EXCLUSIVE: With the end of 118-day actors strike at 12:01AM tonight, as well as a 148-day WGA strike back in September, global Hollywood feature productions can now resume.
20.10.2023 - 09:19 / deadline.com
EXCLUSIVE: Oscar and BAFTA-winning VFX firm Framestore has hired industry veteran and former MPC exec Gary Brozenich. He will take up the new position of international production supervisor.
Brozenich spent 22 years at MPC and has worked on box office tentpoles such as Transformers: Rise of the Beasts, The Lone Ranger, Maleficent: Mistress of Evil, and two installments of the Pirates of the Caribbean franchise. He is also a three-time collaborator of Ridley Scott, working across Kingdom of Heaven, The Last Duel, and All the Money in the World. Elsewhere, Brozenich has supervised for Gore Verbinski (The Lone Ranger), Ron Howard (The Davinci Code), and Tim Burton (Sweeney Todd: The Demon Barber of Fleet Street). Most recently, he worked with Steven Caple Jr on Transformers: Rise of the Beasts.
At Framestore, Brozenich will work alongside the company’s senior team of supervisors who have delivered Oscar and BAFTA-winning or nominated work such as Gravity, Blade Runner 2049, Christoper Robin, The Midnight Sky, Top Gun: Maverick, No Time to Die, The Dark Knight, Guardians of the Galaxy, Harry Potter and the Deathly Hallows Pt 1, His Dark Materials as well as this summer’s pics Barbie, Guardians of the Galaxy Vol.3 and The Little Mermaid. He will report to Fiona Walkinshaw, CEO of film and episodic.
“While our industry is experiencing significant change we are making preparations to help our clients get back to business,” said Walkinshaw. “Gary is highly regarded by the studios, a valuable collaborator and creative problem solver, and someone I have been keen to work with for a long time. His appointment buoys an already accomplished team of supervisors and follows two senior hires in Montreal last month.”
Brozenich
EXCLUSIVE: With the end of 118-day actors strike at 12:01AM tonight, as well as a 148-day WGA strike back in September, global Hollywood feature productions can now resume.
Zack Sharf Digital News Director Ridley Scott revealed in a recent New Yorker profile that he has been editing the 90 minutes of footage he was able to capture for “Gladiator 2” before the Hollywood strikes shut down production. Scott was shooting the long-awaited “Gladiator” sequel in Morocco when filming stopped indefinitely. He can’t resume production until the SAG-AFTRA strike is resolved.
Ridley Scott loves making historical epics. He’s done it numerous times, most successfully with classic, “Gladiator.” And he’s back at it again with the forthcoming “Napoleon.” However, as was pointed out when a historian on TikTok reviewed the trailer for Scott’s latest epic, “Napoleon” isn’t the most historically accurate film of all time.
Ridley Scott has little time for anyone pointing out historical errors in his upcoming film Napoleon.The director was asked by the New Yorker about responses to the film’s trailer, namely TV historian Dan Snow’s TikTok breakdown of inaccuracies – including Napoleon’s involvement at the 1798 Battle of the Pyramids and how he “never” led a French cavalry charge.“Get a life,” Scott told the outlet in response.Speaking about his process, the director added: “I tend to be visual above all things, before the written word.”Joaquin Phoenix plays Napoleon Bonaparte in the film, which follows the French leader’s rise to power and his relationship with Empress Joséphine (Vanessa Kirby). Other cast members include Tahar Rahim, Ben Miles and Rupert Everett.The historical epic will be released in cinemas from November 22, with a four-hour director’s cut set to arrive on Apple TV+ at a later date. The theatrical cut spans 157 minutes.Scott previously told a journalist to “go fuck yourself” after he said 2021’s The Last Duel was “more realistic” than his past films like Robin Hood and Kingdom Of Heaven.“Sir, fuck you,” Scott said in response.
