France TV Distribution Bows Sales on Comedy ‘Christmas Carole’ at Cannes Market

Elsa Keslassy International Correspondent Vivendi, the parent company of Canal+ Group, has received the green light from the European Commission to proceed with the acquisition of Lagardère, the French media, publishing and travel retail conglomerate. This European Commission has given its approval under Vivendi’s two proposed commitments, starting with the sale of 100% of the share capital of its publishing group Editis, as well as the full sale of Gala magazine. Vivendi said it expects to close both deals by the end of October. It entered into exclusive negotiations to sell Editis to a subsidiary of Czech Media Invest (CMI) founded by Daniel Kretinsky, in March. With the acquisition of Lagardère group, Vivendi’s payroll will rise to 66,000 employees compared to 38,000 at the end of December 2022, with a stronger presence in key markets such as France, the U.K., Spain and the US.

Elsa Keslassy International Correspondent The chief of the Annecy Film Festival, Mickael Marin, has addressed the tragic knife attack that injured five people, including four children, on Thursday morning (June 8) at a busy lakeside park, just days before the start of the international animation film festival. “We are all shocked here. So far, the only thing that I can say is that we really hope that kids and other people injured will be fine. Of course, we will do something (to express our solidarity). For the time being, the only thing that we can do is to pray for the people who were attacked,” Marin told Variety. Two children and one adult are severely injured, according to France Info. The suspect, arrested by police shortly after the attack, is a Syrian refugee who applied for asylum in France and eventually got it from Sweden in April, according to local reports. France’s anti-terrorist prosecutors office hasn’t yet been seized.

Elsa Keslassy International Correspondent Charades (“Mirai,” “I Lost My Body”) has acquired “Flow,” a 3D animated feature directed by Gints Zilbalodis, the Annie-nominated filmmaker of “Away”. Produced by Sacrebleu Productions, Dream Well Studio and Take Five, “Flow” will be presented in the Work-in-Progress section in Annecy. Zilbalodis penned the feature with Matiss Kaza at Dream Well Studio and Ron Dyens (“Barking Island”) at Sacrebleu Productions who are acting as co-writers and producers. “Flow” is currently in production in Marseille, Paris and Bruxelles, with an expected delivery date during the second quarter of 2024.

Elsa Keslassy International Correspondent Banijay Rights has closed a major sale on its French drama series “Serial Lover” to Spanish broadcaster Atresmedia. “Serial Lover” marks the debut series for Banijay France’s label Shine Fiction, which is co-producing with Amaury Fournial from Sibaro Films. Written by Alice Den Broek and directed by Fred Berthe, “Serial Lover”‘s synopsis bills the show as “the story of a shrewd man who lives many different lives – a pilot, a surgeon, a broker, a journalist; developing a new personality for every identity and deceiving experts in each field. Handsome, charming, and attentive, exhilarated by his power, the deception becomes an art form as he manipulates all those around him, especially women who he targets and steals from. How many women have fallen in this trap?”

Elsa Keslassy International Correspondent Pulsar Content and Have a Good One have unveiled an exclusive clip of “Marinette,” Virginie Verrier’s biopic film about the first French female professional soccer player, ahead of its world premiere at Tribeca Film Festival. The film stars Garance Marillier, the breakout star of Julia Ducournau’s “Raw” and Palme d’Or winning “Titane,” and is based on Pichon’s bestselling autobiographical book. A pioneer of French women’s soccer, Pichon held for almost two decades the record for the number of goals and caps for the French team (men/women combined). She eventually became the first French player to have a career in the U.S..

Elsa Keslassy International Correspondent One of France’s largest studio complexes, the Studios of Bry-sur-Marne, have been bought by AXA IM Alts from Nexity. The Bry-sur-Marne studios, which boast eight stages, hosts the filming of roughly half of all French productions, notably this year’s highest grossing local film “Asterix and Obelix: the Middle Kingdom,” and the Canal+ series “Marie-Antoinette.” The studios facility is part of the 12 acres of land acquired by AXA IM Alts, an asset manager and investment vehicle for Axa, the global insurance company. As part of the deal, the studios will now be managed by Guillaume de Menthon, the former boss of Telfrance, a prominent producer of TV content such as the daily soap “Demain tout commence.” De Menthon will strive to double the site’s production capacity.

Elsa Keslassy International Correspondent The fourth season of “Emily in Paris” was initially set to start in late summer or early fall in the French capital that gives the show its name, but filming has been delayed by two months due to the writers strike, Variety has learned. That could stretch longer if WGA members remain on the picket line. Netflix declined to comment. The plan is still to start shooting by the end of fall, according to a source close to the streamer. Netflix announced the renewal of Darren Star’s Emmy-nominated romantic comedy in January 2022. Season 3 dropped on the streamer on Dec. 21, 2022 following a massive premiere event in Paris, which lured crowds of overjoyed fans and was attended by Star and the entire cast, including Lily Collins, Ashley Park, Philippine Leroy-Beaulieu, Kate Walsh, Camille Razat, Lucas Bravo, Lucien Laviscount (who wore a shiny purple suit), Bruno Gouery and Samuel Arnold.

