Kiss to ‘Rock and Roll All Nite’ for the Final Time at Madison Square Garden

Playing a Disney Princess is a dream role, and it turns out that at least four other stars were interested in landing Anika Noni Rose‘s role as Princess Tiana in 2009′s The Princess and the Frog.

Tom Morello has joined the chorus of stars defending Meg White, calling her “one of the greatest drummers in the history of rock n roll”.The White Stripes drummer has been at the centre of a debate in recent days after journalist Lachlan Markay called her “terrible” and suggested the band would have fared better “with a half decent drummer”.Numerous musicians and fans rushed to White’s defence online, with the Rage Against The Machine guitarist now joining them. “I hear there’s some controversy on this matter lately so let me set fools straight: #MegWhite is one of the greatest drummers in the history of rock n roll,” Morello wrote on Instagram.“It’s not even a debate.

Chris Willman Senior Music Writer and Chief Music Critic Whenever country-rock pioneers of the late ‘60s and very early ‘70s come up — whether it’s the Byrds, Burritos, Poco, Michael Nesmith, et al. — the Rolling Stones tend to be left out of the conversation. Maybe that’s fine: It’s not as if there aren’t other reasons to bring them their (dead) flowers. Still, they were experimenting with hybrid genre elements as early as 1968’s “Beggars Banquet” LP. Those latent elements mostly stayed kind of latent: Even though Keith Richards — admirer of Merle Haggard, close pal of Gram Parsons — took it very seriously, Mick Jagger admitted, “I don’t know if I’m able to do it without being tongue-in-cheek.” But if the group could only move so close to country in the end, country was sure able to move closer to them over the years. Think of how many cues the loud and rowdy Southern rock movement took from the Stones before it started crossbreeding with country later in the century.

Now, this is a MAJOR power play!

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Pat Saperstein Deputy Editor They say L.A. has no history, and yet, thankfully there are still enough vestiges of the Laurel Canyon folk-rock scene of the 1970s to fully stock a throwback series like “Daisy Jones & the Six.” Set among the flowy dresses and shaggy mustaches of the city’s rock ‘n’ roll heyday, the series gives aspiring rockers Daisy Jones and Billy Dunne, played by Riley Keough and Sam Claflin, plenty of classic places to hang out, giving the gauzy musical series a grounding in a specific time and place. The show’s production designer, Jessica Kender, explains that in some cases, it was more important to capture the feeling of the era than to use the exact location. A perfect example is the front of the Six’s house in Laurel Canyon, which was designed to evoke the iconic cover of “Crosby, Stills & Nash” with the band sitting on a brown couch in front of a long-ago torn-down house.

J. Kim Murphy Bert I. Gordon, an American filmmaker whose low-budget creature features brought super-sized monsters to drive-in cinemas in the mid-20th century, died Wednesday in Los Angeles after collapsing at his home in Beverly Hills. He was 100. Gordon’s death was confirmed to the New York Times by his daughter, Patricia. In Atomic Age America, Gordon’s science-fiction B movies manifested the country’s nuclear anxieties as eye-popping apocalypse spectacles. Mostly working under shooting schedules that could total to two weeks and change at most, Gordon produced, directed and wrote more than 25 features over a career spanning six decades, including striking titles like “Village of the Giants” (1965), “How to Succeed With Sex” (1970) and “Empire of the Ants” (1977). His films “Necromancy” (1972)” and “The Food of the Gods” (1976) featured Orson Welles and Ida Lupino, respectively.

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For Elvis, prosthetic designers Jason Baird and Mark Coulier thought the bulk of their work would be transforming Tom Hanks into Colonel Tom Parker. They were surprised to find that the real challenge was the subtle changes for Austin Butler as Elvis throughout the film. Baz Luhrmann’s biopic takes a 20-year look at the unprecedented superstardom of the legendary Elvis Presley (Austin Butler.) The story is told through the eyes of his manager, Colonel Tom Parker (Tom Hanks), as he navigates Presley’s career through rock ’n’ roll, Hollywood movies, and a Las Vegas residency. As he aged, the prosthetics on Elvis needed to change gradually, to create an almost imperceptible difference to simulate his natural aging.

SZA headlined New York’s Madison Square Garden on Saturday night (March 4) and was joined onstage by Phoebe Bridgers and Cardi B.SZA is mid-way through her North American arena tour in support of her new album ‘SOS’ and was joined by a couple of special guests at the first of her New York dates.Early in the set, SZA was joined onstage by Phoebe Bridgers to perform ‘Ghost In The Machine’ live for the first time. For the next song, SZA then brought out Cardi B for the live debut of their collab ‘I Do’ before Cardi performed part of her Glorilla team-up ‘Tomorrow 2’.Taking to social media, SZA called Bridgers “a king amongst ants” and said Cardi B was a “superstar.”“I can’t believe she came through for me.

SZA made a huge splash with her hits-filled, nautically themed “SOS” tour concert at New York’s Madison Square Garden on Saturday would be a conceptually on-message but drastically understated statement: She performed 32 songs on a wildly elaborate seaside-themed stage that included a giant fake fishing boat, a dinghy that soared above the crowd and a lighthouse, brought out two fellow queens — rapper Cardi B and indie-rock titan Phoebe Bridgers, within 10 minutes of each other, no less — and played a crowd-pleasing, nearly two-hour-long set that had the audience out of their seats and singing along for virtually the entire show. The concert had a loose shipwreck storyline (“SOS,” get it?) — beginning with her sitting on a diving board like she is on the cover of “SOS,” progressing to a dockside, the boat, the dinghy, an aquarium and concluding back on the diving board — that was accompanied by scenes of a beautiful ocean, a star-filled sky and Pixar-like underwater imagery on the giant video screens on the stage. The show was so visually dazzling that it concluded with a giant cinematic “The End” on the screens and — in a classy, generous move that every major concert should employ from now on — actual closing credits, from the bandmembers to the dancers and choreographers to the technicians and truck drivers.

