Germany’s DCM & Flute Film To Adapt Acclaimed Novel ‘History Of Violence’ By French Prodigy Édouard Louis — EFM

Kristen Stewart has served one look after another while acting as the jury president at the Berlinale International Film Festival, and her latest look is perhaps her most daring yet.

The competition winners of the 73rd Berlinale are about to start rolling in as the festival draws to a close Saturday evening.

Clayton Davis Senior Awards Editor Despite representing Germany at this year’s Academy Awards for best international feature, “All Quiet on the Western Front” writer-director Edward Berger doesn’t feel national pride for the country. “I don’t feel that because of the history,” Berger tells Variety. “I could never say I’m proud to be German. Those words don’t fit into our mouths, and rightly so. I would have a hard time thinking I would represent the country because I can’t speak for the entire country.” On this episode of Variety‘s Awards Circuit Podcast, Berger discusses “All Quiet on the Western Front’s” nine Oscar noms — the second most of the year — and employing the most artisans of any non-English movie in history. Finally, he shares why he feels a responsibility to accurately portray Germany’s role in some of humanity’s most devastating wars. Listen to the full podcast below.

Angelique Jackson The cast of Ava DuVernay’s latest film, inspired by Pulitzer Prize winner Isabel Wilkerson’s “Caste: The Origins of Our Discontents,” is now complete with the addition of Blair Underwood, Finn Wittrock, Victoria Pedretti, Isha Blaaker, Leonardo Nam, Donna Mills and Emily Yancy. The seven actors join Oscar nominee Aunjanue Ellis, who was previously announced as the lead in the film, as well as Oscar nominee Vera Farmiga, Niecy Nash-Betts, Nick Offerman, Jon Bernthal, Audra McDonald, Connie Nielsen, Jasmine Cephas Jones and Myles Frost. Announced in October 2020, DuVernay serves as the writer and director of “Caste,” which adapts Wilkerson’s acclaimed book. Described in The New York Times as “an instant American classic and almost certainly the keynote nonfiction book of the American century thus far,” the book — and subsequently DuVernay’s film — examines the system of hierarchy that has shaped America.

Deadline has launched the streaming site for its Contenders Film: The Nominees awards-season event, which took place on Saturday and highlighted the cast and creatives behind 12 films that have been Oscar-nominated this year.

Marta Balaga Berlin-based X Filme Creative Pool will adapt one of the most successful German-language podcasts, “Zeit Crime” (“Zeit Verbrechen”) into an anthology series for Paramount +. Awarded the German Podcast Prize, “Zeit Crime” is based on the criminal investigations of Sabine Rückert and Andreas Sentker. According to producer Jorgo Narjes, it currently boasts 5 million streams per month and an average of 1.5 million listeners per episode, “most of them female and in their late twenties.” So far, the podcast consists of more than 100 episodes.  Filming started this month and will continue until the end of June 2023.

Ed Meza @edmezavar “Snow,” an Austrian-German co-production and one of 16 titles presented in the Berlinale Series Market Selects showcase, weaves the timely issue of climate change and local folklore into a suspenseful mystery drama set in the picturesque Austrian Alps. Brigitte Hobmeier stars as Lucia, a physician who with her husband and children moves to the village, where she is replacing the local doctor, who is retiring. Things take a troubling turn when her daughter is visited by a strange woman at night. The series presentation at the EFM event brings the title back to Berlin, where it came together in 2020 at the Berlinale Co-Production Market’s Co-Pro Series event.

Christopher Vourlias First-time writer-director Malika Musaeva is set to make history at this year’s Berlin Film Festival, where her female-centered coming-of-age drama “The Cage Is Looking for a Bird” is the first Chechen-language film ever selected by the venerable German fest. Musaeva’s debut, which world premieres Feb. 22 in the festival’s competitive Encounters section and is being repped internationally by Totem Films, focuses on a group of Chechen women living in a remote rural village, where they must defend their freedom and the right to live their own lives. At the film’s heart is a friendship between two teenage girls, played by first-time actors Khadizha Bataeva and Madina Akkieva. On the precipice of adulthood, the duo seeks refuge in each other as they navigate difficult decisions about their futures.

John Hopewell Chief International Correspondent Coming of age thriller “The Gymnasts,” one of the most recent titles from Europe’s public broadcaster partnership The Alliance, has been licensed to over 30 territories, London-based super indie All3Media International confirmed on Monday at the Berlinale Series Market.     Based on Ilaria Bernardini’s bestselling novel “Corpo Libero” (“The Girls Are Good”), the six-part series is produced by the Oscar-winning team at Indigo Film, behind “The Great Beauty,” in co-production with ZDF Neo’s German company Network Movie.  The series has been made in collaboration with Rai Fiction and Paramount+, and in association with All3Media International.

Leo Barraclough International Features Editor The Berlin Film Festival has returned to its first fully in person edition since 2020. But this year, the Berlinale has come back with a vengeance, and added something that it wasn’t especially known for in its pre-pandemic days: star power. Indeed, it’s been hard not to bump into a famous person in the German city — almost giving this previously mostly auteur driven gathering a vibe that more closely resembles the latest versions of Sundance or Toronto. Artistic director Carlo Chatrian told Variety Sunday that A-list names help raise awareness for the festival’s core mission – to celebrate movies and encourage audiences to return to theaters.