Quentin Tarantino‘s Vista Theatre in Los Feliz is opening its doors back up and will celebrate its return with a screening of True Romance.
Zack Sharf Digital News Director Henry Selick and Tim Burton’s “The Nightmare Before Christmas” is officially 30 years old. In a recent interview with The New York Times, the two collaborators recalled Disney not wanting to have its name on the project due to its darker tone. The studio had the film developed under its more adult-leaning production banner Touchstone Pictures.
Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%).
Halloween.Hannibal Lecter, Michael Myers and Norman Bates are just some of the horror characters who have lingered across generations, whether through the staying power of their original movies or franchise reboots designed to revitalise characters for a new audience.The best horror movies might be subjective to personal taste but, through the power of review aggregate sites and audience scores, it’s possible to discern some measure of the most revered horror films in existence.Review aggregate site Rotten Tomatoes has compiled a list of the 200 best horror movies based on the critics score and audience rating, alongside the number of reviews and its year of release. You can check out the top 20 for 2023 below.Ridley Scott’s sci-fi horror Alien came out on top, which follows the Nostromo crew as they encounter the deadly xenomorph species.
EXCLUSIVE: Oscar winner Ron Howard is heading into production at the end of November on survival thriller Eden, which was previously named Origin Of Species.
The angriest filmmaking fights that I’ve witnessed over the years have not been about cost or cast; they were about length. The movies were too long but so were the fights.
Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat.
Clayton Davis Senior Awards Editor Ridley Scott’s “Napoleon,” an epic look at the French emperor and military leader’s rise to power, is one of the final potential awards hopefuls awaiting its first reactions from critics and pundits. As awards season approaches, Variety has learned exclusively which Oscar categories the film will be submitted for. Most notably, Vanessa Kirby will vie for best supporting actress.
Ridley Scott may have sung the praises of Fede Alvarez‘s upcoming sequel “Alien: Romulus,” but he doesn’t feel the same about “Top Gun: Maverick.” JoBlo reports that at the recent DGA Latino Summit, Alvarez said Scott was unimpressed with the sequel to his brother Tony Scott‘s 1986 original. In Scott’s words: “My brother’s was original and this is like eh.” READ MORE: Ridley Scott Says He Has A “Fantastic” 270-Minute Director’s Cut Of ‘Napoleon’ That Focuses More On Vanessa Kirby’s Josephine Alvarez brought up the anecdote when speaking about how tough Scott is on follow-ups to his films, which is something the director was afraid of regarding his “Alien” sequel.
EXCLUSIVE: Ridley Scott’s Scott Free has appointed Elyse Seder as EVP and Head of Nonfiction and named EVP Marjorie Chodorov Head of Physical Production.
LOL, at Ridley Scott and “Napoleon” to borrow the boastful phrase, “I’m built different”—did Andrew Tate come up with that one?—and tweak it to, “I’m not built like other men,” in his new trailer for this war epic. It’s slightly comical to hear modern verbiage in period movies and period movie trailers, but hey, it’s not the first time.
Fede Álvarez is directing a new sequel to Alien and Ridley Scott has seemingly given his notes on the movie and thinks it’s “f***ing great.”
Zack Sharf Digital News Director “Don’t Breathe” and “Evil Dead” director Fede Álvarez is reviving the “Alien” franchise next year with the release of a new sequel (reportedly titled “Alien: Romulus“), which he co-wrote with Rodo Sayagues. The film will tell a new story within the “Alien” universe after the film franchise came to a halt following Ridley Scott‘s prequel films “Prometheus” (2012) and “Alien: Covenant” (2017). The latter’s middling box office ended Scott’s run.
Even though he didn’t direct “Alien 3” or “Alien: Resurrection,” the “Alien” franchise is arguably Ridley Scott‘s.
Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88.
“He came from nothing. He conquered everything.” So goes the tagline for Ridley Scott‘s upcoming historical epic “Napoleon,” in theaters this Thanksgiving.