IDFA Teases First 100 Titles, Highlights Include International Premiere Of Martin Scorsese & David Tedeschi’s ‘Personality Crisis: One Night Only’

Personality Crisis: One Night Only, directed by Martin Scorsese and David Tedeschi, is a documentary that follows punk pioneer David Johansen, which premiered at NYFF60. The film follows Johansen, who, during his residency in New York City in 2020, gave a detailed account of his life, how he navigated the music scene from the 1970s up to the present day, and why music is integral to his existence. 

Martin Scorsese is reportedly working on a new Gangs Of New York television series.According to Deadline, the director will serve as an executive producer for the latest adaptation of Herbert Asbury’s 1927 novel.Reports suggest that Scorsese will also direct the first two episodes of the Miramax  Television-developed series.Scorsese has previously directed a film of the book in 2002 starring Leonardo Di Caprio as Amsterdam Vallon and Daniel Day-Lewis as local villain Bill ‘The Butcher’ Cutting. It was nominated for ten Oscars.The script for the new series will be written by Brett Keonard (Shantaram) and is said to focus on a different story to that presented in Scorsese’s feature film.Talk of a different Gangs Of New York series first emerged in 2013, to which Scorsese was also attached. Scorsese said of that in a statement at the time: “This time and era of America’s history and heritage is rich with characters and stories that we could not fully explore in a two-hour film.

LeBron James certainly has a sense of humor. The first trailer for his remake of the 1990 comedy “House Party” takes us inside his massive crib and even into his closet, where LeBron has a life-size hologram designed to butter him up each morning. “You are one handsome motherf—er,” the James hologram says to the film’s two protagonists in its first trailer.

Twenty years ago, Martin Scorsese and Miramax released “Gangs Of New York” to solid acclaim and box-office numbers. Most critics thought it fell short of Scorsese’s most triumphant works but praised the film’s densely realized sets and costume design.

Martin Scorsese gave a long shout-out to the NYFF and the art of cinema on stage at Avery Fisher Hall as the fest celebrated its 60th anniversary with the world premiere of his latest documentary, Personality Crisis: One Night Only. It followed a screening of Armageddon Time, another New York story by native New Yorker James Gray.

Zack Sharf Martin Scorsese railed against box office numbers during a recent appearance at the New York Film Festival (via IndieWire). The Oscar-winning filmmaker called the industry’s obsession with box office grosses both “repulsive” and “really insulting.” Scorsese praised the festival for championing filmmaking at a time when “cinema is devalued, demeaned, belittled from all sides, not necessarily the business side but certainly the art.” “Since the ’80s, there’s been a focus on numbers. It’s kind of repulsive,” Scorsese said. “The cost of a movie is one thing. Understand that a film costs a certain amount, they expect to at least get the amount back… The emphasis is now on numbers, cost, the opening weekend, how much it made in the U.S.A., how much it made in England, how much it made in Asia, how much it made in the entire world, how many viewers it got. As a filmmaker, and as a person who can’t imagine life without cinema, I always find it really insulting.”

Martin Scorsese was at the New York Film Festival last night to introduce his new documentary with David Tedeschi, “Personality Crisis: One Night Only,” about the legendary proto-punk band The New York Dolls. Scorsese in his hometown at NYFF? That’s awesome enough.

First, a confession: I came to “Personality Crisis: One Night Only,” knowing next to nothing about the New York Dolls or its lead singer, David Johansen. Sure I’d heard of them and heard a fair amount of the Dolls’ music, and Johansen’s, and that of his alter ego Buster Poindexter (including the once-ubiquitous “Hot Hot Hot,” which he now calls “the bane of my existence”).  For this viewer— and, for I suspect, a fair number of others — the draw of “Personality Crisis” is Martin Scorsese, who co-directs with his frequent collaborator David Tedeschi.

fellow filmmaker and best director winner Martin Scorsese who was ripped in The Critic for “lazily” making mob movies and other projects that are “routinely an hour too long.”Putting it rather bluntly, del Toro Tweeted “If God offered to shorten my life to lengthen Scorsese’s- I’d take the deal.” “This man understands Cinema. Defends Cinema. Embodies Cinema.

Over a decade ago, Martin Scorsese and Leonardo DiCaprio’s Appian Way partnered to bring “Devil In The White City,” the true story of America’s first serial killer, Dr. H.

The Devil In The White City, according to sources.The Matrix star was first attached to the role back in January of this year, with Hulu’s upcoming take on Erik Larson’s 2003 book set to mark his first major US TV role.The big-budget adaption of The Devil In The White City has been through various stages of development since Leonardo DiCaprio bought the film rights to the book back in 2010. DiCaprio now serves as an executive producer on the project alongside Scorsese, with the adaptation previously set up as a feature at Paramount.According to Variety, Reeves will now no longer participate in the series, and representatives for both the actor and Hulu declined to comment thus far.

