India’s Jio Studios Unveils Content Slate of 100-Titles

EXCLUSIVE: Robert Morgan’s Talaria Media has launched development on Arigato Tokyo, a new drama set in the world of women’s professional wrestling, after acquiring a feature pitch by Daytime Emmy winner Mark Blutman (Ghostwriter, Boy Meets World). Jamie Anderson is on board to direct the pic, with Morgan to exec produce.

Naman Ramachandran Indian streamer Sony LIV and production house Applause Entertainment have extended their existing partnership with two new series and renewals for four more. Among the new series, “36 Days,” produced in association with BBC Studios India is a suspense thriller, directed by Vishal Furia, featuring an ensemble cast including Neha Sharma, Purab Kohli, Shruti Seth, Chandan Roy Sanyal, Amruta Khanvilkar, Sharib Hashmi, Shernaz Patel, Faishal Rashid, Chahat Vig and Kenneth Desai. “Kafas” (“Cage”) is a social drama series starring Sharman Joshi, Mona Singh, Vivan Bhathena, Preeti Jhangiani and Mikail Gandhi in lead roles and directed by Sahil Sangha.

Viacom18 have revealed a multi-year agreement making JioCinema India’s new streaming home for HBO, Max Original and Warner Bros. content from May. The WBD content had previously been carried on the Disney-owned Star TV platform. But the deal with Star expired at the end of March. WBD sources have confirmed that, except for a handful of shows licensed to third parties, HBO content has been absent from Indian airwaves since the beginning of the month. The new deal is another major victory for Mukesh Ambani, one of India’s richest and most politically influential businessmen. His Reliance Industries Limited (RIL) is behind Viacom18 and the JioCinema streaming platform, as well as India’s dominant cellular phone and broadband internet providers.

Warner Bros Discovery has signed a multi-year licensing deal with Viacom18 under which its JioCinema service will become the new streaming home of HBO, Max Original and Warner Bros content in India starting next month. 

Naman Ramachandran Internationally sourced programming and stories placed alongside local content could be a solution to bring audiences back to Indian cinemas, a high-powered panel debated. The panel was part of Indiantelevision.com’s annual industry event, The Content Hub, that recently concluded in Mumbai. Mayank Shroff, head of film distribution at Cinepolis, the Indian division of Latin American exhibition giant Cinepolis, said that while footfalls were back to 85% of pre-pandemic days, an innovative approach is required to bring the rest of the audiences back. Shroff pointed to the success of Makoto Shinkai’s anime film “Suzume,” which accounted for 20% of the Cinepolis box office over the past weekend and “Evil Dead Rise,” which also pulled in decent numbers, both in the face of stiff competition from Eid holiday release “Kisi Ka Bhai Kisi Ki Jaan,” starring superstar Salman Khan. Shroff also said that there was demand for Korean films and K-pop concerts, notably by BTS, streamed into cinemas live or as recordings. He added that that the international content was working in their original languages in the metropolises and can be customized into local languages for release in tier 2 and 3 centers.

Naman Ramachandran A galaxy of senior Indian content creators shared their insights on burning topics dominating the local landscape. They were speaking at at Indiantelevision.com’s annual industry event, The Content Hub, in Mumbai on Tuesday. At the Content Creation: No More Formulas panel, Shobha Sant, head of content alliances at Jio Studios, broke down the process behind the selection of its 100-title slate. Sant said that the selection was the result of five years of very a definite plan in terms of understanding audience segmentation and what people are watching.

Naman Ramachandran Gaurav Banerjee, head of content at Disney+ Hotstar, India, has revealed the streamer’s growth strategy in the country. Banerjee was speaking at Indiantelevision.com’s annual industry event, The Content Hub, in Mumbai on Tuesday, in conversation with the organization’s founder, CEO and editor-in-chief Anil Wanvari. The thrust is to expand original programming in languages beyond Hindi, Banerjee said. “We recognized early on that massive growth in India is going to come by thinking about our content strategy and multiple languages, and not just in Hindi,” Banerjee said. The streamer currently commissions in the Hindi, Tamil and Telugu languages and also programs in the Malayalam language.

Netflix has said it will invest $2.5BN in South Korean series, films and unscripted shows over the next four years.

An oft-heard lament on the part of international distribution is that Italy is impossible to program in the summer. In 2019, there was an effort on the part of the studios and the local industry to steer the season in a different direction resulting in record results, but the pandemic halted momentum. 

The Cannes Film Festival has announced a raft of new additions to the Official Selection of its 76th edition running May 16 to 27.

