‘Endangered’ Review: A Sobering Documentary Shows the Fourth Estate Under Strain
15.06.2022 - 15:29
/ variety.com
Dennis Harvey Film CriticThe resurgence of neo-fascist movements and authoritarian rule around the world has unsurprisingly coincided with a ramping-up of hostility against press freedom. Assassinated U.S.-based Saudi journalist Jamal Khashoggi is the most notorious single example, but hundreds in his profession have been murdered in recent years, with many more assaulted, detained, harassed and so forth.
Telling the truth has become a dangerous business in an era where politicians now frequently stoke anger towards “fake news,” as they often brand any reportage that doesn’t flatter them. All this is occurring at a time when professional outlets and standards continue to diminish, their existence eroded by competition from newer platforms where opinion and rumor often supplant factual reality.
That escalating crisis gets its pulse taken by “Endangered,” the latest documentary feature by Heidi Ewing and Rachel Grady, whose stellar collaborations to date have tackled diverse subjects from U.S. evangelicals (“Jesus Camp”) to broadcast maverick Norman Lear (“Norman Lear: Just Another Version of You”).
Executive produced by Ronan Farrow, this urgent yet admirably cool-headed look at an increasingly heated issue launches on HBO and HBO Max June 28, two weeks after its Tribeca festival premiere.After an opening-credits montage of meaningful free-press moments in the 20th century’s second half (notably Watergate), we begin meeting the film’s principals. Each is embroiled in covering national politics in a climate where the more conservative leaders and supporters prefer to combat negative stories by “shooting the messenger,” sometimes literally.In Sao Paolo, newspaper reporter Patricia Campos Mello attends a rally for Brazilian
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