Addie Morfoot Contributor Distribution platform Gathr and documentary distribution agency Roco Films have teamed to create Roco Voices, a new speakers bureau. Roco Voices, launching Nov.
29.10.2023 - 21:41 / variety.com
Ben Croll The push for greater studio capacity and more ambitious large-scale facilities — both in the Paris region and throughout the country — is a key element of the France 2030 plan. As it stands, France is on track to offer more than two dozen studios by 2024, with flagship developments including the TSF Backlot 77. That sprawling installation, built on the site of a one-time airbase 38 miles east of Paris, will offer Parisian street facades and a number of standing sets encompassing different neighborhoods and architectural styles.
The backlot will go live next summer, just weeks before the Summer Olympics puts one side of Paris on display to the world while curtailing production in other (often iconic) parts of town. The opportune timing has hardly been lost on municipal shooting commission Film Paris Region and national counterpart Film France; they will propose the ersatz capital as one of many solutions once certain areas of Paris undergo a production crunch between June and September. “[The games] offer us a tremendous opportunity to showcase our whole ecosystem, to spotlight the whole country [and] to send the message that all of France remains open for filming,” says Film France head Daphné Lora.
Closer to the capital, Montjoie Studios is currently turning a site just outside of town into a scale
Parisian apartment building. Decked out with Haussmannian exteriors, working elevators, servants’ quarters and a full, 2690 sq. ft.
Addie Morfoot Contributor Distribution platform Gathr and documentary distribution agency Roco Films have teamed to create Roco Voices, a new speakers bureau. Roco Voices, launching Nov.
John Hopewell Chief International Correspondent There’s “an enormous amount of fresh talent coming through, and those new voices, that for the most part don’t come from the U.S.,” CAA Media Finance’s said at San Sebastian’s Creative Investors Conference this September. Getting noticed ia another matter. Global content spend has near doubled in a decade, from $136 billion in 2013 to $250 billion this year, according to Ampere Analysis.
The Foreign Office has updated its travel advice for passengers heading to France. Brits are being warned about demonstrations taking place in the country and the government has urged anyone travelling there to 'stay aware'.
William Earl On Nov. 14, Variety will host “U.S. Filmmaking in France: The French Experience,” a half-day event in Los Angeles in partnership with the French Film Commission to showcase the benefits and incentives of producing films / TV shows in France.
Elsa Keslassy International Correspondent Paramount+ has signed a partnership with Microsoft for the streaming service to be available on Xbox One and Xbox Series X/S across several international markets. Under the deal, Paramount+ will roll out on Xbox consoles in Australia, Austria, Canada, France, Germany, Ireland, Italy, Latin America (including Brazil), Switzerland and the U.K.
France’s Centre National du cinéma et de l’image animée (CNC) and Taiwan Creative Content Agency (TAICCA) have signed a cooperation agreement, aimed at increasing collaboration and exchanges between the film and TV industries of Taiwan and France.
Patrick Frater Asia Bureau Chief France and Taiwan on Thursday signed a wide-ranging agreement to enable their film and TV industries co-operate on a higher level. At a signing ceremony in Taipei at the Taiwan Creative Culture Fest (TCCF) convention, government representatives of both territories stressed shared values at the political level and in the audiovisual sphere.
Finnish filmmaker Aki Kaurismäki’s Fallen Leaves and UK director Jonathan Glazer The Zone Of Interest lead the nominations in the main categories of the 36th European Film Awards which will take place in Berlin on December 9.
Elsa Keslassy International Correspondent “Consent,” an adaptation of Vanessa Springora’s bestselling book which sparked a belated #MeToo moment in France, has lured major distributors while thriving at the local box office and stirring social media buzz. Represented in international markets by Paris-based outfit SND, the film marks the sophomore outing of Vanessa Filho whose debut feature “Angel Face” stars Marion Cotillard and played at the Cannes Film Festival. Inspired by Springora’s real-life story, “Consent” tells the story of a teenage girl who is manipulated and sexually abused by a celebrated writer in his 50s.
embarked on her second marriage at age 31 — to Riley Hawk, the 30-year-old son of skateboarding legend Tony Hawk. A year ago, Frances celebrated her 30th birthday by triumphantly posting “I made it!” on Instagram.But the odds were against her from the start.An infamous 1992 article in Vanity Fair alleged that her parents were junkies and that Love was shooting heroin when pregnant with her.
