Japan Streaming Video: AVOD Platform TVer Surges as Market Slows

Patrick Frater Asia Bureau Chief “Fly Me to the Moon,” a work-in-progress from Hong Kong, dominated the prizes presented at the Hong Kong – Asia Film Financing Forum project market. It collected five awards and was invited to continue its journey at Cannes in May. Directed by first-time feature maker Sasha Chuk and produced by the veteran Stanley Kwan, the film tells the tale of a pair of sisters moving from Hunan to Hong Kong in the 1990s. They are faced with an identity crisis, poverty and their father’s drug addiction. It entered the market with $640,000 of its intended $705,000 production budget in place, and more than filled the gap with the prizes announced on Wednesday.

Patrick Frater Asia Bureau Chief Filming has begun on Tom Waller’s true-crime thriller, “Kiss of the Con Queen,” with real-life victim Eoin O’Brien (“The Last Full Measure”) taking the lead role. He plays actor duped by an impersonator to travel to Indonesia on the promise of auditions for a leading role in a DC origins series, only to discover that he had been scammed by the infamous Con Queen of Hollywood. In the real world, the alleged perpetrator, 41-year-old Indonesian food blogger Hargobind Tahilramani, is accused of pretending to be both male and female Hollywood executives and having swindled hundreds of victims of millions of dollars. He was arrested in 2020 after an FBI manhunt and is currently in prison in the U.K. where he is fighting against possible extradition to the U.S. The U.K. court hearings have been dramatic and disturbing.

Patrick Frater Asia Bureau Chief U.S.- and Japan-based screen writer and producer Aoyagi Yumiko has signed with Creative Artists Agency (CAA) for talent representation. Born in Yokohama, Japan, but having grown up in Los Angeles and graduated from Sophia University in Tokyo, Aoyagi now works across both the Japanese and U.S. film and TV industries. She debuted as a screenwriter in 1995, writing the fourth episode of the Fuji TV series “Seiga wa Tatsu” before winning Galaxy Award prizes for telefilm “Saigo no Kazoku Ryoky: Family Affair.” In 2003, she wrote the show “Kokoro,” becoming the youngest person ever to write for the coveted morning slot on Japan’s national public broadcaster, NHK. The slot about a young woman’s development in a traditional neighborhood in Tokyo, has a continuous history of over 60 years and is known as “the face of Japan.”

Patrick Frater Asia Bureau Chief U.K.- and Hong Kong-based company Phoenix Waters Prods. has formally partnered with Hong Kong’s Agog Films to create Phoenix Waters Asia, a new venture aimed at increasing content production in Asia. The venture was announced on the sidelines of a film investment conference held Tuesday in Hong Kong at the FilMart rights market, where Phoenix Waters Prods. CEO Bizhan Tong was a speaker. The two companies previously collaborated on “Chungking Mansions,” an ambitious pan-Asian action film on which Tong is director, and where production was previously scheduled for last year. Tong told Variety that lensing will start later this year, “after address any issues that could hinder filming in Hong Kong.”

Patrick Frater Asia Bureau Chief Hong Kong-based indie sales agent Good Move Media has added Japanese music drama “Plastic” to its FilMart slate. The film is directed by Miyazaki Daisuke, the Japanese helmer behind “Yamato (California),” which had festival play in 2016, and 2019 slacker youth title “Tourism” in 2019. The new picture is the story of teenagers Juna and Ibuki, who set out to find the psychedelic rock band Exne Kedy. Exne Kedy is a fictional creation from musician Ide Kensuke, who previously released punky album “Kensuke Ide With His Mothership — Contact From Exne Kedy and the Poltergeists,” but the band is actually credited as performing and providing part of the music track in the film. “Plastic” is recently completed and headed for a theatrical release in Japan in July.

Patrick Frater Asia Bureau Chief The Far East Film Festival in Udine, Italy, is back in full force in 2023, celebrating its 25th anniversary edition from April 21–29. A key component of the celebrations will be a focus on the Asian films of the 1980s. “We have never programmed these films, nor put together this kind of program before,” says Thomas Bertacche, the FEFF’s co-head. “But these were the films and directors that inspired us to shape Udine into the festival that it is today.” Pitching the historical lineup as “hidden treasures,” the selection is expected to include early works by Japan’s Kurosawa Kiyoshi, Thailand’s Nonzee Nimibutr and South Korea’s Jan Sung-woo.

Roberto Stabile, head of special projects, Directorate General for Cinema and Audiovisual-Ministry of Culture at Cinecittà, told Variety. “This support will increase the presence of Italian audiovisual content not only in cinemas, but also on streaming platforms, online distribution, television, everything,” he added.

Patrick Frater Asia Bureau Chief The much-decorated Japanese drama “Drive My Car” was named the best film Sunday at the Asian Film Awards, defeating hot favorite “Decision to Leave.” Other notable awards went to Japan’s Hirokazu Kore-eda whose “Broker” debuted at Cannes, but which was largely shunned in his home country. “Decision to Leave,” which started the evening with ten nominations, was nevertheless rewarded with three awards, best screenplay, best production design and best actress for China’s Tang Wei.

