‘Kubi,’ Kitano Takeshi’s Cannes-Bound Period Action Film, Picked up by Kadokawa (EXCLUSIVE)

Legendary Japanese actor-director Takeshi Kitano returns to the Croisette for the first time this year since 2010, when his film “Outrage” competed for the coveted Palme d’Or. And while “Kubi,” Kitano’s latest directorial effort, may premiere out of competition at the 76th edition of the Cannes Film Festival this month, The Film Stage still think it’ll be a festival highlight.

Naman Ramachandran In keeping with tradition, the 2023 edition of Cannes Classics promises to be a feast for cineastes with tributes to global masters and restored versions of all-time classics. Cannes Classics’ Memories of Jean-Luc Godard strand pays homage to the master who died in 2022 by screening a restored version of “Contempt” (1963); “Godard by Godard,” a self-portrait of the auteur; and the world premiere of “Phony Wars,” a trailer for a film that will never get made, described by the festival as a venture where the filmmaker “transformed his synopses into aesthetic programs.” Liv Ullman will be present at the strand with “Liv Ullmann – A Road Less Travelled,” a documentary directed by Dheeraj Akolkar.

Russell Crowe will receive the Crystal Globe Award for Outstanding Artistic Contribution to World Cinema at the 2023 Karlovy Vary International Film Festival, KVIFF organizers announced on Friday. And unlike past recipients of the Crystal Globe like Michael Caine, Julianne Moore, Mel Gibson, Judi Dench and Robert De Niro, Crowe will also perform on the festival’s opening night with his rock band, Indoor Garden Party.The festival, which takes place in a spa town outside Prague in the Czech Republic, will present Crowe with the award on its opening night, June 30.

Jennie Punter With Hot Docs’ marquee market event the Forum and its sidebar operations back to live action, and the festival’s 30th anniversary adding a layer of buzzy excitement, docmakers and industry pros from Western Canada are hauling out a bumper crop of adventurous docs for audiences and buyers, and chatting in the real world about new projects with potential Canadian and international partners and funders. Nine Western Canada-made doc features span Hot Docs’ programs, with stories that go deeper into landscapes and beyond cultural stereotypes. Kathleen Jayme’s and Asia Youngman’s “I’m Just Here for the Riot” (ESPN 30 for 30), about violence that erupted after the Vancouver Canucks’ loss of the Stanley Cup final in 2011, is one of three titles world-premiering in the Canadian Spectrum competition.

The First Slam Dunk,” an anime sports film that took the Japanese and Korean box office by storm this past winter, the indie animation distributor announced Monday. The film follows Ryota Miyagi, a small but agile point guard for Shohoku High School’s basketball team struggling to live up to the legacy of his older brother, Sota.

EXCLUSIVE: Robert Morgan’s Talaria Media has launched development on Arigato Tokyo, a new drama set in the world of women’s professional wrestling, after acquiring a feature pitch by Daytime Emmy winner Mark Blutman (Ghostwriter, Boy Meets World). Jamie Anderson is on board to direct the pic, with Morgan to exec produce.

Anna Marie de la Fuente Anime legends, producer Masao Maruyama and director Gisaburō Sugii, as well as U.S. animation producer and distributor Gkids, have joined global multimedia company N Lite and N Lite Japan to produce “Mfinda,” a first Afro-anime film which will be the subject of an in-depth first look at June’s Annecy Int’l Animation Film Festival.  Selected amongst the pitches this year at Annecy’s MIFA market in the feature film category, the N Lite original was created by Congolese-American artist Patience Lekien and Christiano Terry, founder-CEO of N Lite. “Mfinda” follows a 12-year-old Congolese girl who is taken to the mfinda, a primordial forest teeming with spirits, gods and ancestors. There she meets up with another young girl from a different time and together they set out to find the magical Nkisi, vessels that hold ancestral spirits as well as empowering materials or medicines, that will help her find her way home.

EXCLUSIVE: Here’s a first look at Alicia Vikander’s turn as Katherine Parr in the Cannes-bound Firebrand.

Patrick Frater Asia Bureau Chief Toho, Japan’s most powerful movie studio, is launching a production services offshoot intended to assist and grow foreign film and TV shoots in the country.Toho Tombo Pictures is a joint venture with Japan-based producer Georgina Pope, who has worked with the top entertainment companies around the globe for more than 30 years. The new company will be headed by Shimada Mitsuru, who currently serves as president of Toho Studios, as representative director of Toho Tombo Pictures. Pope, Ueda Koji and Toho Studios executive Sudo Tetsushi will serve as directors. Ueda is GM of international business of Toho and VP of U.S. subsidiary, Toho International, Inc.

Manori Ravindran Executive Editor of International “Drive My Car” star Hidetoshi Nishijima has signed with CAA for representation. Nishijima starred in the acclaimed 2021 Japanese feature “Drive My Car,” which was nominated for four Academy Awards, and walked away with the Oscar for best international feature film. He earned several awards for his performance in the Cannes-premiering critical darling, including best actor from the National Society of Film Critics and the Boston Film Critics Circle Awards, as well as the Japan Academy Film Prize for best actor. Nishijima will next star alongside Rashida Jones in “Sunny,” Apple TV+’s half-hour dark comedy series from A24 and Lucy Tcherniak. He also stars in Kitano Takeshi’s “Kubi,” which will premiere at the Cannes Film Festival next month.

