Hippie Sabotage concert review: EDM duo astonishes at Irving Plaza

Shaheem Reid Mary J. Blige has been a superstar for more than 30 years not just because of her unforgettable voice, hit records and Oscar-nominated acting — it’s also because of the deep bond she’s built with her fans. “The Queen of Hip-Hop Soul,” is not only one of the most successful artists of her generation, but one of the most relatable.

There was a furious fan reaction when viewers blamed the Eurovision Song Contest for "sabotaging" the UK's entry Olly Alexander. Despite delivering a fiery performance of his bop Dizzy, alongside some steamy backup dancers, poor Olly didn't receive any points from the public. Meanwhile, Nemo clinched the prestigious 68th Eurovision Song Contest title with their single The Code, which beautifully charts their journey into accepting a non-binary identity.

EXCLUSIVE: Oscar-winning producers See-Saw Films (The King’s Speech) are gearing up on Tenzing, about the inspirational life of Sherpa Tenzing Norgay and his summit of Mount Everest in 1953 alongside fellow outsider New Zealander Edmund Hillary.

Courtney Howard After “Ticket to Paradise” and “Destination Wedding” showed us the different ways in which calamity ensues when planning weddings abroad, Netflix releases “Mother of the Bride,” which combines the essential elements of both those recent romantic comedies into one passable package. The far-off setting emphasizes the lavish and luxe, though the narrative is cheaply woven and fairly threadbare. While “Mean Girls” director Mark Waters’ latest fails to add anything unique to the conversation, it does scrounge up a modest amount of heart when it comes to its saccharine sweet message of never giving up on happily ever after.

After 2017’s masterful War of the Planet of the Apes, which completed the trilogy that started with 2011’s Rise and 2014’s Dawn and told the epic story of wise leader Caesar and the apes who created this whole new world, I really thought there was nowhere else to go with this franchise that had itself started so brilliantly in 1968 with the original starring Charlton Heston as an astronaut who lands in this futuristic world dominated by intelligent apes. Many other iterations would come, even a side foray by Tim Burton, but it was that most recent trilogy (the first directed by Rupert Wyatt, the final two by Matt Reeves) that really popped. But being box office successes, 20th Century’s new owner Disney knew there was more to be mined, and they were right.

Jem Aswad Executive Editor, Music It’s a strange sensation to see an artist who you last saw performing “Lift Every Voice and Sing” before a global audience of 120 million-plus at the Super Bowl singing ten feet in front of you at the Blue Note jazz club in New York’s Greenwich Village. But that was the consolation prize for 400 lucky fans who may not have been invited to the Met Ball on Monday night but certainly had a more satisfying feast for the ears.

Eddie Redmayne and wife Hannah show off their smiles on the carpet while arriving at the 2024 Met Gala on Monday evening (May 6) at the Metropolitan Museum of Art in New York City.

Copacabana beach Saturday night, turning Rio de Janeiro’s vast stretch of sand into an enormous dance floor teeming with a multitude of her fans.It was the last show of The Celebration Tour, her first retrospective, which kicked off in October in London.The “Queen of Pop” began the show with her 1998 hit “Nothing Really Matters.”Huge cheers rose from the buzzing, tightly packed crowd, pressed up against the barriers.Others held house parties in brightly lighted apartments and hotels overlooking the beachfront.Helicopters and drones flew overhead, and motorboats and sailboats anchored off the beach filled the bay.“Here we are in the most beautiful place in the world,” Madonna, 65, told the crowd. Pointing out the ocean view, the mountains and the Christ the Redeemer statue overlooking the city, she added: “This place is magic.”Madonna performed her classic hits, including “Like A Virgin” and “Hung Up.” For the introduction to “Like A Prayer,” her head was completely covered in a black cape, a rosary gripped in her hands.The star paid an emotional tribute to “all the bright lights” lost to AIDS as she sang “Live to Tell,” with black and white photos of people who died from the illness flashing behind her.Later, she was joined on stage by Brazilian artists Anitta and Pabllo Vittar.Rio spent the last few days readying itself for the performance.An estimated 1.6 million people attended the show, G1 reported, citing Rio City Hall’s tourism agency.That is more than 10 times Madonna’s record attendance of 130,000 at Paris’ Parc des Sceaux in 1987.Madonna’s official website hyped the show as the biggest ever in her four-decade career.In recent days, the buzz was palpable.

