‘EO’ Review: ‘Au Hasard Balthazar’ Homage Is a Case of Been There, Donkey That

Universal TV has added three new actors to The Irrational, the NBC pilot starring Jesse L. Martin as Alec Baker, a professor of behavioral science who lends his expertise to an array of high-stakes cases.

Dim the Dawsey music. Casey and Brett’s relationship might be at a crossroads, but there are no plans for Dawson to intervene — for now.

Peter Debruge Chief Film CriticHer name is Roxy, but the village girls call her Toxic. With peroxide-blond hair and the Lolita-like naiveté of a vintage sexploitation-movie heroine, Roxy wanders through a post-apocalyptic world as unfamiliar to us as it is to her — for we have all stepped into the parallel dimension that is underground filmmaker Bertrand Mandico’s erotic imagination.

Manori Ravindran International EditorCannes sensation “EO,” which tells the story of a donkey’s life, has been acquired for North America by Sideshow and Janus Films. The film is the latest collaboration for the U.S.

Guy Lodge Film CriticAny number of directors could have shot Andrea Seigel’s straightforwardly moving screenplay for “The Silent Twins” and turned out a straightforwardly moving film in the process. It’s hard to imagine any of those movies looking, sounding or feeling quite like the one Agnieszka Smoczyńska has made, however.

Elsa Keslassy International Correspondent“The Three Musketeers,” Pathé Films’s $75-million two-part adventure epic saga based on Alexandre Dumas’s masterpiece, has been bought in major international territories rolling off a busy Cannes market. Pathé unveiled a sprawling 15-minute promoreel for both “The Three Musketeers” – D’Artagnan” and “The Three Musketeers – Milady” at Cannes Marché du Film. Both movies are directed by Martin Bourboulon and boast a star-studded cast, including Vincent Cassel, Eva Green, Vicky Krieps, Romain Duris, Pio Marmaï, François Civil, Lyna Khoudri and Louis Garrel.

Polish filmmaker Agnieszka Smoczynska (The Lure, Fugue) makes her english language debut with The Silent Twins, the strange and remarkable story of June and Jennifer Gibbons, twin sisters who only communicated with each other from 8 to later teen years when drugs and drinking led to petty theft and an arson charge that landed them in the tightly secured medical ward of Broadmoor  for 11 years before being released in the 1980’s. Creating their own puppetry and dolls, poems, and music which they only broadcast for each other on a fake radio program, the “twinies” as they were called by family fell into an odd void that became more pronounced, even when they were forced to go to separate schools at one point, and they carried on this way until becoming young women landing into legal troule  until incredibly being incarcerated for over a decade, five or six times as long as the longest sentence for the petty crimes of which they were accused.

Chicago Fire’s season 10 finale is going to be a wild ride — according to co-showrunners Derek Haas and Andrea Newman.

streaming, the limited series follows Angelyne (Emmy Rossum, “Shameless”), nee Ronia Tamar Goldberg, who, for decades, has been an iconic curiosity driving around in her pink Corvette (think a more Hollywood version of the infamous Times Square Naked Cowboy) and appearing on billboards where it wasn’t clear what she was advertising — aside from her own desire for everyone to know her face. As depicted from a nearly unrecognizable Rossum (who’s buried beneath a platinum bouffant, fake chest and Minnie Mouse voice), Angelyne’s aesthetic is part Dolly Parton, part Barbie. The show compares her to a prototype of figures who are “famous for being famous” such as Paris Hilton and Kim Kardashian.

There’s always at least one. Just a few nights deep into this year’s Cannes Film Festival, the competition has thrown up its first wild, batshit, and occasionally beautiful curiosity.

It may be impossible for a human to truly imagine the mindset of a donkey, but veteran Polish director Jerzy Skolimowski for the most part does a very engaging job of imagining how a beast of burden sees and senses the world in EO.

exercice de style as the French would put it, “EO” has plenty on its mind and nothing much to say, idling through a series of vignettes than more often not end with a punch-line of a forbidden kiss or a sudden act of violence, capturing them all with a flashy and urgent style of a music video or Super Bowl car commercial. One need not look far to see in this tale of a lonely beast of burden traipsing across the countryside a condemnation of modern Polish society, especially in sequences when the titular donkey first witnesses and then succumbs to a bout of skinhead hooligan violence, or when it clops across a forest bed we soon learn was once a Jewish burial site. At the same time, Skolimowski – who shot this project over a two-year period – seems more interested in simply making his camera swoop and soar and generally perform its series of stupid pet tricks. In many ways, this rather silly (if quite entertaining) trifle makes for a fitting entry for Cannes’ 75th edition. Skolimowski approaches the material with the hunger and zeal of a young film student, lifting a framework from Robert Bresson and filtering through references to recent festival provocateurs like Lars von Trier, Refn, and Michael Haneke.

Richard E. Grant bags guest role in ‘20,000 Leagues Under the Sea’ retelling

Leo Barraclough International Features EditorAnimated movie “The Amazing Maurice,” based on a Terry Pratchett novel and featuring a voice cast led by Hugh Laurie and Emilia Clarke, has sold to multiple major territories. Global Screen will present the film as a market premiere at Cannes.Territories where the movie has been picked up include Italy (Lucky Red), Spain (Flins y Piniculas), Scandinavia (Selmer Media), Portugal (NOS Lusomundo), Israel (Red Cape Distribution), Middle East (Selim Ramia & Co.), Australia and New Zealand (Icon Film Distribution), CIS and Baltics (Volgafilm), Poland (Kino Swiat), Hungary, Romania, Czech Republic, Slovakia and Bulgaria (Prorom Media), former Yugoslavia (Investacommerce), Taiwan (Swallow Wings) and Vietnam (Blue Lantern).

One for the books! Taylor Kinney is happy with the way Chicago Fire’s season 10 finale — and Kelly Severide and Stella Kidd’s wedding — turned out.

Nick Vivarelli International CorrespondentParis-based company Kinology has secured international sales to “Il Sol Dell’Avvenire,” from Italian auteur and Cannes regular Nanni Moretti. Pic is currently shooting in Rome.The deal between Kinology and Domenico Procacci’s Fandango, which is producing in tandem with Moretti’s Sacher shingle and RAI Cinema, marks the first time Kinology has handled a Moretti pic.

A version of this preview of this year’s Cannes Film Festival lineup appeared in the Cannes edition of TheWrap magazine. As the film industry — from the mightiest moguls to the scrappiest indie-theater owners — struggles to bring movies and moviegoing back to pre-COVID standards, look to this year’s Cannes Film Festival to trumpet the cause, starting with a splashy premiere of “Top Gun: Maverick” that’s clearly meant to send out an international message: “Remember summer movies? You love those.

Ukraine won Eurovision 2022 in a historic evening in Turin.