Leo Barraclough International Features Editor The 57th edition of Karlovy Vary Intl. Film Festival, which runs June 30-July 8, has planned a retrospective program focused on Iranian cinema with a selection of films made in the past four years. The festival will also celebrate the work of Japanese filmmaker Yasuzo Masumura. Commenting on the Iranian cinema program, the festival said in a statement: “Collectively these works offer an insightful testimony of the burning creativity of Iran’s artists in face of the challenging reality. Nine mostly young filmmakers – urgent, unheard voices – who palpably bear a spiritual connection to the previous generations of their country’s greats, tackle the current reality with a remarkable sensitivity and great inventiveness.

Patrick Frater Asia Bureau Chief The Cannes Market has hitched up with the Ties That Bind and Focus Asia organizations to launch Spotlight Asia, a new industry support structure. Debuting during this year’s Cannes film festival, the program aims to foster greater film collaboration between Asia and Europe. Spotlight Asia will take the form of a series of round table discussions, short presentations and networking events between May 16-24. They will cover genres ranging from fiction to animation. The collaborative events will especially focus on the tools that potential co-producers from Europe and Asia need to equip themselves with in order to navigate the different forms of cooperative working, ranging from introducing existing funding opportunities to helping navigate each country’s specific laws and production functionalities.

Patrick Frater Asia Bureau Chief The highly-anticipated Japanese animated feature film “The First Slam Dunk” dominated the mainland China cinema box office in its opening weekend. It broke multiple records as it did so. The film scored $38.5 million (RMB266 million) over the Friday to Sunday weekend, according to data from consultancy Artisan Gateway. However, it opened on Thursday, a day earlier than is the norm in China, and has accumulated $55.2 million over the opening four-day frame. The film is based on IP that is well-known to a generation of comic book fans and TV audiences in China (early middle-aged men were reported to have been particularly interested) and has already proved a hit in other parts of Asia. (Comscore estimates that the film has grossed $211 million worldwide.)

Patrick Frater Asia Bureau Chief Rights to ‘Man in Black,” one of two documentary films by China’s Wang Bing to appear in Official Selection at Cannes this year, have been picked up by specialty sales agency Asian Shadows. The 60-minute film, which will debut as a special screening, is a portrait of 86-year-old Wang Xilin, one of China’s most important modern classical composers and is now lives in exile in Germany. It was made in close collaboration with French cinematographer Caroline Champetier, whose credits include Leos Carax’s “Holy Motors,” Amos Gitai’s “Promised Land” and Andre Techine’s “Alice and Martin.” During the 1960s, when China’s Cultural Revolution forced intellectuals into the fields and stripped the middle classes of their wealth, Wang Xilin was the was the target of severe persecution, including beatings, imprisonment and torture. The film examines the body and soul of a man scarred by a life of suffering, who is yet still capable of deep and sincere compassion.

Japanese director Hirokazu Kore-eda is a Cannes Film Festival regular at this point, with five of his last nine features premiering on the Croisette. Moreover, Kore-eda’s film do well at the fest, too: 2013’s “Like Father, Like Son” won the Jury Prize that year, while “Shoplifters” won the coveted Palme d’Or in 2018.

Ed Meza @edmezavar Studiocanal has sold two new thrillers from Benelux to international buyers at MipTV in Cannes. The eight-part crime thriller “1985,” produced by Eyeworks for Belgian public broadcasters VRT and RTBF, follows three friends as they move to Brussels and get caught up in the horrifying events of Belgium’s most notorious unsolved crime spree that shocked a generation and left a scar on the entire country. The series went to SBS Australia; Filmin for Portugal and Spain; Canal+ for France, Czech Republic and Slovakia; TG4 in Ireland; and Free TV in Israel.

Leo Barraclough International Features Editor Eco-thriller “The Swarm,” which premiered at the Berlin Film Festival, has been acquired in the U.K. by pay-TV operator Sky. Negotiations with a U.S. partner are in the final stages. The show, produced by multiple Primetime Emmy award winner and “Game of Thrones” executive producer Frank Doelger and NDF IP’s managing director Eric Welbers, is set to play on the Sky Max channel in the U.K. later this year. “The Swarm” scored huge ratings in Germany on ZDF and on Austria’s ORF. In Germany, it attracted up to 10 million views per episode (linear and catch-up combined), multiple prime time wins, and big successes within the younger target group (between the ages of 14-49).

Frank Doelger’s The Swarm has sold to the UK and Spain, while a U.S. partner is in the final stages of talks.

EXCLUSIVE: The Match Factory will be handling world sales on Wim Wenders’ Japan-set Cannes Competition entry Perfect Days.

Marcelo Cajueiro Wondery, Amazon’s premium podcast studio, announced April 13 at Rio de Janeiro’s Rio2C, Latin America’s largest creativity and innovation event, a slate of upcoming Portuguese-language titles with Brazilian podcasters for Amazon Music. “Historias da Firma,” a spin-off of storyteller Deia Freitas’ “Nao Inviabilize,” will be exclusive on Amazon Music. Freitas’ new podcast will feature weekly episodes of 10-15 minutes with funny, absurd anonymous stories that happened to employees in Brazilian companies. Chico Felitti, creator of podcasts “A Mulher da Casa Abandonada” and “Ateliê,” is developing a new true crime podcast with Wondery, which will be first available on Amazon Music.