SZA headlined New York’s Madison Square Gardens on Saturday night (March 4) and was joined onstage by Phoebe Bridgers and Cardi B.SZA is mid-way through her North American arena tour in support of her new album ‘SOS’ and was joined by a couple of special guests at the first of her New York dates.Early in the set, SZA was joined onstage by Phoebe Bridgers to perform ‘Ghost In The Machine’ live for the first time. For the next song, SZA then brought out Cardi B for the live debut of their collab ‘I Do’ before Cardi performed part of her Glorilla team-up ‘Tomorrow 2’.Taking to social media, SZA called Bridgers “a king amongst ants” and said Cardi B was a “superstar.”“I can’t believe she came through for me.

KISS singer and guitarist Paul Stanley has spoken about the idea of a reunion of KISS’ original line-up, saying it would be more like “PISS”.The US band was formed by Stanley, singer and bassist Gene Simmons, guitarist Ace Frehley and drummer Peter Criss in 1973. However, Frehley and Criss went on to leave the band in the ‘80s, although both have performed with the band since.In their current form, KISS features Stanley, Simmons, guitarist Tommy Thayer and drummer Eric Singer.In a new interview, Stanley was asked why the band had not performed at their Rock & Roll Hall Of Fame induction in 2014 – and if it was because Thayer and Singer were not included in the inductions. “The hypocrisy is that we’re not a band they like,” the guitarist told The Howard Stern Show.

KISS goodbye.Gene Simmons, Paul Stanley, Eric Singer and Tommy Thayer announced on Howard Stern that there are are just 21 shows and festival dates remaining on their long-running ‘End of the Road’ Tour.And, in a fitting tribute to their storied six-decade career, the band will play their final two shows in their home New York City at Madison Square Garden on Dec. 1 and Dec.

Thania Garcia Kiss have announced the “absolute final shows of their final tour,” a North American leg that kicks off in October and closes with two back-to-back nights at New York City’s Madison Square Garden on Dec. 1 and 2. These dates are pegged to the band’s “End of the Road Tour,” which started in 2018 and was originally scheduled to end in 2021, but was delayed due to the pandemic. The long-winded trek is the band’s self-proclaimed final retirement send-off, though the band’s touring career has notably been extended several times following a “Farewell Tour” in 2000. The band made the announcement on Howard Stern’s SiriusXM show.

The ever-touring rock band KISS announced today that the road will end where it began: New York City. The iconic rockers, including original members Gene Simmons and Paul Stanley, will play their final show ever this December at Madison Square Garden.

Austin Butler had some tough expectations to live up to when he signed on to portray Elvis Presley in the Baz Luhrmann biopic, not only from fans, but of course from Priscilla Presley and the rest of the singer's legacy, the late Lisa Marie Presley and Riley Keough.The actor has been widely lauded for this portrayal as the late King of Rock in the critically-acclaimed movie, earning both a Golden Globe win and an Oscar nomination, but most importantly, the approval from Elvis' family.As the Oscars approach, and so does a possible first-time win for the actor, Elvis' first granddaughter, Riley, revealed her tearful reaction to seeing her grandfather's life reenacted.WATCH: Austin Butler pays tribute Presley family following Lisa Marie death after BAFTA winMORE: Riley Keough reveals her husband Ben Smith-Petersen makes an appearance on Daisy Jones & the SixDuring a recent appearance on Live! With Kelly and Ryan, she opened up about how emotional she was, for a week, after seeing the film."I think he was outstanding and incredible," she first maintained about Austin's portrayal, adding: "I couldn't have imagined anyone being able to pull off what he did in terms of embodying my grandfather."MORE: See how Riley Keough paid homage to grandfather Elvis Presley on Daisy Jones and the SixRecalling how much of an impact it had on her, she said: "It was really shocking and emotional.

Noel Gallagher’s High Flying Birds have been announced to headline Sheffield’s Rock N Roll Circus 2023.The former Oasis singer-songwriter topped the bill at the inaugural Rock N Roll Circus in Newcastle last summer, with organisers announcing he will now return for a second year alongside Happy Mondays, The Cribs, The Joy Formidable and Somebody’s Child.The concert will take place at Don Valley Bowl on Friday, September 1, with a series of concerts continuing across the weekend (September 2, 3). Pre-sale tickets go live this Wednesday, March 1 at 10am GMT from here, with general sale available from Friday, March 3 at 10am GMT.“We’re proud to be bringing our event to South Yorkshire.

Author Taylor Jenkins Reid wrote her best-selling novel, “Daisy Jones & the Six,” with a fictional band in the image of Fleetwood Mac. Fleetwood Mac’s multi-platinum 1977 album “Rumors” changed everything for the band, but the tensions between the bandmates became just as notable as their music.

Patrick Warburton has arguably one of the most recognizable faces and voices in the entertainment industry. From his iconic "Puddy" character on "Seinfeld" to voicing paraplegic cop Joe Swanson on nearly 300 episodes of "Family Guy" and greeting guests during the Soarin' Around the World instructional video at Disney's California Adventure, Warburton's signature baritone voice and charming disposition are unmistakable.