Oops! Naomi Watts completely forgot about the first time she was nominated for an Oscar!
17.03.2022 - 23:11 / variety.com
Tim Gray Senior Vice PresidentOscars are a time capsule, reflecting both the industry and the year’s audiences. As such, nominations for the 94th Academy Awards detail progressive and surprising transition across several categories.Streamer SuccessTo the surprise of no one, streamers have been a powerhouse. For the first 50 years, Oscars were dominated by the major studios (plus United Artists, which had no physical lot, but had a lofty heritage).
In the 1980s, “outsiders” began winning best picture, including indies Orion (“Amadeus”), Miramax (“The English Patient”) and DreamWorks (“American Beauty”). This year, Netflix and Warner Bros. each have two best picture contenders, and there is one from streamer Apple TV Plus; also one each for studios Focus Features, 20th Century, MGM and Searchlight, plus indie Janus (“Drive My Car”).
Only four of the 10 were exclusively big screen, since WB gave simultaneous release for its two films (“Dune” and “King Richard”). In 2015, Idris Elba was great in “Beasts of No Nation,” but wasn’t nominated; many felt Netflix was not making “real” movies. This year, Netflix led the pack with 27 nominations.
Is 2021 an exception or the shape of the future? With marketing costs soaring, many of these films would never have been made if not for streaming. WB’s simultaneous launches further blurred the lines, so studios have helped break down the division between “pure” movies and streaming fare. Diverse StridesAfter challenging the status quo in 2015, #OscarsSoWhite is still having an effect.
Oops! Naomi Watts completely forgot about the first time she was nominated for an Oscar!
Walter Coblenz, the Oscar- and Emmy-nominated producer behind All the President’s Men and nearly two dozen other titles, died on March 16, aged 93. A cause of death has not been disclosed.
One person has a serious bone to pick with Chris Rock after the Oscars — and not exactly for the reason you might guess.
Daniel Radcliffe has never been more relatable. The Harry Potter star, 32, appeared on Good Morning Britan March 31 to promote his new movie The Lost City and was asked about the 2022 Oscar slap. Instead of revealing if he sides more with Will Smith, 53, or with Chris Rock, 57, Daniel made it clear that he’s over the whole thing.
Oscar winner Will Smith has been filmed dancing to his own music at the Vanity Fair Oscar Party hours after he stunned audiences by hitting Chris Rock on stage. Smith won his first Academy Award for King Richard but appeared to take offence to a gag Rock made about Pinkett Smith’s short haircut.
Billie Eilish has celebrated a historic win, scooping the Oscar for Best Original Song at last night's Academy Awards for No Time To Die.
Will Smith appeared to punch Chris Rock in the face on stage during the Oscars after the comedian made a joke about his wife Jada Pinkett Smith’s hair. Referring to Pinkett Smith’s buzzcut, Rock said: “Jada, can’t wait for GI Jane 2.”
Peter Debruge Chief Film CriticNo matter what your image of modern China, it’s nowhere near complete until you’ve seen it through New York-based, China-observing director Jessica Kingdon’s eyes. Working in the mold of photographers Lauren Greenfield (“Queen of Versailles”) and Edward Burtynsky (“Manufactured Landscapes”), the Tribeca Film Festival winner trains her camera on the impacts of China’s fast-exploding economy in the Oscar-nominated “Ascension,” leaving audiences with striking and frequently absurd scenes burned into their imaginations.
Oscar-nominated flick you should screen.Hosted by Regina Hall, Amy Schumer and Wanda Sykes, this year’s Academy Awards ceremony recognizes outstanding contributions in film and will hopefully help the show rebound from last year’s record low ratings.With 10 contenders (with some staggeringly long run times among them) for Best Picture, there’s a lot of cinema to sort through. Fear not.
The beloved Encanto song “We Don’t Talk About Bruno” will be performed at the Oscars this weekend, but it has no chance at winning the award for Best Original Song.