Elsa Keslassy International Correspondent Aside from its Palme d’Or for Justine Triet’s “Anatomy of a Fall,” the French cinema world is also celebrating the near-complete recovery of French box office after the pandemic. Ticket sales are still 11.6 % down on the average levels of 2017 to 2019, but the good news is that the B.O. jumped by 33% with 82.38 million admissions during the first five months of 2023, according to the CNC (National Film Board). The upward trend is driven by the spike in anticipated U.S. movies being released — they skyrocketed from 29 in 2022 to 51 in 2023 during the first five months, according to Comscore France. There’s also been a tide of successful French movies, ranging from big-budget, franchise-based movies like Guillaume Canet’s “Asterix and Obelix: The Middle Kingdom,” Philippe Lacheau’s “Alibi.com 2” and Martin Bourboulon’s “The Three Musketeers: D’Artagnan,” to original fare like the Omar Sy starrer “Father and Soldier” and François Ozon’s 1950’s-set courtroom comedy “The Crime is Mine.” Maiwenn’s “Jeanne du Barry” starring Johnny Depp ranks as May’s fifth biggest hit with more than 550,000 admissions ($4.3 million) since its world premiere on opening night of the Cannes Film Festival.

Elsa Keslassy International Correspondent After being greeted with a seven-minute standing ovation on opening night of the Cannes Film Festival, Johnny Depp’s comeback movie “Jeanne du Barry,” directed by Maiwenn, has charmed French audiences after debuting in cinemas. The costume drama, which stars Depp as the French King Louis XV and marks his first leading role in three years, has been having a strong run at the French B.O., proving that the controversial star is still bankable. At least in France. The film was widely released by Le Pacte on 650 screens and has grossed nearly $4.1 million from more than 550,000 tickets sold in two weeks, according to Comscore France. Currently playing across 800 screens, the film got mixed reviews in Cannes, but still has the potential of selling up to 850,000 tickets (an estimated $6.4 million), according to Eric Marti at Comscore France.

Elsa Keslassy International Correspondent The Cannes Film Festival managed to avoid pensions reform’s protests and a power cut during its entire duration, but Palme d’Or winning director Justine Triet made up for both with a fiery political speech that took aim at the French government. Her impassioned plea became instantly viral and has been dominating headlines in French media. After being introduced on stage by Jane Fonda and thanking her partners on the film and Cannes’ jury, Triet said the country “was rocked by an unprecedented protest movement that was extremely powerful and unanimous against the pensions reform.” She argued that the “protest was denied and suppressed in a shocking manner, and this pattern of increasingly uninhibited dominating power is now at work in several areas; obviously socially is where it is the most shocking, but we also see it in all spheres of society, and the film industry hasn’t been spared,” said Triet, drawing cheers and a few boos from the captive audience inside the Lumiere Theater.

Elsa Keslassy International Correspondent Justine Triet’s “Anatomy of a Fall,” one of the best reviewed films of the Cannes competition, which was bought by Neon, examines the collapse of a marriage and a mother-and-son relationship in a documentary-style courtroom drama. The chamber piece is driven by Sandra Hüller’s (“Toni Erdmann”) nuanced performance as a successful German novelist on trial for the murder of her husband (Samuel Theis), who died in mysterious circumstances in a remote corner of the snowy French Alps. Their visually impaired 11-year-old son (Milo Machado Graner) is called on the witness stand, prompting a dissection of Sandra’s conduct as a wife and a mother. Supporting roles are played by Swann Arlaud and Antoine Reinartz.

Elsa Keslassy International Correspondent Girls Supports Girls, the French film sorority launched by producer Vanessa Djian and publicist Karolyne Leibovici, made its debut at this year’s Cannes Film Festival with the backing of Orange, in association with Kering. A flurry of French female talent, notably “Simone” actress Elsa Zylberstein and “Houria” director Mounia Meddour, took part in the networking luncheon which was hosted on the rooftop terrasse of Kering’s Women in Motion event at the Majestic hotel. Djian, whose production banner Daïdaï Films recently became part of Newen Group, and Leibovici, the founder of A&K communication, launched Girls Supports Girls four years ago to connect and create opportunities for female producers, actresses, executives and diverse talent coming from the film, TV and media industries.

Elsa Keslassy International Correspondent Wscripted, the talent platform sourcing women and non-binary writers, has unveiled the nominees for its third Cannes Screenplay List, an initiative launched in partnership with MUBI. The final selection was curated by an inaugural jury of international female filmmakers, including Mounia Meddour (“Papicha”, “Houria”), Funa Maduka (“Waiting for Hassana”), and Camille Griffin (“Silent Night”). The list features 10 English-language and two French-language film projects by women and non-binary screenwriters and celebrates original projects from development to early financing stages.

