Jarvis Cocker decided to pay tribute to a Beatles legend during Pulp's Friday night headline slot at TRNSMT.
22.06.2023 - 09:59 / nme.com
Jarvis Cocker and Richard Hawley celebrated the release of Wes Anderson’s Asteroid City last night at a tiny, immersive gig in London.Cocker and Hawley have written two songs for Anderson’s new film, in which they play as the group Gauchos Calientes.“Welcome to the Asteroid City diner,” Cocker told the crowd by way of a welcome at an immersive exhibition dedicated to the film at 180 Studios on the Strand on Wednesday June 22. “You didn’t realise, but as soon as you walked into this place, you travelled back to the year 1955.”He continued: “A lot of things happened that year, didn’t they? I wasn’t alive, but they did happen.
We are a group called Gauchos Calientes, and in the film we get stranded in Asteroid City and we’re going to play you two songs that are featured in the film.”Opening with the western-inspired croon of ‘You Can’t Wake Up If You Don’t Fall Asleep’, Cocker told the crowd of its title: “This is a phrase that gets repeated a few times in the film, which you can think about whilst you listen to the song.”At the show, Hawley and Cocker were joined by banjoist Jean-Yves Lozac’h and double bassist Perè Mallén, both of whom appear in the film, while Anderson himself was also in attendance in the front rows of the crowd.Before playing the newly-released Asteroid City song ‘Dear Alien (Who Art in Heaven)’, Cocker said: “Another potential plot spoiler now. This is a song written by a young child that has seen something that visits the town and changes the course of human history and the destiny of all the people within the town.”The band then went on to play three more tracks, including covers of Elizabeth Cotton’s skiffle track ‘Freight Train’ and Ricky Nelson’s ‘Lonesome Town’.
Jarvis Cocker decided to pay tribute to a Beatles legend during Pulp's Friday night headline slot at TRNSMT.
Naman Ramachandran Disney’s “Indiana Jones and the Dial of Destiny” debuted atop the U.K. and Ireland box office with £7.1 million ($9 million), according to numbers released by Comscore. The release marked the fifth biggest opening weekend for a film in 2023 in the territory, including previews, with a market share of 43%. In its fifth weekend, Sony’s “Spider-Man: Across the Spider-Verse” racked up a further £1.5 million in second place, taking its total to £25.9 million. Universal’s “Ruby Gillman, Teenage Kraken” debuted in third position with £885,056. In its sixth weekend, Disney’s “The Little Mermaid” earned £837,859 in fourth place for a total of £25 million.
Refresh for latest…: Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny is off to a disappointing start with a $130M global opening. Of that, $70M is from 52 international box office markets as the the fifth installment in the beloved 42-year-old franchise came in below projections.
It’s time for one last adventure with Indiana Jones, and a few new faces are joining our favorite archaeologist — including Shaunette Renée Wilson‘s Agent Mason.
Wes Anderson has said he’s afraid to look at people’s TikTok tributes of his films.During a new interview with Le Monde, Anderson opened up about the new trend on the video streaming platform, which has seen users turning everyday content into Anderson-esque footage using elements of his signature style.Anderson told the publication he wasn’t a fan of the the videos, saying: “I protect myself from that. I’d be afraid to think: ‘Is this really how people see my films?'”He did say that he was a fan of the Accidentally Wes Anderson Instagram account, which posts photos that look like they are from an Anderson film.
Pulp have announced the door times, curfew and stage times for their upcoming show at London’s Finsbury Park this weekend (Saturday July 1). Check them out below.The returning Jarvis Cocker-fronted Britpop heroes will be returning to the London venue for the first time since their legendary Hyde Park show back in 1998 – as documented in the concert move The Park Is Mine.After the gates open at 3pm, the first support act on will be Exotic Gardens at 5.05pm before cult indie hero Baxter Dury takes to the stage at 6pm and BRIT Award-winning Isle Of Wight art-pop stars Wet Leg at 7.10pm, before Pulp’s headline set kicks off at 8.40pm with a strict curfew of 10.30pm.
Despite “Asteroid City” receiving mixed-to-positive reviews, it appears Wes Anderson still has a ton of fans out there excitedly rushing to theaters to see his work, with the film earning a really solid opening weekend box office. However, while “Asteroid City” has only just hit theaters, all eyes are on what he has next, a new Netflix film, “The Wonderful Story of Henry Sugar,” which is expected to arrive later this year.
Erik ten Hag is only just in his second summer in charge of Manchester United but he has ruled with an iron fist.
Wes Anderson’s “Asteroid City” is in wide release this weekend (read our review), and as we’ve noted over the last few weeks, the filmmaker is moving at a quick pace never seen before in his career. 2022 and 2023 saw back-to-back Cannes premieres, “The French Dispatch” and “Asteroid City,” and later this year, he will release yet another film for Netflix, “The Wonderful Story of Henry Sugar,” which is actually only 37 minutes long.
“Mission: Impossible – Dead Reckoning Part One”The Spanish Steps, RomeIt was a gorgeous day on the Spanish Steps in La Bella Roma, as Paramount Pictures got rid of the mobs of summer tourists usually found here and rolled a red carpet all the way down the 135-step staircase to celebrate the global premiere of “Mission: Impossible – Dead Reeckoning Part One.”Of course Tom Cruise was front and center, as he’s the now 60-year-old face of the franchise that he began when he was 35; this one is the seventh in the series, and as usual is also filled with beautiful, much younger women. They were all in Rome, too, including Rebecca Ferguson (39), who is a veteran of the “M:I” flicks, as is Vanessa Kirby (35), along with franchise newcomers Hayley Atwell (41), Pom Klementieff (37) and Mariela Garriga (34).Our favorite Farmboy, Cary Elwes, also stars (he’s 60 too, if you were wondering) and joined the glitzy celebration, as did the flick’s other male co-stars Simon Pegg, Esai Morales, Henry Cznery and Shea Whigham, along with writer/director Christopher McQuarrie.
