FKA Twigs to play mother of Jesus in new horror film

Owen Gleiberman Chief Film Critic Shocking and resonant, disarmingly grotesque and weirdly fun, “The Substance” is a feminist body-horror film that should be shown in movie theaters all over the land. By that, I don’t mean that it’s some elegant exercise in egghead darkness like the films of David Cronenberg, or a patchy postmodern punk curio like “Titane.” Coralie Fargeat, the writer-director of “The Substance,” has a voice that’s italicized, in-your-face, garishly accessible and thrillingly extreme.

Ellise Shafer With only her second film, Coralie Fargeat has gone from admiring body horror king David Cronenberg to being in competition with him at this year’s Cannes Film Festival. Fargeat’s “The Substance,” described as a feminist take on the body horror genre and starring Margaret Qualley and Demi Moore, bows at Cannes on Sunday night, the day before Cronenberg’s latest frightful offering, “The Shrouds,” will do the same.

Jack Dunn Umbrelic Entertainment has unveiled the cast of its upcoming horror film, “The Possession at Gladstone Manor,” which includes Caylee Cowan (“Hypnotic”), Jesse Metcalfe (“John Tucker Must Die”), Charlotte Kirk (“The Reckoning”), Darren Weiss (“Inside Man”), Barbara Crampton (“You’re Next”), William Mapother (“Blackhat”) and Lin Shaye (“Insidious” franchise). Production is currently underway in Kansas City, and AMP’s Anthony Buckner is handling international sales at this year’s Cannes Film Festival. According to an official logline, “The Possession at Gladstone Manor” picks up “when Jamie Black discovers her mother has gone missing [and] resolves to investigate by applying for the same job her mother held at Gladstone Manor.

J. Kim Murphy A new entry in the “Insidious” franchise has been set for the theaters. The next installment of the Blumhouse Productions horror property, co-produced by Screen Gems, has been added to Sony’s theatrical slate, with the studio dating the film for an Aug.

John Krasinski and Natalie Portman are hard at work on their new movie!

By Fans wanting to see Penelope Featherington () and Colin Bridgerton (Luke Newton) in might be surprised to learn that when Newton first got the scripts, his initial thought was: How complicated can this story be?“Penelope has been infatuated by Colin ever since the start of season one,” he explains to Glamour over Zoom. “So in my head, there was a clear path: All he needs to do is see what's been right in front of him all this time, and they'll live happily ever after.”Of course, this is Bridgerton.

Omnes Films has a goal. “Our mission is to fill a void in modern cinema,” says its website. “Our films are passionate, ambitious works made by friends that favor atmosphere over plot and study the many forms of cultural decay in the 21st Century. Whatever the subject or genre, we seek projects that are original in conception and feel like they’ve never been made before.” It sounds wildly ambitious, and maybe it is, but Cannes audiences will be the judge of that when two of its films — Christmas Eve in Miller’s Point by Tyler Taormino and Eephus by Carson Lund — premiere in Directors’ Fortnight.

Brent Lang Executive Editor Archstone Entertainment has acquired international rights to multiple pictures produced by the Todd Slater-run Convoke Media and Brick Lane Entertainment. They include “Succubus,” which was written and directed by R.J. Daniel Hanna (“Hard Miles”) and stars Ron Perlman and Rosanna Arquette.

Did anyone expect “The Beekeeper” to do as well at the box office as it’s doing? The mid-budget action film has earned more than $152 million worldwide. You have to assume a lot of that success rests on the shoulders of star Jason Statham, who has been solid at the box office for years now.

CGI movie technology, it is getting harder and harder to deliver that true spine-chilling internal fear that makes horror films so great.Gen Z and Gen Alpha kids may arrogantly scoff at retro scary movies, but it hasn’t always been this way.There was once a time when picture-goers were so viscerally terrified by what they were seeing on the big screen that it would trigger powerful physical reactions right there in the theater.During Jaws (1975) people fainted and vomited in the cinema during some of the gruesome scenes, while others stopped going swimming in the ocean altogether out of pure fear.Alfred Hitchcock’s classic film Psycho (1960) sparked mania during the infamous shower stabbing scene, with reports of people hyperventilating and passing out in their cinema chairs.However, one of the most horrifying movies to ever hit the big screen, causing widespread panic, fear and repulsion, is William Friedkin’s The Exorcist (1973).Based on William Peter Blatty’s 1971 novel, the film follows the demonic possession of a young girl and her mother’s attempt to rescue her through an exorcism by two Catholic priests.With some wildly disturbing scenes, including some bizarre 360 degree head spinning, eerie spider-walking on the stairs and some disgusting projective lime-green vomit, it shocked those 1970s audiences to their core.One particular vulgar scene involving a crucifix — that is too crude to describe here — shocked and upset many, especially considering the percentage of people who were religious back then.The flick was so scary that even renowned Chicago Sun-Times film critic Roger Ebert was at a loss for words about how it made him feel.“I am not sure exactly what reasons people will have for seeing this movie; surely

Patrick Frater Asia Bureau Chief Uncork’d Entertainment has pre-bought multi-territory rights to upcoming Argentinian-produced action-horror film “Eyes of the Abyss” ahead of its showcase in Cannes next week. Uncork’d has picked up the film, which is currently in post-production, for North America, the U.K. and Ireland, Australia and New Zealand.

Sebastian Stan and Lily James are teaming up once again!

Christopher Vourlias Ukrainian production powerhouse Film.UA is developing a bone-chilling slate of horror films all set within the same cinematic universe, the company revealed exclusively to Variety on the eve of this year’s Cannes Marché du Film. Steeped in local folklore and delving into the rituals, sorcery and mysticism that are woven into the fabric of Ukrainian culture and mythology, the films will transport viewers into a realm where ancient powers stir and darkness reigns, unspooling stories that are rooted in historical and cultural facts and set against the backdrop of current events.

Travis Kelce is getting the Ryan Murphy treatment!

FKA twigs danced the night away after the 2024 Met Gala at an after party that she hosted!

Nicolas Cage has a knack for picking interesting films lately. Even if the final product isn’t so great, there’s no denying Cage likes to perform in films that are unique.

EXCLUSIVE: Nicolas Cage, FKA Twigs, Noah Jupe and Souheila Yacoub are set to star in Egyptian-American director Lotfy Nathan’s The Carpenter’s Son exploring the rarely told story of the childhood of Jesus with a horror take.

A hero in the Marvel Cinematic Universe is gunning to swing on over to the DC film universe as Batman!

Deadpool film, saying that he “so wanted to be in that movie”.The film, titled Deadpool & Wolverine, brings together the characters made famous by Ryan Reynolds and Hugh Jackman, and it will feature elements of multi-verse traversal, with the closing shot of the newly-released trailer showing the pair jumping through a portal commonly used by Doctor Strange and his fellow sorcerers.Deadpool & Wolverine is due for release on July 26 in cinemas. Watch that trailer below:And now Brolin, who played Cable in the first two films, has confirmed in a new interview with Bingeworthy that he was not invited to take part in the new movie.After being told that his name actually does come up in the IMDb credits for the film, he said, “Am I? Yes! I so wanted to be in that movie.”He went on to compare the franchise with his new Amazon Prime series Outer Range.

Last year, when Australian twin filmmakers Danny and Michael Philippou—best known previously for their YouTube channel “RackaRacka”— released their debut feature horror film “Talk to Me,” it not only managed to rake in an impressive $92 million against a budget of $4.5 million, but it also garnered rave reviews and announced the arrival of two bold new voices that would surely reinvigorate the genre.