Former DGA President Paris Barclay Says Guild’s New Contract “Almost Double What We Got Last Time”

Next month marks a showdown between three of the year’s biggest blockbusters at the box office. First up, “Mission: Impossible – Dead Reckoning Part One” arrives on July 12, followed by Greta Gerwig‘s “Barbie” and Christopher Nolan‘s “Oppenheimer” on July 21.

In three weekends, Greta Gerwig‘s “Barbie” squares off against Christopher Nolan‘s “Oppenheimer” for this summer’s big box-office battle. So which film will walk away victorious? Both movies boast stacked ensemble casts, but given its soundtrack, premise, and Margot Robbie as its lead, “Barbie” may be 2023’s movie to beat.

In exciting news for movie lovers and soccer enthusiasts alike, the Toronto International Film Festival (TIFF) has announced that Taika Waititi’s soccer comedy, “Next Goal Wins”, will have its world premiere at the 48th edition of the festival.

Steven Spielberg’s Amblin Partners has sold a 50% stake in its catalog of music publishing and music master rights from the film music library to Multimedia Music, including  marquee and award-winning films 1917, Green Book, The BFG, Bridge of Spies, The Post, Office Christmas Party, Thank You For Your Service and The Girl on the Train and others. The catalog features iconic music from several of the most renowned and celebrated composers in the world including John Williams, Thomas Newman, Danny Elfman, Alexandre Desplat, Rachel Portman, Mark Isham and Rob Simonsen. 

Over the past week, you’ve likely heard the outcry from filmmakers and film fans about the uncertain fate of TCM under the Warner Bros. Discovery regime.

Mark Rylance has said that he took a “garlic solution” instead of the COVID-19 vaccine during the pandemic.Rylance told The Sunday Times: “I was not convinced I needed it. I took a very distilled garlic solution every morning, and vitamin C, and I sailed through [Jez Butterworth’s] Jerusalem [play].”He also spoke about the response to the coronavirus, saying: “Science started to sound like a religion.

For months now, there has been this silly, social media-created competition between two films that are scheduled for release on the same day—Christopher Nolan’s “Oppenheimer” and Greta Gerwig’s “Barbie.” Sure, there is real competition for money when two big-budget studio films are released at the same time, but the odds are that both of these films will be huge hits for their respective studios.

Indiana Jones and the Dial of Destiny.” This latest — and last — turn for Harrison Ford’s famed archaeologist gave Mangold many features to pull inspiration from, starting with 1981’s “Raiders of the Lost Ark,” as directed by Steven Spielberg.“When we talk about the ‘Raiders’ film, and even Steven’s work in general, which has always been a big influence on me, you have to kind of understand that Steven himself is highly influenced and inspired by the classical, Golden Age, Hollywood style,” Mangold told TheWrap. “So you’re talking about a compendium of influences.”But when it came to crafting the character of Helena, played by “Fleabag” star Phoebe Waller-Bridge, Mangold went back to the 1940s screwball world of director Preston Sturges.

Christopher Nolan has said there’s an “interesting relationship” between the endings of Oppenheimer and his 2011 film Inception.In the director’s upcoming biopic, Cillian Murphy plays scientist J. Robert Oppenheimer who is credited as the “father of the atomic bomb” for his role in the Manhattan Project. The film is set to be released on July 21, 2023.Speaking in an interview with Wired, Nolan explained that there’s some similarities between Oppenheimer’s ending and the ambiguous final scene in Inception, where it was left unclear whether Dom Cobb (Leonardo DiCaprio) was still in a dream.Asked whether he believed his films have an optimistic or “anti-nihilistic” outlook, Nolan said: “I mean, the end of Inception, it’s exactly that.

Members of the Directors Guild of America have overwhelmingly ratified a new film and television contract. The vote was 87% in favor to 13% opposed, with 6,728 members voting out of 16,321 eligible (41%).

Actor Lou Diamond Phillips, documentary filmmaker Simon Kilmurry and writer Dana Stevens are among the 11 film professionals who have been elected to the board of governors of the Academy of Motion Picture Arts and Sciences, the Academy announced on Thursday.Those new governors are part of a wholesale makeover of the AMPAS board prompted by new term limits imposed last year. In 10 of the 11 branches where first-time governors were elected, the incumbent governors were unable to run again because of those new limits, which restrict governors to two consecutive three-year terms.

Clayton Davis Senior Awards Editor The Academy of Motion Picture Arts and Sciences announced the newly elected Board of Governors for the 2023-2024 year. Elected to the board for the first time are acclaimed actor Lou Diamond Phillips, screenwriter Dana Stevens, executive Hannah Minghella, costume designer Daniel Orlandi and more. Among the newly elected is technology executive Wendy Aylsworth, who will represent the brand new Production and Technology Branch. Aylsworth, who also serves on the Board of Governors for the Television Academy, spent more than two decades at Warner Bros. and became the first woman president of the Society of Motion Picture and Television Engineers.

