‘Every Body’ Review: A Frank Discussion of Intersex Identity Holds Keys to the Culture Wars

was renewed for another season on Max before being unexpectedly canceled during the filming of season 2. Luckily for everyone involved in the workplace comedy about the launch of the first erotic magazine for women — as well as fans — it was saved by Starz, where it will debut new episodes starting July 21. While speaking to ET's Will Marfuggi, the cast, including stars Jake Johnson and Ophelia Lovibond, reflected on the cancellation and the bidding war that soon followed before landed on the premium cable network, which is also home to hits like, and . First axed by Max in December 2022, it was revealed a month later that Starz had acquired the rights to seasons 1 and 2.

Bella Hadid, Kylie and Kendall Jenner, Hailey Bieber, Lady Gaga and Megan Fox, teamed up with Frankies Bikinis, spotted on Sydney Sweeney, Gigi Hadid, Lily Rose Depp, Camila Cabello and Sofia Richie, to launch the cutest summer swimwear collab.The 14-piece collection, created by designers Danielle Guizio and Francesca Aiello, blends Guizio’s New York flair with Aiello’s California vibe while drawing inspiration from both brands’ hottest styles.Think: Summer swim and clothing essentials featuring chic details including rosette accents, floral embroidery, and dainty ribbons on a new rose gingham print, crochet maxi and mesh dresses, a cozy lounge set, and more. «It all started in my small suburban hometown in New Jersey, where I grew up watching shows based in California, like and, completely awestruck by the West Coast lifestyle. Fast forward to now, living in New York City, I continue to seek inspiration from the contrast of both places,» Guizio said in a press release.«As Francesca and I designed the collection, I still felt that giddy burst of inspiration from the West Coast, like I was about to be a part of a lifestyle even though it wasn’t completely my own.

Peter Debruge Chief Film Critic With Jane Birkin’s passing, France loses both an icon and one of its greatest enigmas. To focus on France is not to diminish the fact that Birkin’s death will be mourned around the world. Alongside Brigitte Bardot, Françoise Hardy and Catherine Deneuve, Birkin was one of the last surviving 1960s femmes who sparked global interest in French culture. Except that Birkin wasn’t French. She was born in London and clung to her English accent all her life. Birkin was perfectly fluent, but cultivated a faux-naïf way of speaking her adopted language that reinforced her persona as the eternal child. For the French, it was all part of her singular charm, established decades earlier… and which she sometimes struggled to escape.

firearms regulations, corporate diversity programs, a Florida school’s policy on a transgender student’s privacy, and the decision by credit card companies to separately classify gun purchases, to name a few issues.READ MORE: GOP Senators and Right-Wingers Freak Out Over Biden Ordering 3000 Reservists to Ready for Possible Deployment to EuropeHe or his office have also accessed the medical records of transgender people,Earlier this week anchor Rachel Maddow took a look into Skrmetti “demanding and obtaining the private medical records of trans people in Tennessee as Republicans look for ways to make the lives of trans people miserable,” MSNBC reported.Just yesterday, Skrmetti headed a coalition of 13 Republican state attorneys general “warning the nation’s largest companies — many of which have diversity and equity programs — they could face legal action for using race-based policies,” Tennessee Lookout reported. The sharply-worded letter “put Fortune 100 companies on notice they could be hit with legal action for violating the U.S.

The Hives have called their recent tour mates Arctic Monkeys “the only good really popular band” in a new interview with NME.The Swedish group supported the Sheffield band on their recent UK stadium tour, with drummer Matt Helders calling them “so much fun to watch” last year.Speaking to NME for the latest interview in the In Conversation video series, Howlin’ Pelle Almqvist responded to other comments from Helders, in which he cited The Hives as one of Arctic Monkeys first real inspirations. “They told us that the first week or month that they started the band, they saw The Hives and The Strokes and that was the thing that really started it off for them,” the frontman said.“We toured with them in South America about 10 years ago and had a great time, so I’m really happy they wanted us back.

Peter Debruge Chief Film Critic “The Miracle Club” may not be a faith-based movie in the traditional sense (that is, a film made with an explicitly evangelical Christian agenda), but this Ireland-set art-house offering is a movie about faith all the same — specifically, about the conviction that drives four women to make the pilgrimage from Ireland all the way to Lourdes, France, where the waters are believed to have holy healing powers. If “The Miracle Club” were an overtly religious film, audiences would know from the outset what to expect from the trip (namely, a miracle), whereas director Thaddeus O’Sullivan doesn’t presume to play God, focusing more on mending the relationship between his main characters.

Damon Albarn has shared that he believes Arctic Monkeys are “the last great guitar band,” adding that guitar music has gone “sterile”.While appearing on the Broken Record podcast, the Blur frontman discussed the state of guitar music. Though he said he remained optimistic about the future of the genre, Albarn believed it went through a rough patch before its reinvention.“I feel like there’s a bit more excitement about guitar music again, that can’t be a bad thing because it got so sterile.

Everyone has been saying Taylor Lautner’s surname wrong for years.