Guy Lodge Film Critic Giacomo Abbruzzese’s debut feature is a hazily seductive, frequently dreamlike study of life in the French Foreign Legion, fixated on masculine bodies in synchronized and sometimes violently clashing motion. It is also called “Disco Boy.” You almost certainly wouldn’t choose that subject, tone and title for a film if you didn’t want viewers’ minds to immediately wander to “Beau Travail,” Claire Denis’ seminal Foreign Legion cine-ballet, with its climactic solo number set to a thumping Eurodance classic; even if you somehow made that error, you wouldn’t compound it with electro-scored terpsichorean interludes of your own. Choosing homage this direct for a first feature is a brazen move, but notwithstanding its openly derivative qualities, “Disco Boy” doesn’t want for boldness or surprise — Abbruzzese’s hot, fluxional command of sound and image keeps us curious.

Naman Ramachandran Acclaimed “Phantom Thread” actor Vicky Krieps’ latest film, “Ingeborg Bachmann – Journey into the Desert,” directed by German cinema legend Margarethe von Trotta, has its world premiere in competition at the Berlin Film Festival. Krieps plays the titular Austrian Bachmann, one of the most renowned German-language poetry and prose writers of the 20th century. The film follows her life and career and her relationships with Swiss playwright (Ronald Zehrfeld), Austrian author Adolf Opel (Tobias Samuel Resch) and German composer Hans Werner Henze (Basil Eidenbenz) during a six-year period in her life from 1958. The actor was familiar with the writer from her formative years. “I knew about Bachmann because in Germany she’s very famous. I grew up with her in school,” Krieps told Variety. “I was very into poetry when I was younger, so I knew her poetry.” Krieps familiarized herself further with Bachmann’s work once she was cast.

First Look, the works-in-progress strand of the Locarno film festival’s industry section, is set to highlight independent UK films for its 2023 edition.

Sydney Sweeney showed off some skin while attending a photocall for her new movie Reality during the Berlinale International Film Festival.

“I was always a big fan of the original movie, but I did feel while watching subsequent American or British war films that is a question of perspective that I can’t tell,” All Quiet on the Western Front director Edward Berger said of his motivation in finally bringing a German version of the iconic World War I tale to the big screen. 

Deadline’s Contenders Film: The Nominees gets under way Saturday beginning at 9 a.m. PT with 12 panels featuring some of the year’s biggest crowd-pleasing movies as well as its most artistic critical hits. This final round of Contenders events this Oscar season features virtual Q&A panels with the on-screen stars, creatives and craftspeople behind 12 of the films that will be going for gold at the Dolby Theater less than a month from now.

EXCLUSIVE: Prolific German actor Thomas Kretschmann, star of movies including The Pianist, King Kong and the upcoming Indiana Jones And The Dial Of Destiny, is to play seminal and controversial German composer Richard Wagner in a new English-language biopic.

Leo Barraclough International Features Editor 101 Films Intl. has secured worldwide distribution rights for World War II adventure film “War Blade,” starring Joseph Millson (“Casino Royale,” “The Last Kingdom”), Paul Marlon (“Trigger Point”), Michael McKell (“Murder Investigation Team,” “Doctors”) and Rebecca Scott (“The Capture,” “Transhuman”). The sales company is presenting the film to buyers at the European Film Market in Berlin. The film was written and directed by Nicholas Winter (“Robin Hood: The Rebellion,” “Breathe,” “Bone Breaker”). “War Blade” follows Robert Banks, an agent of the British Special Operations Executive, who is tasked with rescuing a French resistance fighter from a hidden Nazi bunker. With the help of a German nurse and a ragtag group of allies, Banks must journey to the belly of the beast.

Elsa Keslassy International Correspondent Emily Atef, the outspoken French-German filmmaker, may have stepped into a minefield with her latest movie, “Someday We’ll Tell Each Other Everything,” which looks to be one of the Berlinale’s most divisive movies in competition. With such a cute title, one might expect a flowery romance drama, but the movie goes far to break deep-entrenched taboos about female sexuality. Based on Danielle Krein’s novel, the film is set in the summer of 1990, shortly after the fall of the Berlin wall, in the countryside of former East Germany. Marlene Burow plays Maria, who is about to turn 19, lives with her boyfriend at his parents’ farm. She engages into a passionate and lustful affair with Henner (Felix Kramer), a reclusive neighbor who is twice her age.

Guy Lodge Film Critic The most rewarding moment of last year’s BAFTA ceremony came with the presentation of the lead actress award: As Joanna Scanlan was named the winner for her moving turn as a widow uncovering her husband’s double life in the British indie “After Love,” her visibly emotional reaction was matched by the palpable warmth of the applause. But a large part of the reason it was so memorable was because, in the long run of precursor awards and televised ceremonies that make up Oscar season, this moment belonged to BAFTA alone. Versions of Scanlan’s speech hadn’t been heard a dozen times before; she wasn’t even eligible for prizes Stateside. This was a case of the British Academy voters honoring one of their own with little regard for their place in the U.S. race. Scanlan’s unusual win, however, was only enabled because of a rarer occurrence still: Thanks partially to jury intervention in compiling the nominees, there was zero overlap between the BAFTA and Oscar slates for lead actress, essentially freeing the Brits to go their own way.