17.10.2022 - 03:07 / thewrap.com
disastrously received rendition) as a “family movie” that “does not shy away from dark themes of death and war,” per Insider.
Its critic Ayomikun Adekaiyero wrote that the adaptation “justifies its existence by modernizing the tale with beautiful stop-motion animation and a tear-jerking story.” On the flip side, Adekaiyero was “disappointed by the mediocrity of the musical elements of the movie,” adding that they were “secondary to the story.”Wendy Ide of Screen Daily lauded the film’s “enthralling emotional journey,” predicting that “it should connect with both existing fans of del Toro’s distinctive vision, and older family audiences.”Polygon’s Oli Welsh echoed this sentiment by noting that del Toro brought the “story to the mid-20th century,” by expanding on the classic take “to take in many of his own key motifs, especially from the horrific fairy tales ‘The Devil’s Backbone’ and ‘Pan’s Labyrinth'; Europe between the wars, the specter of Fascism, the terror of childhood, the land of the dead, and the meeting point of the monstrous, the human, and the sublime.” He goes on to praise the film as “technically and artistically, one of the great works of stop motion.”Slashfilm‘s Hannah Shaw-Williams similarly praised “Pinocchio” for straying from the “ubiquitous Disney formula” by refusing “to talk down to children or draw a sunny curtain over the terrors of the world.” She also gave a shoutout to the film’s “real shining star” Gregory Mann, who voices the titular character “with a rambunctiousness and enthusiasm that’s enormously endearing and infectious.”TheWrap’s Nicholas Barber called it a “soulful stop-motion masterpiece,” “a dark but sweet horror fantasy about death, grief, and a misunderstood monster being
.Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on demand, vintage and original movies on any number of streaming platforms, catalogue titles making a splash on Blu-ray or 4K. This twice-monthly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching.
It’s been too long since a show like “Masters of Horror” allowed twisted auteurs a platform to explore the themes and images that haunt them. Enter Guillermo del Toro, the Oscar-winning director who has gifted his fans with Netflix’s “Guillermo del Toro’s Cabinet of Curiosities,” even writing two episodes and introducing each of them like a modern Rod Serling.
Guillermo Del Toro has opened up about the special connection he had with his mom over Pinocchio.
“All good things require patience,” Gepetto (David Bradley) lovingly tells his young son, Carlo (Gregory Mann). The exact same words must have been uttered by Guillermo del Toro to himself countless times over the fourteen years he spent working on his dream project, a stop-motion adaptation of Carlo Collodi’s 1886 classic tale, “The Adventures of Pinocchio.” The Mexican auteur, a well-known lover and supporter of animation, first fell in love with the tale of the wooden puppet who wished to be a real boy when he was a boy himself, going to the local cinema with his mother in Guadalajara (“Animation is a medium, not a genre.
at the world premiere of his animated film Pinocchio just one day after she died.Guadalupe Gómez passed away on Friday (October 14) shortly before the opening of Pinocchio at BFI London Film Festival yesterday (October 15).According to Variety, del Toro, the visionary director behind films including Pan’s Labyrinth and The Shape Of Water, became emotional as he revealed the news to the audience.“I just want to say, my mother just passed away, and this was very special for her and me,” del Toro said. “This is not only the first time you’ll see the movie, it’s the first time she’ll see the movie with us.
There was a very special guest at the Pinocchio red carpet premiere – a tiny statue of Pinocchio!
Rafaela Sales Ross Guest Contributor After a 14-year uphill battle, Mexican auteur Guillermo del Toro was finally able to share his dream project with an audience as “Pinocchio” (officially titled “Guillermo del Toro’s Pinocchio”) had its world premiere at the BFI London Film Festival. Taking the stage before the premiere, del Toro spoke of his connection to the story: “I saw the film as a kid and it’s a film that bonded me with my mom for an entire life. It affected me because Pinocchio saw the world the way I saw it. I was a little bit enraged that people demand obedience from Pinocchio so I wanted to make a film about disobedience as a virtue, and to say that you shouldn’t change to be loved.”
