Pending Woody Allen’s final and absolute cancellation, few directors have emerged to take his place as an erudite and literary artist whose work combines snappy wordplay, base sex jokes and a philosophical willingness to stare into the abyss. Jesse Eisenberg staked a tentative claim to that throne with his 2022 debut When You Finish Saving the World, an amiable but scrappy political satire about a left-wing mother and son, but his follow-up makes a stronger case, being much more adult, less broadly scripted, and as depressing as Woody Allen circa Stardust Memories (which his sophomore film as director obliquely resembles, with its talk of chance, fate and irony).