Guy Ritchie Sued for Breach of Contract Over ‘The Gentlemen’ (EXCLUSIVE)

Gillian McKeith's daughter, Afton, recently posted on her TikTok channel to share how her ex Brooklyn had blocked her on Instagram. Showing followers that she could no longer access his Instagram page, Afton was quick to laugh off Brooklyn's move to show she's truly over her teenage heartbreak which apparently 'didn't end on the best of terms'.The 23-year-old had a brief romance with old school pal back in the day as they reportedly struck up a romance and enjoyed a short-lived relationship as teenagers.The pair also attended the private school with other famous faces, including Guy Ritchie and Madonna's son Rocco Ritchie. But David and Victoria's eldest son allegedly left the daughter of I'm a Celebrity...

Wow, as far as Hollywood breakups go, this is a real surprise. After an impressive 18 years of marriage, Kevin Costner is getting a divorce!

Luke Bryan is teasing on who is filling in for Katy Perry and Lionel Richie on American Idol next week while they’re on coronation duty, and the country star tells ET the fill-ins are “big time.”

his website, the alum and his band were on their way to the music festival when a tire flew into their bus and caused it to collide with the concrete median. Milligan and several band members were injured and had to be treated at a local hospital. A post shared by Drake Milligan (@drakemilligan)The day after the accident, Milligan took to Instagram and shared he was «happy to report that we're all upright and heading home.» He added, «We got in quite the fender bender on the way to @twostepinn, but we’re all on the mend.

Luke Bryan is teasing on who is filling in for Katy Perry and Lionel Richie on  next week while they're on coronation duty, and the country star tells ET the fill-ins are «big time.»ET's Cassie DiLaura caught up with the «Play It Again» crooner Friday ahead of his headlining performance at Stagecoach in the California desert and shared viewers will love what the singing competition has in store.«It's big time. It's big time,» Bryan said.

Jem Aswad Senior Music Editor Kari Krome, a songwriter for the 1970s all-female rock band the Runaways, has filed a lawsuit against the group’s late manager, Kim Fowley, and longtime KROQ DJ and nightclub owner Rodney Bingenheimer, alleging that both of them sexually assaulted when she was a minor. The news was first reported by Rolling Stone. “Plaintiff, Kari Krome [legal name: Carrie Mitchell] is a survivor of childhood sexual abuse, sexual battery, assault, and molestation at the hands of Defendant Rodney Bingenheimer,” the lawsuit, obtained by Variety, reads in part. “When Plaintiff was approximately 13 and 14 and 15 years old, Defendant Rodney Bingenheimer and Defendant Kim Fowley used their roles, status, and power as adults, as well as their connections to and work in the music industry to gain access to manipulate, exploit, and sexually assault Plaintiff in the State of California, County of Los Angeles. As a result of Defendant Rodney Bingenheimer’s and Defendant Kim Fowley’s sexual abuse and assault, Plaintiff has suffered severe emotional, physical and psychological distress, including shame, and guilt, economic loss, economic capacity and emotional loss.”

Train is set to chug, er, travel all over the country on their 47-concert 2023 nationwide tour that will send them from Alaska all the way to Delaware.Now that’s a commute.Along the way, the band that brought the world “Soul Sister” and “Drops Of Jupiter” is set to drop into New York City’s The Theater at Madison Square Garden on May 2 and Atlantic City’s Caesars on Aug. 25.The septet can’t wait to hit the road either.“Gonna make this the best summer ever,” they shared on Instagram.Plus, on select dates, Pat Monahan and co.

died Tuesday after he was stabbed in a shower at a California prison, authorities and his attorney said. He was 22. Born Jaime Brugada Valdez, the Huntington Park, California, native died at a prison medical facility after his body was discovered around 10 p.m.

Last year, fans of “The Witcher” series from Netflix were shocked to learn that the show’s lead Henry Cavill would be moving on and exiting the fantasy streaming project. Instead of returning for a fourth season, the British actor would be handing over his sword to “Hunger Games” alumni Liam Hemsworth and focusing on film work like the recently wrapped Guy Ritchie-directed WWII-era British commando flick “Ministry of Ungentlemanly Warfare.” Now, the upcoming third season of “The Witcher” will be the final outing of Cavill as Geralt of Rivia, the show’s main character that goes around hunting/killing monsters for money READ MORE: ‘The Witcher’: Henry Cavill Exits Series & Liam Hemsworth Recast As Geralt For Season 4 It’ll be interesting to see how the Netflix audience will react to Hemsworth in the role, when season four comes around, and if they’ll accept someone replacing Cavill given he was the main face of the show.

Guy Ritchie is opening up about his new movie, The Covenant, and revealed that they didn’t use real firearms for any scenes.

Decades after he first broke out with “Lock, Stock And Two Smoking Barrels,” film fans probably think they know what a Guy Ritchie film is going to look and feel like. Well, when you bring Jake Gyllenhaal into the equation, Ritchie throws all of those preconceived notions out of the window, and you end up with “The Covenant,” a no-nonsense war film about a life-altering debt and the lengths someone will go to shed a curse, of sorts.