An enthusiastic rendition of Happy Birthday rang through the auditorium at the world premiere of Guillermo del Toro’s Pinocchio as the London audience was informed Gregory Mann, the film’s lead voice actor, had just turned 13.
As you might expect from the billing, Guillermo del Toro’s Pinocchio — which had its world premiere at the BFI London Film Festival today — is a very different beast to the 1940 Disney animation, and just as cavalier with the picaresque elements of Carlo Collodi’s 1883 novel. The factor that unifies all three is that the main character — a wooden puppet blessed with life — longs to be a real, human boy, but it’s no spoiler to reveal that del Toro, champion of monsters and misfits, doesn’t see the appeal of that.
Guy Lodge Film Critic The possessive claim in the title “Guillermo del Toro’s Pinocchio” is a gutsy one. There’s confidence — some would even say arrogance — in filming an oft-told story at least as old as the hills, and suddenly branding it as your own: Even two auteurs as ballsy as Francis Ford Coppola and Baz Luhrmann didn’t slap their own names on “Bram Stoker’s Dracula” and “William Shakespeare’s Romeo + Juliet,” respectively. Still, you can hardly blame del Toro’s stop-motion spin on Carlo Collodi’s 19th-century chestnut “The Adventures of Pinocchio” for wanting to advertise its distinguishing vision up top: After umpteen tellings of the wooden-boy tale, and coming on the heels of Robert Zemeckis’ wretched Disney remake, Netflix’s rival adaptation has to announce itself as something different. That it is; it’s often delightful too.
The Critics Choice Association revealed the list of honorees for its 2nd annual Celebration of Latino Cinema & Television taking place on November 13.
One of Netflix’s most anticipated projects in recent months ois Guillermo del Toro’s edgy new take on “Pinocchio”.
Clayton Davis Thirty years ago, former Orion Classics heads Michael Barker, Tom Bernard and Marcie Bloom created the independent arm of Sony Pictures Entertainment with full autonomy to produce, acquire and distribute films from cinema’s notable auteurs. In the decades since, Sony Pictures Classics has picked up 158 Oscar nominations and 37 statuettes (41 in total for films helmed by Barker and Bernard). It has also made history: Ang Lee’s “Crouching Tiger, Hidden Dragon” (2000) earned 10 Oscar nominations, the most ever for a non-English-language movie, and went on to win four trophies, including foreign language film.
Violent crime continues to ravage Philadelphia as shootings and homicides devastate area residents. Retired Philadelphia police officer Nick Gerace told "Fox & Friends First" where he is placing the blame. "This all extends to Larry Krasner, our failed, radical district attorney here in Philadelphia," he told Todd Piro and Carley Shimkus on Wednesday.
Every Tuesday, discriminating viewers are confronted with a flurry of choices: new releases on disc and on demand, vintage and original movies on any number of streaming platforms, catalogue titles making a splash on Blu-ray or 4K. This twice-monthly column sifts through all of those choices to pluck out the movies most worth your time, no matter how you’re watching.
EXCLUSIVE: Guillermo del Toro will add a further string to his bow this season as part of the songwriting team behind the music of Pinocchio. Del Toro directs his warm and wild stop-motion animated adaptation of the classic story from Carlo Collodi with Mark Gustafson (Fantastic Mr. Fox). It is a project the Oscar-winning filmmaker has nurtured for years, and he also co-wrote the screenplay with Patrick McHale. The film makes its world premiere at the London Film Festival on Saturday.
James Bye appears to have a new Hollywood fan – hit movie maker and director James Gunn. For Strictly Come Dancing’s Movie Week, James and dancer partner Amy Dowden paid homage to Marvel film Guardians of the Galaxy. Dressed as frontman Peter Quill, James had an uncanny resemblance to the character’s actor Chris Pratt.