Mark Schilling Japan Correspondent Ishikawa Kei’s drama “A Man” took eight prizes at the 46th Japan Academy Film Prize ceremony, held on Friday at the Grand Prince Hotel New Takawana in Tokyo. The film, premiered at last year’s Venice Film Festival in the Horizons section, had been nominated for 13 awards in 12 categories. In addition to the best picture award, Ishikawa won best director, while the film’s writer Mukai Kosuke won best screenplay, and its star Tsumabuchi Satoshi won best actor. In “A Man,” Satoshi plays a Korean lawyer who goes on a search for the truth about a man, killed in an accident, who was living under false identity. Best supporting actor went to Kubota Masataka for his portrayal of the mystery man, while Ando Sakura took best supporting actress her performance as his wife. The film also won best sound recording and best editing honors.

Patrick Frater Asia Bureau Chief American musical comedy film “Lyle Lyle Crocodile,” is set to release in mainland China cinemas, having received approvals for import and distribution from Chinese authorities. It will play in China from April 15, 2023. The film was released in North America in early October last year and many other territories at the end of 2022. Parts of Asia have been later to receive the title with Korea and Taiwan play it from January and Japan set to open it from March 24. The film has grossed $108 million worldwide, with $60.9 million of that coming from international markets and $46.8 million from the North American domestic market, studio backer Sony Pictures reported.

While it's nothing new, and we're certainly not complaining, Harry Styles' name is inescapable right now.

Japanese streamer U-Next has renewed its content deal with Warner Bros Discovery, under which it will continue to be the SVOD streaming home of HBO programming in Japan. 

Patrick Frater Asia Bureau Chief Warner Bros. Discovery and Japan’s U-Next have announced an extension of their relationship with a renewed deal to supply content to the SVOD platform. The agreement sees U-Next continue as the streaming home of HBO in Japan. Featuring exclusive content rights for HBO, HBO Original and HBO Max Original series, the strengthened agreement includes: current and future seasons of HBO’s “House of the Dragon,” “The Last of Us” and “Succession” as well as returning HBO Original and HBO Max Original series “True Detective: Night Country,” “Winning Time: The Rise of the Lakers Dynasty” and “And Just Like That…”

Chuckle all you want about the last Blockbuster and its “be kind, rewind” smiley-face stickers. Nostalgic jokes aside, though, the arena once known as home video (digital sell-thru, rentals and even, yes, physical discs) remains a key variable in the Hollywood film equation — particularly now, as studios retool their streaming strategies and lean into the box office revival.

Patrick Frater Asia Bureau Chief Saudi Arabia’s sovereign wealth fund Public Investment Fund (PIF) has increased its stake in Japanese film and TV studio Toei Company, from 5% to 6.03%, according to a report by the Reuters financial news agency. The move comes shortly after Toei published a ten-year plan for international expansion. Toei includes film and TV production operations, the T-Joy cinema chain and Toei Animation. Last month, it said that it had beaten its film revenue record, thanks to the success of titles including “The First Slam Dunk,” “The Legend of Butterfly” and “One Piece Film Red.” The stake increase also follows PIF’s February announcement that it had increased its stake in Japanese games and console maker Nintendo to 8.26% and that (along with the Singapore state fund GIC) was a buyer of a $966 million bond issue from Korean entertainment-tech firm Kakao Corp.

Patrick Frater Asia Bureau Chief Global streaming operation Netflix is forecast to spend $1.9 billion on local content in the Asia-Pacific region this year as group revenue from the region accelerates to 12%, according to a new report. The content investment spending figure represents a 15% hike. Netflix will grow revenues this year by 12% year-on-year to exceed $4 billion compared with 9% growth in 2022, says a new report published on Monday by Media Partners Asia.

Patrick Frater Asia Bureau Chief Weekend honors at the South Korean box office went to the Japanese animation film “Demon Slayer: Kimetsu No Yaiba – To The Swordsmith Village,” the latest installment in the “Demon Slayer” film and TV franchise. It earned $2.31 million between Friday and Sunday, for nearly a quarter of the total weekend cinema business, according to data from Kobis, the tracking service operated by the Korean Film Council (KOFIC).

Todd Spangler NY Digital Editor AMC Networks’ Sentai Filmworks unit reached an agreement with Japan’s Mainichi Broadcasting System (MBS) that provides exclusive rights for AMC’s anime-focused HIDIVE streaming service to distribute part of MBS’s future programming lineup in all global markets outside of Asia. The pact is Sentai’s biggest-ever deal for anime content, according to the company. The output deal encompasses MBS’s programming slate based on a collection of popular manga and light novel titles. All of the shows will be available exclusively on HIDIVE outside of Asia. Among the shows covered in the Sentai-MBS output is “The Most Heretical Last Boss Queen: From Villainess to Savior” (pictured above). The new show, scheduled to premiere in July 2023, is a 12-episode series based on hit fantasy light novel by Tenichi and published by Ichijinsha. The series is being directed by Norio Nitta and written by Deko Akao with animation by OLM.

BBC Studios Renews Pact With ZDF

Patrick Frater Asia Bureau Chief Multi-territory Asian streaming service Viu has publicly disclosed key performance metrics for the first time and said that it was cash flow positive on an annual basis in 2022. The company, which operates in 16 Asian and Middle East markets and is seen as a rare success story in regional streaming, counts Hong Kong conglomerate PCCW as its principal shareholder, which also unveiled its own profits and loss figures for the 2022 calendar year. Viu which operates both ad-supported and paying tiers, said that it had 66.4 monthly active users in 2022, an increase of 13% year-on-year. Paying subscribers increased by 45% to 12.2 million over the same period.