours and 40 minutes, with one intermission.
SHINee singer Onew has opened up about his decision to leave long-time label SM Entertainment.In a new interview with (x)clusive Singapore, SHINee’s Onew spoke more about why he made the choice to leave SM Entertainment, after over 15 years with the K-pop agency. The singer left the company this March and signed to Griffin Entertainment earlier this month.“You could think of it as me taking on another challenge, as I aspire to be an artist who looks further ahead rather than being complacent,” Onew told the publication in a new interview, adding that “it was not easy to decide to start anew in a new place”.Elsewhere in the interview, the SHINee singer also spoke about how to keeps his passion for music after being in the industry for so long: “I have become flexible to different situations, and I think that’s the key.”Onew is the second member of SHINee to leave SM Entertainment, following Taemin, who has since signed with Big Planet Made.
Frank Rizzo There’s a moment in David Adjmi’s play “Stereophonic” when a discordant, mid-’70s band-on-the rise hears one of its songs played back to them in the recording studio for the first time, with all its multiple tracks layered together into an artful whole. It leaves the ever-bickering band suddenly speechless, emotionally stunned and still with the realization that they have just heard something truly great.
The Broadway musical Suffs just officially opened and a star-studded crowd stepped out to check out Hillary Clinton and Malala Yousafzai‘s producing debut!
2 hours and 30 minutes, with one intermission. At the Music Box Theatre, 239 W. 45th Street.The suffragist characters of the musical “Suffs,” which opened Thursday night at the Music Box Theatre, rarely take a breath to celebrate their victories.
Frank Rizzo A musical that captures the sweep of history in all its complexities without sacrifice of character or credibility is no easy feat. But “Suffs,” which tells the story of the final push to achieve the 19th Amendment giving women the right to vote in 1920, does just that with a singular vision and a collective collaboration that is smart, inspiring and thoroughly entertaining.
Crazy Rich Asians has it’s eyes set on Broadway!
Wicked director Jon M. Chu will make his Broadway directorial debut with a new stage adaptation of his 2018 hit film Crazy Rich Asians, producers announced today.
Rebecca Rubin Senior Film and Media Reporter Break out the dumpling wrappers and mahjong sets because “Crazy Rich Asians” is coming to Broadway. The beloved romantic comedy is being developed as a Broadway musical by director Jon M.
Angelina Jolie has a new tattoo, and there’s a special meaning behind it!