Dennis Harvey Film Critic In the diverse annals of survivalist cinema, one lesson is clear: Death is surely preferable to an eternity (or even 95 minutes) spent trapped with the inimitable duo of Pauly Shore and Stephen Baldwin in 1996’s “Bio-Dome.” By contrast, the dystopian-future-style living is pretty easy to take in “Biosphere,” given the more amiable company of stars Sterling K. Brown and Mark Duplass. They play besties stuck for the long haul in a self-sustaining habitat after some murky catastrophe has rendered the world outside lethal.  This first directorial feature for producer Mel Eslyn (who co-wrote with Duplass) is a somewhat uneven construct that at times threatens to exhaust its bro-comedy goodwill. But ultimately the performers are winning enough, and the ideas in the ambiguous story intriguing enough, to achieve an end result of successful middleweight charm and substance.

Academy Award winner Ariana DeBose, who hosted the Tony Awards a few weeks ago, was in Atlanta recently for a ribbon-cutting ceremony at the OMEGA boutique and a dinner that evening. Between gigs, DeBose — an OMEGA brand ambassador — took time to talk to reporters.

Peter Debruge Chief Film Critic Sooner or later, Ethan Hunt will face a mission he really ought not to accept. But for the time being, he remains the one man on earth willing to attempt the impossible without questioning the motives of those who require his services. That’s the deal with America’s most dutiful boy scout, Tom Cruise, who’s carried the billion-dollar “Mission: Impossible” franchise across 27 years without losing steam. Compare that with Indiana Jones, who’s failed to connect with a younger generation, or the Fast and Furious movies, which aren’t running out of gas so much as guzzling the laughing sort. “Mission: Impossible – Dead Reckoning Part One” finds Cruise, now in his sixties, still running from one side of a very big, very wide screen to the other as if his life — and the lives of all 8 billion people on earth — depended on it. This is Hunt’s seventh blockbuster outing, with a last franchise-capper set to release next summer, and while it can’t eclipse what came before (“Fallout” was the series high), director Christopher McQuarrie delivers a formidable concept and several hall-of-fame set-pieces while somehow also managing to tie the storylines back into these movies’ core mythology.

Sophia Scorziello editor Paramount and Apple have released the second trailer for Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone in one of the year’s buzziest films. “Killers of the Flower Moon” marks Scorsese’s first narrative feature since the 2019 film “The Irishman.” The Apple Original film has set its wide theatrical release for October 20, and will subsequently stream on Apple TV+. “Killers of the Flower Moon” is based on David Grann’s non-fiction novel of the same name, which investigates the dozens of harrowing murders of Osage people in Oklahoma throughout the 1920s. Scorsese’s film and Grann’s book follow romance of Enerest Burkhart (DiCaprio) and Mollie Kyle (Gladstone) and the immense wealth of one Native American nation.

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A trio of docs and a wider-than-usual run for a Vertical Entertainment thriller populate a specialty weekend with fewer new openings as theaters stick with Asteroid City and devote screens to Indiana Jones and Ruby Gillman, Teenage Kraken. Call it jittery Friday as the indie community like the rest of Hollywood awaits news from SAG-AFTRA as the guild’s contract is set to expire tonight.

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Arctic Monkeys are officially back on the road in support of their 2022 album The Car.

A lot has happened on “Outlander” since the show first premiered in 2014. The time-traveling romantic drama has set plots in motion that have spanned centuries, continents, multiple wars, and multiple imprisonments.

Former TOWIE star Frankie Essex gave birth to her twins, whom she shares with boyfriend Luke Love, last May and has since shared updates while settling into life with babies Logan and Luella. In her exclusive column for OK! , Frankie has discussed a range of topics related to motherhood – from her first social outing with the twins and a blackout at her home when they were just a few days old, to “feeling more human again” as the babies dropped their dreaded 2am feed.

Peter Debruge Chief Film Critic Once upon a time, animated movies made it easy to tell the heroes apart from the villains. Now, the trend is for princesses to remain happily unmarried (“Frozen”), for kids to know better than their elders (“Encanto”) and for monsters to be revealed as misunderstood allies (“Luca”). For a while, those twists on the Disney fairy-tale formula felt surprising to audiences, aligning nicely with where the cultural conversation was headed. Through repetition, however, such enlightenment has become its own cliché. Enter Nimona, who brings a fresh dose of attitude to such inclusive messaging. She’s a monster, but doesn’t like to be called that. (And who can blame her?) Apparently the only one of her kind in a fictional kingdom where medieval customs and flying cars aren’t mutually exclusive, Nimona is capable of shape-shifting into practically any species — be it a shark, a rhinoceros or a ginormous dragon — though her hot pink hair/fur/skin makes it kind of hard to blend in. When she first appears in the rowdy Netflix animated feature that bears her name, Nimona is sporting a pixie-punk haircut, piercings and an insatiable desire to do maximum damage to the society that’s been demonizing her for roughly a millennium. She is not what anyone would call a good girl, and that makes her a far more interesting character than practically any princess.