Elsa Keslassy International Correspondent Leading lights of contemporary Iranian cinema, including ‘Holy Spider’ actor Zar Amir Ebrahimi, ‘The Siren’ director Sepideh Farsi, ‘The Opponent’ helmer Milad Alami and producer Kaveh Farnham, turned up at the Cannes Film Festival to raise the alarm on the repression faced by Iranian cinema during a session hosted by Amazon Prime Video’s Sahar Baghery. Iran has been the centerstage of widespread protests driven by women against the Islamic Regime since Mahsa Amini died in police custody for for wearing her hijab too loosely in September 2022. Although the rebellion has garnered vocal support outside of Iran, it hasn’t succeeded in dethroning the Iranian Regime. A number of dissident Iranian filmmakers and talent have been jailed over the last six months, notably Jafar Panahi and Mohammad Rasoulof who was recently released from prison. Rasoulof was nevertheless banned from leaving Iran to serve on the jury of Un Certain Regard at Cannes.

Elsa Keslassy International Correspondent “Tiger Stripes,” the debut feature of Malaysian director Amanda Nell Eu, won the Grand Prize at Cannes’ Critics Week, the Cannes sidebar dedicated to first or second films. The prize was awarded by a jury presided over by Audrey Diwan, the Venice prizewinning director of “Happening.” The French Touch Jury Award went to Belgian director Paloma Sermon-Daï’s “It’s Raining in the House,” a film about adolescence, while the Revelation prize from the Louis Roederer Foundation was handed out to Jovan Ginic, the actor of Vladimir Perisic’s “Lost Country.”  The SACD prize, meanwhile, went to “Le Ravissement” by Iris Kaltenbäck.

Elsa Keslassy International Correspondent Alireza Khatami and Ali Asgari‘s “Terrestrial Verses,” the sole Iranian film premiering in Cannes’ Official Selection, has been acquired for distribution in key European territories. Represented by Films Boutique, “Terrestrial Verses” has been acquired for France (ARP Selection), Benelux (September Films) and Germany/Austria (Neue Visionen). All three banners are leading distributors in their respective territories. Those deals were closed following the film’s well-received world premiere. “Terrestrial Verses” marks the first collaboration between Khatami and Asgari, who are both acclaimed directors.

Elsa Keslassy International Correspondent A bold departure from France’s cinema tradition of social realism, Thomas Cailley’s widely ambitious sophomore outing “The Animal Kingdom” is equally a creature-filled dystopia, an emotionally charged father-and-son drama and a coming-of-age tale. The character-driven film world premiered to warm reviews at the Cannes Film Festival where it bowed the Un Certain Regard section. “The Animal Kingdom” is represented in international market by Studiocanal and was produced by Pierre Guyard at Nord Ouest Films, and co-produced by Artemis. “The Animal Kingdom” takes place in an undetermined future in France which has been swept by a genetic disease causing people to transform into creatures that are being hunted down and killed or institutionalized by authorities. Kircher, the breakout star of Christophe Honoré’s “Winter Boy,” plays 16-year-old Emile whose mother was institutionalized after showing first signs of a genetic mutation. He lives with his father Francois (Romain Duris) who is struggling to overcome grief.

Elsa Keslassy International Correspondent Kaouther Ben Hania, the Oscar-nominated director of “The Man Who Sold His Skin” whose latest film “Four Daughters” is competing at this year’s Cannes Film Festival, will next direct “Mimesis,” an epic love story set in Tunisia. While the plot is under wraps, the story is set in two different periods, the 1990s and the 1940s, paying tribute to cinema and Arab-Muslim cultural heritage. It’s being produced by Nadim Cheikhrouha at Tanit Films, who produced Ben Hania’s “Four Daughters” and her previous film “The Man Who Sold His Skin” which world premiered at Venice where it won best actor for Yahya Mahayni and was nominated for best international film at the Oscars in 2021.

Elsa Keslassy International Correspondent France’s culture minister Rima Abdul-Malak gave her first interview with the international press at the Cannes Film Festival where she unveiled a plan to invest €350 million ($378 million) in the film and TV industry. Abdul-Malak also addressed some hot topics that are currently being debated within the industry, such as the windowing rules for streamers, the protests over the pension reform, the rise of the far right and criticism of France’s #MeToo movement. The government-investment initiative, called the Grande Fabrique de l’Image, is meant to bolster France’s position as a leader in film, TV and video games production, studio facilities, post-production, as well as film and TV training. The funding will go to 68 projects that were selected from 175 applicants by two committees, one of which is headed by filmmaker Cedric Jimenez (“November,” “The Stronghold”). Among the selected projects are 11 studio facilities, 12 animation studios, six video games studios, five visual effects and post production houses, and 34 training programs.

Elsa Keslassy International Correspondent REInvent has closed a French deal on “The Angel Maker,” a psychological thriller starring a top Nordic cast including Julie R. Ølgaard (“The Killing”), Roland Møller (“Riders of Justice”), Christopher Læssø (“The Bridge”) and Stine Stengade (“Those Who Kill”). The banner has sold the film to Koba Films in France and will be hosting a market screening at Cannes on the 18th. “The Angel Maker” tells the story of crime detective Laura who is specialized within cybercrime. Laura is on sick leave with a psychosis after a birth depression and by coincidence she stumbles upon a case with a beastly serial killer which piques her interest and she decides that it is time for her to return to her job as a crime detective.