Madonna made history and put on another incredible show when she took the stage on the Copacabana Beach in Rio de Janeiro.

All of Broadway’s biggest stars were in attendance at the 2024 Tony Awards Meet the Nominees Press Event to kick off the theatre awards season!

John Patton Ford‘s feature debut “Emily The Criminal” won over critics in 2022 thanks to a riveting lead performance by Aubrey Plaza. But Deadline reports that Plaza won’t star in Ford’s upcoming series adaptation of the film, although she’ll still be involved as an executive producer.   READ MORE: Margaret Qualley, Glen Powell & Ed Harris Join A24’s ‘Huntington’ From Director John Patton Ford Legendary Television will develop the series with Ford directing its entirety.

EXCLUSIVE: Emily The Criminal, the 2022 crime thriller starring Aubrey Plaza, is the latest movie set to be turned into a television series.

Ed Sheeran is digging into the archives.The popular singer-songwriter just announced a tenth-anniversary celebration of his sophomore album “X” at Brooklyn’s Barclays Center on Wednesday, May 22.“10th anniversary of Multiply (aka ‘X’) this year, which feels wild but also a lot has happened in that 10 years. This album was made from 2011 – 2014, and spanned my whole personal life through that time, which was a mad time,” Sheeran shared on Instagram.“Going from playing pubs and clubs to selling arenas in those years, falling in and out of love, travelling all round the world, working with some of the best producers in the world, it was a real rollercoaster, and it’s been amazing to revisit all the memories.

Todd Gilchrist editor After a five-month stint in art deco concert venue/nightclub Voltaire at Las Vegas casino The Venetian, Kylie Minogue has just two more performances left before the conclusion of her concert series “More Than a Residency.” Given the grueling schedule she’s maintained since the beginning of the promotional cycle for “Tension,” her sixteenth album, it feels understandable, even appropriate, for Minogue to take her foot off the gas — especially while she’s nursing an ankle sprain she must ice immediately after every show. Even so, she poured what felt like 110 percent of her energy into Saturday night’s performance (April 27), delivering a highly-concentrated roundup of hits across an almost 40-year singing career to remind the venue’s 1,000 ticket holders why Minogue remains one of pop music’s most beloved and enduring figures.

Jem Aswad Executive Editor, Music One of the challenges for electronic-music artists who aren’t making dance music is how to put on a compelling live show. The answer, of course, is to serve up not just exciting music but visuals as well, and at a packed Paramount Theater in Brooklyn on Friday, as usual, Oneohtrix Point Never (aka Daniel Lopatin) delivered.

Rachel McAdams brings an instantly heartbreaking quality to her performance in “Mary Jane”: Her steadfast optimism.Writer Amy Herzog’s affecting play, which opened Tuesday night on Broadway at the Samuel J. Friedman Theatre, is about a single mother whose 2-year-old son Alex is chronically ill. The poor kid, who the audience never fully sees, spends most of the drama in another room in bed, attached to monitors and oxygen tanks that beep and hiss.

as the Emcee in “Cabaret” — which includes weekly bouts of “torture.”“It’s quite full-on,” he told The Post exclusively at the show’s opening Sunday.“There is this amazing man named Greg, who is kind of a genius, body-work human being who punishes me once a week,” the actor, 42, explained. “My wife [Hannah Bagshawe] thinks it’s massage, but it’s actually a kind of borderline torture.

Naveen Kumar When Eddie Redmayne’s slithering Emcee assures the audience at “Cabaret” that “here, life is beautiful,” he’s telling a half-truth. The August Wilson Theater, done up like the Kit Kat Club for a bracing, high-style, Broadway revival that opened there Sunday, has indeed been transformed into a house of pleasure.

Unknown Soldier, by Daniel Goldstein and the late Michael Friedman, so poignantly depicts.A gripping mystery sparked by an ages-old news photograph, the show marks its D.C. premiere at Arena Stage in a new production staged with dexterity by Trip Cullman.The photograph in question — of an unidentified U.S.

Eddie Redmayne is enjoying some downtime with his wife Hannah after a busy weekend on Broadway!