Already in limited release, Wes Anderson’s “Asteroid City” opens in a wider release this weekend, Friday, June 23. Essentially split into two parts, the film centers on a grieving father (Jason Schwartzman) who travels with his tech-obsessed family to a small rural ‘Asteroid City’ to compete in a junior stargazing event, only to have his perspective on life— his cosmology as it where— disrupted forever by world-altering events.
Margot Robbie, Matt Dillon, Tilda Swinton, Edward Norton and Steve Carell couldn’t make it today for what’s already resembling an Oscars’ night selfie. Who we do have is Scarlett Johansson, Maya Hawke, Adrien Brody, Tom Hanks, Jeffrey Wright and Bryan Cranston, plus the director himself, Wes Anderson. So, what makes this quirky comedy-romance-sci-fi set around a 1955 junior stargazer competition in the desert such a hot ticket? Well, it’s a Wes Anderson movie.
Wes Anderson’s Asteroid City has been released – check it out below.Set during a junior stargazer convention in 1950s America, the film stars a mix of new and frequent collaborators from Anderson’s past works, including Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston and Edward Norton.The comedy-drama had its world premiere at the Cannes Film Festival in May 2023, where it competed for the Palme d’Or prize. It was later released in cinemas on June 23.Alexandre Desplat created the film’s score, who has previously worked with Anderson on Fantastic Mr. Fox, Moonrise Kingdom, The Grand Budapest Hotel, Isle Of Dogs and The French Dispatch.His other notable credits include Guillermo Del Toro’s Shape Of Water, Little Women directed by Greta Gerwig and both parts of Harry Potter And The Deathly Hallows.Desplat’s score is joined by various other country-orientated songs, including tracks by The Springfields featuring Dusty Springfield, Slim Whitman and Bing Crosby.Jarvis Cocker, who has a cameo in the film, contributes two original songs to the soundtrack titled ‘Dear Alien (Who Art In Heaven)’ and ‘You Can’t Wake Up If You Don’t Fall Asleep’.
Wes Anderson has become one of the most recogniseable auteur filmmakers in Hollywood through his unique visual and narrative style.The director made his feature film debut with 1996’s Bottle Rocket, which also marked the acting debut of brothers Owen and Luke Wilson. Over his career, he’s been nominated for 15 Oscars and 20 BAFTAs, winning five of the latter for The Grand Budapest Hotel.His latest film is Asteroid City which, like nearly all his works, features a huge ensemble cast including Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston, Margot Robbie and Edward Norton.Asteroid City is the director’s eleventh feature film, and the eighth time he’s collaborated with Schwartzman, who first debuted in his 1998 film Rushmore.
Asteroid City from director Wes Anderson boasts another impressive ensemble cast.Set during a junior stargazer convention in 1950s America, the film stars a mix of new and frequent collaborators from Anderson’s past works, including Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Bryan Cranston and Edward Norton.The comedy-drama had its world premiere at the Cannes Film Festival in May 2023, where it competed for the Palme d’Or prize. It was later released in cinemas on June 23.Despite being set in western America, Asteroid City was filmed between two small towns outside of Madrid, Spain.
@BryanCranston @MayaHawke @AsteroidCity #WWHL pic.twitter.com/A7mNJbnfHpCranston went on to describe Anderson as a director and as a person, summarizing what makes so many A-list stars want to work with the filmmaker.“He is a lovely, vulnerable, wonderful, kind, generous man,” Cranston said. “And that’s why everybody wants to work with him.
Warner Bros DC’s The Flash, despite tumbling down with a $55M start, will remain atop the box office with a $16.5M-$24.7M second weekend take as the marketplace largely takes a breath sans tentpoles before Disney/Lucasfilm’s Indiana Jones and the Dial of Destiny arrives for the Independent Day stretch. That weekend 2 slide for The Flash reps a 55% to 70% decline.
Wes Anderson’s soundtracks were initially known for their Rolling Stones, David Bowie, The Who, and lots of ’60s and 70s rock at first. Eventually, that started to change; Anderson split with composer Mark Mothersbaugh, found a new ally in French composer Alexandre Desplat, and the music choices were less immediately identifiable, not quite as conventionally hip, but still tasteful choices (think the use of Hank Williams in “Moonrise Kingdom,” The Bobby Fuller Band in “Fantastic Mr.
Asteroid City delivered a massive jolt to the arthouse and specialty world this weekend as the Wes Anderson film presented by Focus Features blew past records with an estimated $790k three-day gross and $890k estimated for the four-day weekend in just six theaters.
Wes Anderson has stated that Netflix was the perfect place for his new short film, because “it’s not really a movie”.The director, whose new film Asteroid City will arrive in cinemas later this month, has directed a Roald Dahl adaptation for the streaming service, which is set to be released later this year.Anderson’s The Wonderful Story of Henry Sugar, which is based on Dahl’s short story collection from 1977, stars Ralph Fiennes, Benedict Cumberbatch and Ben Kingsley.In a new interview with IndieWire, the director revealed that his new film will be just 37 minutes long. He said that he had wanted to adapt the short story collection for 20 years, but “by the time I was ready to do it”, the rights to Dahl’s works had been sold to Netflix.“Suddenly, in essence, there was nowhere else you could do it since they own it,” Anderson said, suggesting he only worked with Netflix because he had no choice.The director then added: “But beyond it, because it’s a 37-minute movie, [Netflix] was the perfect place to do it because it’s not really a movie.”Anderson said that he “had only a good experience with Netflix”, but added: “I’m very happy to be putting Asteroid City in cinemas.