‘Kneecap’ Helmer Rich Peppiatt Inks With Anonymous Content & WME Following Film’s Splashy Sundance Debut

Investigative documentaries are some of the most interesting films you can watch. There’s no need to create artificial drama, as the subjects are real, and you can’t help but get swept up in the investigation.

There’s a special type of frustration that comes with watching a film like Bruno Mourral’s “Kidnapping Inc.” It’s a frustration borne from a good place—you want the film to succeed—but around every corner, “Kidnapping Inc.” just can’t help but trip over itself. This is a film that showcases two really solid lead performances, highlights horrific injustice found in a country many people aren’t familiar with, and is shot in a way that makes its modest budget feel much bigger.

Emergency services have declared a major incident in Liverpool after a huge fire in the city centre risks causing a tall building to collapse. Plumes of thick black smoke have been seen pouring across the city skyline this afternoon.

EXCLUSIVE: Pinar Toprak, the Emmy-nominated composer, conductor and performer who has lent her talents to everything from the Brie Larson-led Captain Marvel to Epic Games’ hit video game Fortnite, has joined Artist International Group for representation in conjunction with her long-time agents, Kraft-Engel Management.

Filmmaker Asmae El Moudir, making her feature directorial drama, starts her non-fiction film “The Mother Of All Lies” as a modest family chronicle—an elevated home video of sorts. It is soon clear, though, that she has much more on her mind because the actual subject of her inquiry is the collective amnesia around a seminal event that changed Morocco forever, the 1981 Casablanca bread riots.

Daisy Ridley may have starred in several films since the last “Star Wars” movie, 2019’s “The Rise Of Starwalker,” but for general audiences she’ll always be Rey. Is that for better or worse? Well, even diehard “Star Wars” fans aren’t thrilled that the heroine is the paternal granddaughter of Emperor Palpatine.

The first of many misdirects of perspective occurs in the opening shot of “In a Violent Nature.” The film opens with off-screen voices in discussion as the camera fixes its glance on what appears like a slipshod frame of a tree branch in the forest. It’s an image that feels haphazardly put together, and combined with the disembodied dialogue, filmmaker Chris Nash primes the audience to perceive the scene as something akin to a DIY YouTube video.

Super Rich in Korea, hosted by GOT7‘s BamBam.Today (January 23), Netflix unveiled details for its upcoming reality TV show, titled Super Rich in Korea. According to a press release by the streaming service, the series will follow “the ultra-luxurious lives of the world’s wealthiest in the heart of Korea”.Super Rich in Korea will feature personalities such as South Korean figure Yoo Hee-ra, Singaporean entrepreneur David Yong and Arab social media celebrity Noor Naim, among others.Netflix says the show will “unveil a realm where luxury cars and haute couture are everyday sights, and exclusive parties are the norm.

It’s safe to assume that, were one to simply look at the film’s runtime or consider the basic concept surrounding the documentary “Daughters,“ there’s presumably much more to this than a simple film about a Father-Daughter dance organized for one particular group of incarcerated men and their children, separated by prison walls and an ocean of distance both physically as much as emotionally. Such dance events are commonplace; normally held annually as a way for fathers to bond with their young girls within a setting not unlike a homecoming dance or prom, most could be seen as little more than an excuse for a large group of children to burn off energy as they dash around a gymnasium to any number of DJ-provided pop hits, but there are equal parts undeniable connections made throughout the course of the evening as well as a memory both will, in all likelihood, forever cherish.

Addie Morfoot Contributor In 2013, Angela Patton gave a TEDWomen talk that described a father-daughter dance for incarcerated dads and their daughters. That talk was viewed over a million times and inspired the documentary “Daughters,” which has its world premiere Monday at the Sundance Film Festival. In the film, Patton, who in the past decade has helped arrange approximately 15 Daddy Daughter Dances across the nation, and co-director Natalie Rae follow four young girls preparing for the event with their fathers in a prison in Washington, D.C.

Gregg Goldstein In an election year when civil rights are being threatened, authoritarianism is spreading around the globe and minorities are a popular political target, it’s no wonder that films exploring the U.S. criminal justice system are everywhere you look in the Sundance Film Festival lineup. “There’s so much inequality and injustice in the justice system,” says “God Save Texas: Hometown Prison” director Richard Linklater.

EXCLUSIVE: Jason Bateman and Michael Costigan’s Aggregate Films has hired John Buderwitz to become VP of Film.  Having just exited an 8-year stint at Steven Spielberg’s Amblin Partners, Buderwitz will shepherd feature projects for Aggregate through creative development and production.

Richard Simmons has returned to social media as news hit the internet that Pauly Shore is starring in a short film portraying him. On Wednesday, The Lewis Brother YouTube channel shared an official teaser for the short titled, The Court Jester.The news made it to Simmons, who disappeared from the public eye in 2014. Taking to his Facebook, the 75-year-old wrote, “Hi Everybody! You may have heard they may be doing a movie about me with Pauly Shore.

When is an aspiring sociopolitical satire so exasperated with what it’s supposedly lampooning that its anger and indignation threaten to undermine the irony of what it’s trying to ridicule? Directed by Austrian pair Daniel Hoesl and Julia Nieman, their Sahara dry, deadpan social satire, “Veni Vidi Vici” (Latin for “I came; I saw; I conquered”)— about the untouchable nature of the rich and powerful of the world, and how consequences for their actions have largely vanished — isn’t necessarily that film.

the Hollywood Reporter.The outlet added that the project centers around a grieving son who received a dying request from his late mother.“The film is about lost objects and lonely people and forgiveness and regret, but I also think it works hard to uncover where tenderness and closeness can exist in those things,” Malia revealed in an interview about the project.“We hope you enjoy the film and it makes you feel a bit less lonely, or at least reminds you not to forget about the people who are.”The film was previously screened at the Telluride Film Festival in Colorado back in Sept. 2023, as well as the Chicago International Film Festival in Oct.

Steeped in what its audience might deem mature mythology, “The Pink Opaque,” a fantasy show aimed at teen audiences, comes on at 10:30 PM on the Young Adult Network every Saturday. Unfortunately for Owen (first played by Ian Foreman), a meek mixed-race middle school boy growing up in the 1990s, that’s past his strict bedtime.

Marta Balaga Veni, vidi, vici: “I came, I saw, I conquered,” reportedly said Julius Caesar after an especially swift victory. Now, his words echo in Daniel Hoesl and Julia Niemann’s satire about a family so powerful it can get away with murder. Literally.

EXCLUSIVE: U.S. and UK management and production firm 42 has hired Anonymous Content partner Alex Goldstone as a manager.

Alex Ritman One of the reasons Rich Peppiatt moved to Belfast was, he claims, for a quieter life with his family away from the London scene. Unfortunately, within a few months he’d become entangled with the hard-partying and anarchic Northern Irish rap group Kneecap and, as the British tabloid journalist turned filmmaker tells Variety, was “rolling home at 7 in the morning on a Tuesday.” Such nocturnal binges can now, however, be squarely put down as part of a crucial movie-making process.

EXCLUSIVE: Seth Brodie, Chief Financial Officer at Anonymous Content, is leaving the company.