Don’t go into Netflix‘s adaptation of All The Light We Cannot See expecting it to be a direct translation of Anthony Doerr’s bestselling novel.
Swedish director Ruben Östlund has been announced as a guest of honor at the 15th edition of France’s Les Arcs Film Festival, in the role of its Talent Village Ambassador.
Tan France has defended Marks & Spencer after a Christmas Instagram post sparked social media backlash.The controversy started when the high-street retailer posted a photo showing Christmas hats in green, red and silver being burned in a fireplace – with some social media users branding the post "disgusting" as the colours are similar to those of the Palestinian flag. Queer Eye star Tan, 40, who appears in the brand's Christmas advert alongside Sophie Ellis-Bextor and Hannah Waddingham, has now taken to social media to defend the post.Taking to his Instagram Story, Tan shared a close-up photo of his face, to which he added the text: "The ad was shot in AUGUST, so.....
paid homage to a legend in the making: . The Scandal actor specifically chose to emulate the track star's 2021 U.S. Olympic Track and Field Trials look, which required orange hair, long nails, and tattoos.
Elsa Keslassy International Correspondent Aria Mia Loberti, the breakout star of Shawn Levy‘s Netflix limited series “All the Light We Cannot See,” has narrated a new audio edition of Jules Verne’s classic novel “Twenty Thousand Leagues Under the Sea.” Loberti, a writer, human rights advocate and Fulbright Scholarship recipient, made her acting debut in “All the Light We Cannot See,” an adaptation of Anthony Doerr’s beloved Pulitzer Prize-winning novel which will premiere on Netflix Thursday. In the show, Loberti plays Marie-Laure, a courageous blind teenager living in Nazi-occupied France during WWII.
Angus Finney Industry players treading the floors of Le Meridien Delfina, the American Film Market’s new venue, will be besieged by aggressive funding offers and fliers tubthumping diverse landscapes and state-of-the-art facilities from all around the world — marketing tools promoting incentives and driving the heated battle for productions across the globe. The incentive wars have been raging for decades, with several U.S. states and leading producing nations — such as Canada, the U.K., France, Spain, Australia, New Zealand and Germany — battling over a $177 billion worldwide production pot being spent on film, scripted TV and docs in 2019 alone, according to consultants OlsbergSPI. Given the inherent link between total production spend and automatic funding systems as a crude percentage, that indicates that some $20 billion-$30 billion of tax credits, production rebates and other automatic mechanisms are underpinning worldwide production. But just as the industry at large is reeling from strike actions, the impact of streamers and talk of a “great spend re-correction,” all is not well in the land of automatic funding incentives.
Ben Croll International production spending in France hit record highs in 2022, resulting in 2,220 shooting days that crested above $1 billion in promised investment — and public initiatives had a major role to play. In early 2020, for example, France updated its Tax Rebate for International Production scheme, supplementing a 30% across-the-board rebate with an additional 10% — applicable on all eligible expenses — for productions that spent $2.2 million with local VFX and post houses.
Ben Croll France’s VFX workforce has grown by leaps and bounds over the past three years, with much credit due to a 10% across-the-board tax rebate bonus for international productions that spend more than $2.1 million with local digital outfits. Of course, the fact that American studios could also benefit from the full 40% tax rebate wholly on post-production expenditures has only helped matters further, affording top-trained talent the chance to stay in (or, in many cases, return to) France, proving their mettle on lavish blockbusters shot elsewhere.
With a whole host of cafés to choose from in Manchester, it’s nearly impossible to pick just one as your favourite. However, in a recent interview with the Manchester Evening News, Love Island star and professional boxer Tommy Fury revealed where his favourite place to grab a bite of brunch is - so we had to check it out.
Cynthia Littleton Business Editor There was an unmistakable sense of opportunity in the air last week as international media movers and shakers convened in Cannes for the annual Mipcom market and conference. Big European players in particular sense that openings are starting to emerge in what had been rigid business models and licensing protocols for the largest streaming platforms. The rush to cut costs and consolidate operations in the U.S.