Los Angeles' Cecil Hotel isn't exactly famous, but it's definitely notorious. Which means that if you're not from L.A.
30.01.2021 - 01:01 / variety.com
Guy Lodge Film Critic“Dying isn’t simple, is it?” That question is asked at three separate points in “I Was a Simple Man,” and with each repetition, it sounds slightly less rhetorical, less worldly-wise, more loaded with anxious uncertainty. Christopher Makoto Yogi’s hushed, ruminative study of an elderly man’s last days in Oahu doesn’t quite settle on an answer either.
Los Angeles' Cecil Hotel isn't exactly famous, but it's definitely notorious. Which means that if you're not from L.A.
Anyone who’s ever gotten fed up with their hair and tried to find an unorthodox hack to fix it, well… something tells us they’ll think twice now.
EXCLUSIVE: London-based sales firm AMP International has joined forces with new LA-based genre start-up Fearworks on horror The Elevator Game, which has long-time American Horror Story DoP Michael Goi attached to direct.
Joe Leydon Film CriticAlthough he occasionally uses a broad brush dipped in primary colors while fashioning his admiring portrait of Bob Zellner, the grandson of a Ku Klux Klansman who improbably evolved into a civil rights activist during the early 1960s, filmmaker Barry Alexander Brown shrewdly and intelligently avoids most of the “white savior” clichés common to such scenarios in “Son of the South.” Based on Zellner’s memoir “The Wrong Side of Murder Creek: A White Southerner in the Freedom
Also Read: Magnolia Pictures Acquires French Love Story 'Two of Us'Madeleine and Nina have planned to sell their apartments and retire together to Italy, but Madeleine has two children, Anne (Léa Drucker) and Frédéric (Jérôme Varanfrain), and she has never managed to tell them that she is in a relationship with Nina.
EXCLUSIVE: Fresh off her Golden Globe and SAG nominations for The Crown, we can reveal that Gillian Anderson is next to star in Lionsgate and director Marc Forster’s White Bird: A Wonder Story, which will begin production in the Czech Republic later this month.
Jessica Kiang The war in Kosovo ended in 1999, but for many families, its losses and erasures created conflict that lasted deep into the new century, echoing on to this day.
Beanie Feldstein, 27, must have had onlookers fooled while filming the role of Monica Lewinsky, 47, on the set of Impeachment: American Crime Story on Feb. 1.
This week on the New Hollywood Podcast, we have not one, not two but 16 guests in four separate segments. The Sundance Film Festival was virtual this year as was Deadline’s Sundance Studio. For this special episode, we share our studio interviews in podcast form.
Sense: A Cyberpunk Ghost Story has been cleared of censorship for its release on PS4, according to the development team.The game received criticism recently on Twitter for its art style that some users considered to be “pornographic”, and concern over the game’s potential to “encourage violence”.
Netflix true crime documentary investigating the real-life hotel that inspired American Horror Story is set to arrive next week.Crime Scene: The Vanishing At The Cecil Hotel lands on the streaming service on February 10.A synopsis of the show reads: “From housing serial killers to untimely deaths, the Cecil Hotel in Downtown Los Angeles is known to many as LA’s deadliest hotel.“The latest chapter in the Cecil’s dark history involves the mysterious disappearance of college student Elisa Lam.”See
Christopher Yogi hopes to introduce audiences to a different Hawaii than the one they have grown accustomed to seeing onscreen. "A lot of movies that take place here take place in hotels and at popular tourist spots," explains the filmmaker.
Owen Gleiberman Chief Film CriticEver since “Man on Wire,” in 2008, more and more documentaries have been using visualizations, staged scenes, and other illustrative methods that are meant to bring a true story to life but, to my mind, often end up getting in the way of it. I tend to prefer my documentaries without a speck of cereal, and that made the early sections of “Misha and the Wolves” seem a bit of a challenge.
The rigorously restrained, contemplative nature that struck viewers of Christopher Makoto Yogi’s first feature, August at Akiko’s, in 2018, remains the distinctive trait of his new film I Was a Simple Man. At its core an account of an aging man as he willingly takes the dive from being into nothingness, the film is defined by its discipline and a style that might be called lushly austere. This is refined, specialist cinema that will be warmly embraced by aesthetes.
In the opening scene of Christopher Makoto Yogi's lyrical family drama, I Was a Simple Man, the elderly protagonist looks out over densely built-up Honolulu and recalls when there was just beautiful green where concrete towers now cluster. That sense of a spiritual connection to nature, cultural foundations and people long departed, even to the characters' younger selves, permeates this delicate, time-shifting study of a solitary man's rueful end-of-life introspection.