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13.06.2023 - 23:36 / deadline.com
Guillermo del Toro was given a rock star welcome at the Annecy International Animation Festival on Tuesday as he took to the stage to discuss his life long obsession with animation.
The Oscar-winning The Shape Of Water filmmaker and producer is at the French lakeside festival this year as one of the figureheads of special a focus on Mexican animation, alongside The Book Of Life director Jorge R. Gutierrez, producer Sofia Alexander (Onyx Equinox) and Guadalajara Festival head Estrella Araiza
Having recounted his early beginnings in the genre using his father’s Super 8, del Toro said he always thought he would work mainly in animation but instead got caught in live action for close to a decade, on TV show Hora Marcada and the film Cronos and breakthrough classics such as The Devil’s Backbone and Pan’s Labyrinth.
“Life had other plans and I didn’t come back to animation formerly until I started working with Dreamworks, supervising on films like Puss In Bootsand Rise Of The Guardians,” he recalled.
Fresh from his experiences on 2023 Oscar and Bafta-winning hit Pinocchio, del Toro professed his love of stop-motion animation.
“Stop-motion in my opinion is the most beautiful form of animation because it’s the most intimate. There is always a strong connection between the animator and the physical model,” he said.
“This is as close as you get to playing with your toys. I grew up reading the Famous Monsters comics. I wanted all those models and I still want those models… I keep the puppets after the movies. I keep all the toys.
He added that he also magical and yet imperfect nature of worlds created from stop-motion.
“I f**king hate perfection. I love things that look hand-made. That’s why I put physical sets in my movies. I
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Anna Marie de la Fuente Speaking for nearly an hour at his master class, one of the key highlights of the Annecy Animation Festival this week, maestro filmmaker Guillermo del Toro kept his packed-to-the rafters audience enthralled – and in stitches – as he extolled the virtues of stop-motion animation and of embracing flaws. Having just won a best animated feature film Oscar for his long-gestating stop-motion version of the classic tale “Pinocchio” gave his talk even more heft. “Stop-motion is, in my opinion, the most beautiful of all the forms of animation because it’s the most intimate, and is quite literally a connection between the animator and a physical model,” he said, adding: “It’s is the closest thing to playing with your toys.”
Brent Lang Executive Editor Samuel Goldwyn Films announced today that the company has acquired U.S. rights to the “The Three Musketeers,” a two-part adaptation of the swashbuckling French adventure story by Alexandre Dumas. The two films were shot back-to-back, with the first film “The Three Musketeers: D’Artagnan” released in France this past April, earning $35 million at the international box office. The sequel “The Three Musketeers: Milady” will open in the country on Dec. 13. The period epic boasts a top-shelf ensemble of European stars such as Francois Civil (“Call My Agent!”), Vincent Cassel (“Black Swan”), Romain Duris (“Eiffel”), Pio Marmaï ((“Happening”), Eva Green (“Casino Royale”), Vicky Krieps (“Phantom Thread”) and Louis Garrel (“The Dreamers”). Both films were directed by Martin Bourboulon, with screenplay by Matthieu Delaporte and Alexandre de La Patellière.
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Karen Idelson Few people lived a life as bold and controversial as Leonardo da Vinci. It’s easy to forget sometimes he was also a human being with doubts who struggled with the same things that trouble just about all of us. In animated feature “The Inventor,” writer/director Jim Capobianco, who shared an original screenplay Oscar nomination with Brad Bird and Jan Pinkava for “Ratatouille,” was always interested in the more personal side of the famed painter and inventor. “The Inventor” combines traditional 2D and stop-motion animation as well as original music and lyrics by Alex Mandel. “I’m telling the story of [da Vinci] at the end of his life and years in France,” says Capobianco. “I knew he was going to die [at the end of the story] and I was asking what that means to a man like Leonardo da Vinci. Having researched him, I learned that he believed that he procrastinated a lot and he thought he didn’t finish a lot of the things he set out to do. So, I thought about what it would mean to this person, this character. I realized it’s about what you leave behind for others and how you affect other people with what you do, how you change other people’s lives while you’re here. I realized with Leonardo da Vinci, he’s the perfect kind of foil for that because here I am making a film about him 500 years after he lived, and we still talk about him. He has such an impact on us and the idea of invention and the idea of curiosity and everything he accomplished.”
Anna Marie de la Fuente “Ahahayy!! Viva Mexico, cabrones!” With that battle cry, Academy Award-winner Guillermo del Toro announced Mexico as the Country of Honor at this year’s Annecy, France’s preeminent animation film festival. According to organizer Pixelatl, an association dedicated to the creation and promotion of Mexico’s multimedia content, more than 250 Mexican animators and producers will descend on Annecy with nine programs scheduled. “The Book of Life” director Jorge R. Gutiérrez, whose Netflix series “Maya and the Three” won four Emmys and an Annie, created the poster and title cards of the festival and will also be hosting a Master Class and screening of “The Book of Life.”
Natalie Portman, 41, and her husband, dancer/choreographer Benjamin Millepied, 45, are sticking together amidst his alleged infidelity. Rumors that Millepied cheated on spread last week after the French outlet reported that Millepied had an affair with a 25-year old French woman. He has recently been photographed with 25-year-old climate activist Camille Étienne.A source told that the affair was “short-lived” and that it is “over.” The outlet also reports via an anonymous source claiming to be close to the couple that and Millepied will stay together and work on their relationship.“He knows he made an enormous mistake and he is doing all he can to get Natalie to forgive him and keep their family together,” the source told People.
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