EXCLUSIVE: In Guy Ritchie’s The Covenant, Jake Gyllenhaal throws on the military fatigues he hasn’t worn since 2005’s Jarhead, this time joined by an award-winning actor and real-life veteran in Dar Salim. In the new action movie from Miramax and MGM, Gyllenhaal plays U.S. Army Master Sgt. John Kinley, whose bond with his interpreter, Ahmed (Salim), only grows after their unit is ambushed by the Taliban. After Kinley is injured during the escape, Ahmed embarks on a Herculean effort to carry Kinley across the Afghanistan mountains to safety. When Ahmed is unable to get a visa to get him and his family to the U.S., Kinley risks his life to return to Afghanistan and save him.

Zack Sharf Digital News Director Guy Ritchie announced in a new interview with Newsweek that he is no longer using real guns on his film sets following the October 2021 “Rust” shooting, in which cinematographer Halyna Hutchins was killed by a prop gun filled with real bullets. Ritchie is a veteran of the action movie genre, with the majority of his films prominently featuring firearms and bombastic shootouts. His latest directorial effort, “The Covenant,” was filmed with Airsoft pellet weapons in place of real guns. “The Covenant” stars Jake Gyllenhaal as U.S. Army sergeant John Kinley, who returns to Afghanistan in an effort to rescue an interpreter named Ahmed (Dar Salim) from the Taliban. The two men became close years earlier when Ahmed served as John’s interpreter during the height of the War in Agahnistan. Ahmed saved John’s live during the war, so John sets out on a mission to do the same. Suffice to say, guns and shootouts are a plenty in the film.

If one were paying close attention to the recent career of actor Jake Gyllenhaal one might think he was on a mad quest to a) become a buff action star thriller and b) elevate the careers of mid/middling directors. The last three live-action Gyllenhaal movies –“Spider-Man: No Way Home,” “The Guilty,” and “Ambulance”—have all seemed like an attempt to subvert his narrative as arthouse darling, and the latter two were the best films of those director’s careers in quite some time (Antoine Fuqua and Michael Bay, respectively).

Matthew McConaughey smoking a joint in Guy Ritchie’s new movie “The Covenant.” The prolific British director has, for the moment, left behind quirky crime and comedy for his Afghanistan War film — and it’s not hard to understand why. The story the movie is based on is a harrowing and special one. A US Army sergeant and an Afghan interpreter are on the run from the Taliban, when the American is knocked unconscious and his companion must go to extraordinary lengths to save him.Running time: 125 minutes.

Decades after he first broke out with “Lock, Stock And Two Smoking Barrels,” film fans probably think they know what a Guy Ritchie film is going to look and feel like. Well, when you bring Jake Gyllenhaal into the equation, Ritchie throws all of those preconceived notions out of the window, and you end up with “The Covenant,” a no-nonsense war film about a life-altering debt and the lengths someone will go to shed a curse, of sorts.

Rebecca Rubin Film and Media Reporter “The Super Mario Bros. Movie” will rule again in its third weekend at the box office. In maintaining the No. 1 spot in North America, the family film is expected to take down two newcomers, the supernatural horror sequel “Evil Dead Rise” and action-war thriller “Guy Ritchie’s the Covenant,” as well as A24’s mind-bender “Beau Is Afraid,” which is expanding nationwide. Universal and Illumination’s animated “Mario” adventure has grossed $366.3 million domestically to date. In the next few days, it will surpass “Minions: The Rise of Gru” ($369 million) as the highest-grossing animated film of the pandemic era. With $724 million globally, it already stands as the biggest movie of the year so far. Now in its third outing at the domestic box office, “Mario” is looking to bring in roughly $45 to $50 million, a massive result at this point in its theatrical run.

I’m not sure why director Guy Ritchie has his name in the title of his latest film, but because this is I think the best Ritchie movie I have seen, I will pass up the chance to snark at the only misstep in Guy Ritchie’s The Covenant. It about as exciting, gripping and moving as war films get — especially one set in the murky Afghanistan conflict in which the U.S. found itself immersed for more than two decades.

personal Instagram page.” He tagged the author with the book.The picture shows up paired with audio saying “stone-cold killer” and text captions stating “You can never trust anyone,” followed by pictures of McGillvary.The complaint says Hazelwood has suffered from “reputational harm, stress, anxiety and anguish” due to the use of the photo in the documentary. It also causes him “a constant fear of losing future employment or relationships because of people believing he is dangerous or untrustworthy.”“Mr.

Owen Gleiberman Chief Film Critic Last month, to my great surprise, I raved about a Guy Ritchie movie, “Operation Fortune: Ruse de guerre,” as an exhilarating exception to the rule of Ritchie’s style-over-substance, more-frosting-than-cake school of crime-thriller grandiloquence. The film bombed, and more critics than not disagreed with me. But I stand by my assessment of “Operation Fortune” as a diabolically entertaining screwball action-espionage caper. If you want to talk about exceptions to the rule, though, that movie has nothing on the new Guy Ritchie film, which is called (wait for it) “Guy Ritchie’s The Covenant.” Ritchie’s name was reportedly added to the title because there is already a film in existence called “The Covenant.” But that sounds like an awfully thin reason to suddenly convert Ritchie into a marquee legend, and, in fact, there’s a better reason. Against all odds, he has become one of the best directors working. “The Covenant” isn’t another Ritchie underworld caper. It’s an Afghanistan war drama, and if you’re wondering whether he has made a combat film in some version of the Ritchie style (jazzy violence, fast-break comic-strip dialogue, needle drops), the answer is no. He has put his confectionary flamboyance on hold. “The Covenant” unveils something new: Ritchie the contempo classicist. We’re seeing a born-again filmmaker.