‘In a Violent Nature’ Review: A Fresh Canadian Spin on Slasher Conventions
23.01.2024 - 07:31
/ variety.com
Dennis Harvey Film Critic Slasher movies often droop between grisly highlights due to the weak plotting and cardboard characters meant to lend structural integrity to their shock content. “In a Violent Mind” avoids those pitfalls by pretty much sidestepping entirely the standard niceties of narrative and psychological detail. There is explanatory backstory — however piecemeal and possibly-inaccurate — but otherwise writer-director Chris Nash’s first feature approaches the usual bloody business with a sort of minimalist purity, enabled by focusing almost wholly on the POV of one Unstoppable Killing Machine.
It’s a gambit that might easily turn monotonous. Yet this Canadian indie manages to keep us engaged, stirring queasy viewer dread if not much outright terror. Premiering in Sundance’s Midnight section, the Shudder Original is slated to begin streaming on that genre platform sometime this spring.
We seem to be back in “Blair Witch” territory at the beginning (and again during a panicked stretch at the end), as off-camera hikers poke around the ruins of a forest fire tower. One of them spies a necklace draped on a pipe, which he pockets before they leave. Our suspicion that removing this talisman might be a bad idea soon bears fruit, as immediately afterward the ground stirs, and a man’s figure covered with soil emerges from its grave.
It lumbers to a decrepit house on the border of these parklands — in which the entity once lived, we glean — where a local poacher has the misfortune to be malingering. This first kill is not graphic, but such restraint won’t last long. That evening, the ghoul is attracted to a campfire outside a cabin, introducing us to seven young adults staying there.
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