Peter Debruge Chief Film CriticChances are, you landed on this review because you’re trying to game your Oscar pool, looking for a clue as to what will win the always-underseen shorts categories — in a year when they were unceremoniously booted from the telecast, no less. Well, if it’s predictions you’re looking for, there’s little contest among this year’s cartoon contenders: Academy favorite Aardman Animations has delivered a delightful frontrunner in “Robin Robin.” But don’t stop reading there! In an unusually adult-leaning year, the traditionally kid-friendly category is well worth watching in its entirety, whether in theaters or on demand, thanks to stalwart distributor ShortsTV.The program opens with “Robin Robin,” which seems poised to earn Aardman its fifth Oscar (the other four were all won by Nick Park, creator of the Wallace and Gromit characters).
Peter Debruge Chief Film CriticWhat is going on over at the Academy? For years, I have questioned whether it made sense for the organization to continue awarding short films, seeing as how they are no longer a routine part of the moviegoing experience (the category dates back to a time when newsreels and short subjects regularly preceded the main attraction). Except in rare cases, when an animation studio attaches one to its latest feature-length cartoon, it’s been decades since shorts got serious theatrical play. These days, they’re relegated to film festivals and small-screen formats — so why include them in the telecast, I wondered.I was wrong.
Gallery: History makers, red carpet romance and living legends! What happened at the SAG Awards. . . (BANG Showbiz)The 'Dark Knight' actress directed Olivia Colman in 'The Lost Daughter', which tells the story of a college professor who confronts her unsettling past after meeting a woman and her young daughter while on vacation in Italy.
Andrew Garfield is speaking about that “Spider-Man: No Way Home” Oscars 2022 snub.
For the children of Lusia “Lucy” Harris, the woman at the center of The Queen of Basketball, the prospect of the upcoming Oscar ceremony brings a feeling of joy, along with a measure of sadness.
EXCLUSIVE: WarnerMedia OneFifty has picked up this year’s Oscar-nominated live action short, The Dress from Polish filmmaker Tadeusz Lysiak.
2022 Oscars was officially released last week. And while the scope of awards season has changed pretty dramatically over the last few years, the talent and unique storytelling present in this year's pack of nominees is perhaps more impressive now than ever before. Leading the way for Oscar favorites is Netflix's which racked up12 total nominations including those in major categories like Best Picture, Best Director for Jane Campion, Best Actor for Benedict Cumberbatch, and supporting acting nods for Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee.
Deaf representation has taken a major step forward with two Oscar-nominated films this year — one a fictional story, the other entirely real.
Audible” have debuted a PSA in honor of Deaf History Month.“Audible” director Matthew Ogens and producer Geoff McLean have reteamed to produce a new public service announcement promoting Deaf History Month, which runs March 13 to April 15. The PSA features the documentary’s Amaree McKenstry-Hall, and deaf activist and model Nyle DiMarco, communicating through American Sign Language, explaining the documentary and Deaf History Month.“We are tough, we are strong, we are determined,” McKenstry-Hall signs in the PSA.DiMarco, who is a producer on “Audible,” adds, “There isn’t anything we can’t do, we will succeed.” “Audible” focuses on teenagers at Maryland School for the Deaf, specifically following the life of McKenstry-Hall, then a senior at the school.
When The Worst Person in the World premiered in competition in Cannes this year there was the sense of an arrival, notably in the case of its leading lady, Renate Reinsve, who won the festival’s award for best actress. In actual fact, the film was closer to a destination, being the third part of an unofficial triptych begun by Norwegian director Joachim Trier with his 2006 feature debut Reprise, about two young bohemian writers living in Oslo. He followed it in 2011 with Oslo, August 31st, in which Reprise’s star, Anders Danielsen Lie, by day a successful medical doctor, played a melancholic drug addict and Reinsve made her acting debut with just one line of dialogue (“Let’s go to the party!”).