Zack Sharf Digital News Director Christopher Nolan has a warning for anyone purchasing “Oppenheimer” tickets: The film might emotionally destroy you. Speaking to Wired magazine in a new interview, Nolan said that some early “Oppenheimer” viewers have had a visceral reaction to the film, which follows theoretical physicist J. Robert Oppenheimer (Cillian Murphy) as he creates the atomic bomb to end World War II. “Some people leave the movie absolutely devastated,” Nolan said about early screenings. “They can’t speak. I mean, there’s an element of fear that’s there in the history and there in the underpinnings. But the love of the characters, the love of the relationships, is as strong as I’ve ever done.”

McKinley Franklin editor The Academy of Motion Picture Arts and Sciences has expanded its extensive Academy collection with new additions of costumes, film posters, conceptual art and more.  New acquisitions range from costumes featured in the Oscar-winning “Everything Everywhere All at Once” to conceptual art for “E.T. The Extra-Terrestrial.” Other new additions include more than 600 rare silent film posters, collections of producer Gale Anne Hurd, director Harold Ramis, filmmaker Gregg Araki and film scholar Kevin Brownlow and more than 150 hand-painted animation artworks dating, donated by Steven Spielberg and Kate Capshaw. “We are thrilled and honored to expand the Academy’s collection with these exceptional pieces,” said Academy CEO Bill Kramer. “To be housed at our archive, library and museum, these vital components of the filmmaking process highlight the collaborative disciplines that develop and produce the movies we love. They also demonstrate the Academy’s unique capacity to preserve the full range of film history formats. We are incredibly grateful to our donors for their remarkable gifts to the Academy and for their commitment to illuminating our film history.”

A rare and extensive animation collection from Steven Spielberg, Shirley Kurata’s Oscar nominated costumes from 2022 Best Picture winner Everything Everywhere All At Once, a blacklisted writer’s original Oscar statuette from 1958’s The Defiant Ones, and the 700+ film-strong collection of legendary film scholar and Honorary Oscar recipient Kevin Brownlow are just a few of the latest donations to the Academy of Motion Picture Arts & Sciences vast collections housed at both the Margaret Herrick Library on La Cienega in Beverly Hills, as well as the Academy Museum of Motion Pictures , and the Academy Film Archive. These items and many more just add to the eye-popping collected works for AMPAS, the largest film-related collection in the world (next to my garage – NOT).

Zack Sharf Digital News Director Christopher Nolan got honest about artificial intelligence in a new interview with Wired magazine. The Oscar-nominated filmmaker says the writing has been on the wall about AI dangers for quite some time, but now the media is more focused on the technology because it poses a threat to their jobs. “The growth of AI in terms of weapons systems and the problems that it is going to create have been very apparent for a lot of years,” Nolan said. “Few journalists bothered to write about it. Now that there’s a chatbot that can write an article for a local newspaper, suddenly it’s a crisis.” Nolan said the main issue with AI is “a very simple one” and relates to the technology being used by companies to “evade responsibility for their actions.”

Daniel Ellsberg, a onetime advisor to Nixon Defense Secretary Robert S. McNamara and RAND corporation analyst who leaked the 7,000-word secret history of the Vietnam War known as the Pentagon Papers to the New York Times and Washington Post, has died. That, according to multiple reports. He was 92.

Aardman founder Peter Lord and director Sam Fell took to the stage at the Annecy International Animation Film Festival on Wednesday to present first footage for Chicken Run: Dawn of the Nugget.

The Directors Guild of America has released a new video of associate directors and stage managers touting their support of the guild’s tentative agreement for new film and TV contract. The pact, which covers directors and members of their teams, is being put to the members for ratification.  

Addie Morfoot Contributor At Tuesday’s New York’s premiere of Wes Anderson’s “Asteroid City,” the star-studded cast had plenty to say about Hollywood’s writers strike. Scarlett Johansson, Adrien Brody, Bryan Cranston and Rupert Friend revealed how they really feel about the face off between the Writers Guild of America and the Alliance of Motion Pictures and Television Producers while walking the beige carpet at Lincoln Center’s Alice Tully Hall. “Whatever happens moving forward will forever change how revenue is determined,” Johansson told Variety. “It’s a thing that has needed to happen for a long time, that we’ve been talking about for a long time, and it’s finally reached this breaking point. It’s important for all of us creatives to unite and support this massive shift so we can get over to the other side, which we will.”