K.J. Yossman Netflix has unveiled its slate for Annecy International Animation Film Festival with highlights including “Chicken Run: Dawn of the Nugget” and “Nimona.” The streamer is returning to the French animation festival next month with a range of events including panels, screenings and Q&As. They include a panel titled “From Chicken Run: Dawn of the Nugget to Blue Eye Samurai – See What’s Next @ Netflix” and a special screening of graphic novel adaptation “Nimona” with the project’s directors Nick Bruno and Troy Quane as well as creator ND Stevenson, which will be followed by a “making of” session. Netflix’s main panel promises to give fans a sneak peek at a number of upcoming projects including:

Patrick Frater Asia Bureau Chief Director Stanley Tong (“Rumble in the Bronx”) is to team up with Jackie Chan for the tenth time on “The Legend.” State media in China report that Chan, who recently reached the top spot in the mainland Chinese box office with aged stuntman comedy “Ride On,” will play an archaeologist on a quest through time and space. With production by Bona Film Group, “The Legend” is pitched as being in the same vein as Tong and Chan’s 2005 effort “The Myth,” which was a fantasy love story. Tong and Chan have worked together on other titles including “Police Story 3,” “Supercop” and “Vanguard.” India’s Jio Studios is backing “Khashaba,” a Marathi-language film on the life of India’s first Olympic medalist Khasaba Dadasaheb. After delivering the sleeper hit Sairat and Fandry, the new film will be directed by Nagraj Manjule. The title is considered as part of Jio Studio’s ambition to deliver more than 100 stories this year. With production to begin shortly, the film will be mounted on a large scale. “Along with entertaining the audience, this film will also introduce the audience to a brave and exceptional athlete who made India proud all over the world,” said Manjule. “Khashaba” will be presented by JioStudios and produced by Aatpat Production, Jyoti Deshpande and Manjule.

Reliance Industries’ Indian content arm Jio Studios is teaming with Indian filmmaker Nagraj Manjule to make a Marathi-language film about India’s first Olympic medallist, freestyle wrestler Khashaba Dadasaheb Jadhav (a.k.a. Khashaba). 

Patrick Frater Asia Bureau Chief The Indian Film Festival of Los Angeles is expanding its efforts to engage the industry side of the business and in June will host its inaugural IFFLA Industry Day. The festival was founded in 2002 and, now in its third decade of operation, has pivoted to a strategy of year-round programming and events. The center piece of the IFFLA Industry Day will be a pitch competition that involves selected emerging and established film and TV writers and directors who pitch their upcoming project to a panel of executives from different sectors of the industry. The executives and a live public audience will provide feedback and heighten the sense of discovery. The winner will receive a $10,000 development grant.

Currently riding high on the success of Netflix series Rana Naidu, Indian production outfit Locomotive Global is building out its slate through a string of deals with companies including All3Media and Endemol Shine India.

Pat Saperstein Deputy Editor The Cannes Film Festival has unveiled the poster for the 76th edition featuring none other than Gallic cinema icon Catherine Deneuve. The black and white photo pictures the noted performer in the film “La Chamade” (Heartbeat), directed by Alain Cavalier. Shot in 1968 on Pampelonne beach, near Saint-Tropez, the film stars Deneuve as Lucile, who the festival describes as living a “worldly and superficial life, tinged with ease and a taste for luxury. Her heart beats frantically, hurriedly, passionately.” The festival called her “an embodiment of cinema, far from what is conventional or appropriate. Without compromise and always in tune with her convictions, even if it means going against the grain of the times,” recalling that Deneuve has been the muse of filmmakers including Jacques Demy, Agnès Varda, Luis Buñuel, François Truffaut, Marco Ferreri, Manoel de Oliveira, André Téchiné, Emmanuelle Bercot and Arnaud Desplechin.

Netflix Orders Season 2 Of ‘Rana Naidu’

Naman Ramachandran “Rana Naidu,” the Indian adaptation of “Ray Donovan,” has been renewed for a second season by Netflix. The news emerged the same day that Netflix announced a 1.75 million jump in subscriptions worldwide. The action thriller that stars Venkatesh Daggubati and Rana Daggubati trended on the No.1 spot as the most watched series in India for three consecutive weeks after launch last month and continues to be in the top 10 series in India for the fifth week in a row. It trended in Netflix’s global top 10 for non-English TV for two weeks after it launched on March 10.

Elsa Keslassy International Correspondent Rolling off a successful edition that premiered Charlotte Wells’ celebrated film “Aftersun” with Paul Mescal, Cannes’ Critics Week is back with an international lineup spanning South Korea and Malaysia to France and Jordan, among others. The Critics Week sidebar runs parallel to the Cannes Film Festival, and focuses on first and second films. Under the leadership of artistic director Ava Cahen since last year, the lineup will boast 11 feature films chosen from 1,000 submitted movies. Out of these 11 movies, seven are feature debuts and six are directed by women. Among them is “Ama Gloria,” directed by French helmer Marie Amachoukeli, who previously won Cannes’ Golden Camera for “Party Girl” which she co-directed with Claire Burger and Samuel Theis.

Leo Barraclough International Features Editor ZDF Studios has secured the global distribution rights (excluding India) for “Colonies in Conflict,” a feature-length documentary that examines the perilous existence of wild bees in a fast-changing Indian landscape. Last year, the film was a finalist at the Jackson Wild Media Awards and won the best independent production award at Rotterdam’s Wildlife Film Festival. “Colonies in Conflict,” which is directed and written by Rajani Mani (“Miles to Go,” “In God’s Own Country,” “Food? Health? Hope?”), focuses on the threat to honeybees. These prolific pollinators are a keystone species that props up the ecological arc on which the survival of several species, including humans, depend. Human action is causing pollinator declines all over the world spelling disaster to nutritional security and the biodiversity of our ecosystems.