Near the beginning of Sean Egan’s recently-published piece in the U.K. publication The Critic, are the following assertions: “new Scorsese films are routinely an hour too long…his directorial talent has never been as great as occasional masterpieces like Goodfellas (1990) tricked us into believing it was.”

The early bird catches the worm - or, in this case, the noodles! Tomorrow, the first 100 people in the queue of Manchester’s Chopstix restaurants will be able to bag a free meal in celebration of National Noodle Day (October 6).

some of Pratt’s Mario – or, at least, his backside. Illumination is, of course, the studio behind the “Despicable Me,” “Minions” and “Secret Life of Pets” franchises so many have been curious to see what “Super Mario Bros.” looks like, but the film was made with the explicit involvement of Nintendo, which co-financed the movie alongside Universal Pictures, and the Mario world does not appear to be Minion-ized here.Pratt voices Mario in something of a controversial choice, although the “Guardians of the Galaxy” actor is no stranger to voice work having led the “LEGO Movie” franchise.“Super Mario Bros.” also stars Anya Taylor-Joy as Princess Peach, Charlie Day as Luigi, Jack Black as Bowser, Keegan-Michael Key as Toad, Seth Rogen as Donkey Kong, Fred Armisen as Cranky Kong, Kevin Michael Richardson as Kamek and Sebastian Maniscalco as Spike.Originally scheduled for release in December, the film opens in theaters in the U.S.

Marsai Martin, the sports fantasy film follows Callie A. Coleman (Martin), who discovers that she can magically control her father’s (Omari Hardwick) performance as a running back for the Atlanta Falcons. Along with Martin and Hardwick, the film stars Kelly Rowland, Rome Flynn, Elijah Richardson, Hanani Taylor, Abigail Killmeier, Tyla Harris and Isac Ivan. “Fantasy Football” is produced in partnership with The SpringHill Company and Genius Entertainment. Based on an original screenplay by Richard T. Jones, Jeremy Loethen and Tim Olgetree, the film is directed by Anton Cropper and written by Zoe Marshall, Dan Gurewitch and David Young. LeBron James, Spencer Beighley, Jamal Henderson, Marsai Martin, Joshua Martin and Timothy Bourne produce, while Maverick Carter and Jamila Jordan-Theus serve as executive producers.

Denmark has selected Ali Abbasi’s Cannes-winning title Holy Spider as its official submission to this year’s International Feature Oscar race.

Leo Barraclough International Features Editor Documentary festival IDFA will host the international premieres of Martin Scorsese and David Tedeschi’s music film “Personality Crisis: One Night Only” and Barbara Kopple’s “Gumbo Coalition” as part of its Masters program, as well as the world premiere of Coco Schrijber’s “Look What You Made Me Do.” The selection includes the work of several renowned directors who have reinvented their cinematic language. Patricio Guzmán breaks from his poetic approach to adopt a more direct, political form of filmmaking with “My Imaginary Country,” centering on the October 2019 protests in Santiago. Gianfranco Rosi directs his first archive-based film “In viaggio,” which sees Pope Francis’ journeys as a map of the human condition. Jørgen Leth and Andreas Koefoed co-direct a film together for the first time with “Music for Black Pigeons,” a reflection on aging through jazz music, and Ruth Beckermann’s “Mutzenbacher” takes a look at a controversial erotic novel through an elaborate casting call.

Naman Ramachandran The India leg of Netflix’s annual fan event Tudum on Saturday showcased several big ticket films and shows including Vishal Bhardwaj’s “Khufiya,” starring Tabu, Raj Nidimoru and Krishna D.K.’s “Guns & Gulaabs,” with Dulquer Salmaan, and Hansal Mehta’s “Scoop.” “Class,” set in an expensive Delhi school, is an adaptation of hit Spanish series “Elite.” It stars Gurfateh Pirzada, Chintan Rachh, Naina Bhan, Chayan Chopra, Ciyawal, Anjali Sivarman, Madhyama Segal, Piyush Khati, Ayesha Kanga, Chandan Singh, Moses Koul and Zeyn Shaw. Watch teaser trailer here: For “Guns & Gulaabs,” starring Dulquer Salmaan, “The Family Man” creators Raj Nidimoru and Krishna D.K. team with Netflix for their first series for the streamer after their indie film “Cinema Bandi.” The series is a crime thriller that depicts love and innocence against the backdrop of crime, and blends the romance of the 90s with humor.