‘Empire Of Light’ Telluride Review: Olivia Colman Is Incandescent In Sam Mendes’ Touching Ode To Movie Theatres

recent passing of Queen Elizabeth II and commemorated her 70-year-long reign.Both Foy, 38, and Colman, 48, portrayed the British monarch at different ages in the popular Netflix royal drama.“I think that she was an incredible monarch,” Foy told the BBC on Wednesday. “She united people and she was a massive symbol of continuity and dignity and grace.”“My main feeling is just thinking about her as a mother and a grandmother and a great-grandmother, really,” the “First Man” actress continued.

Skyfall director Sam Mendes has said he thinks a woman should direct the next James Bond film.The filmmaker discussed the future of the 007 franchise after producer Barbara Broccoli had said the next actor to play James Bond would be male.In an interview with Deadline, Mendes said that he thinks the director of the next film “has to evolve” after discussing Daniel Craig’s exit from the franchise.“I don’t envy Barbara having to follow Daniel’s [Craig] five movies,” Mendes began. “He reinvigorated the franchise but the franchise is so huge that it’s very difficult for a younger actor to step into that.”Referring to the director specifically, the filmmaker added: “I think that the actor playing Bond is going to evolve, the director has to evolve.

You could argue that Daniel Craig’s run as James Bond is highlighted by Sam Mendes’ “Skyfall.” Moreso than the other films over the actor’s tenure as 007, “Skyfall” seems to be the high watermark for the franchise in recent years. So, when you talk about where the James Bond franchise needs to go in the future, now that Craig is no longer involved, Mendes seems like a good person to ask.

Sam Mendes was writing the screenplay for what would become Empire of Light and he’d hit a wall.

Olivia Coleman looked positively regal as she stepped onto the red carpet for the premiere of her new film Empire of light at the Toronto International Film Festival on Monday. The Crown star’s appearance comes after she made an emotional tribute to Queen Elizabeth II following her death aged 96 on Thursday September 8. Olivia, 48, played the Queen for two seasons of The Crown, which debuted on Netflix in 2016, and described the late monarch as having “such dignity” in an interview over the weekend.

Olivia Colman sandwiches herself in between Michael Ward and Tanya Moodie at the premiere of their new film, Empire of Light, during the 2022 Toronto Film Festival at Princess of Wales on Monday (September 12) in Toronto, Ontario.

The Crown star Olivia Colman has paid tribute to the late Queen Elizabeth II. The British monarch passed away on Thursday at the age of 96, ending a reign of more than 70 years and plunging the nation into mourning. While attending a Variety Studio event as part of the Toronto International Film Festival on Sunday, Olivia - who portrayed the royal on two seasons of drama series The Crown - offered her own tribute.

Deadline’s studio at the 2022 edition of the Toronto Film Festival continued with Day 3 by hosting fest-goers such as Tilda Swinton from The Eternal Daughter; Daniel Craig from Glass Onion: A Knives Out Mystery; Jennifer Lawrence from Causeway; Olivia Coleman from Empire Of Light and Margaret Qualley from Sanctuary. Click on the photo above to launch the gallery.

Rebecca Rubin Film and Media Reporter Olivia Colman, who portrayed Queen Elizabeth II for two seasons of Netflix’s royal sensation “The Crown,” is still processing the loss and legacy of the British monarch. The queen’s death was announced on Thursday, the same day as the start of the Toronto International Film Festival. “I wouldn’t know where to begin with that,” she told Variety at the Variety Studio presented by King’s Hawaiian at the Toronto International Film Festival. “She made a promise as a young woman and she absolutely kept it with such dignity. We’re all incredibly impressed by what she did.” Colman, who touched down in Canada to promote “Empire of Light,” a romantic drama from director Sam Mendes, also praised King Charles III’s first address to the nation. In his speech, he paid tribute to his mother and vowed to serve with “loyalty, respect and love.”

Portraying a legend. Some of the biggest stars in the U.K. have had the honor of portraying the late Queen Elizabeth II in both film and television alike.

TELLURIDE – Venice may be enraptured in gossip-y drama over a film no one will be talking about two months from now (and, clearly, a very frustrating ticketing system), but the 49th edition of the Telluride Film Festival was where the 2023 Oscar season truly kicked off. The annual Colorado set festival certainly has its fair share of world premieres and curated Venice and Cannes titles, but that’s only one reason it has solidified its reputation as an awards season staple.

Clayton Davis Roughly a year ago, Kenneth Branagh’s “Belfast,” launched out of Telluride, and there was something about that film’s emotional expansiveness and the irresistible pull of its unapologetic nostalgia that made it clear it was going to be a force to be reckoned with at the Oscars. I got the same sense watching Sam Mendes’ “Empire of Light” at its Telluride premiere this past weekend. It has a similar open heartedness even if the setting for the movie is an English seaside town and not the war-torn streets of Northern Ireland. Cinema seeps through “Empire of Light.” Mendes’ latest doesn’t just swoon for the images that flicker across screens; it also pays tribute to the physical buildings that house our most cherished artform and the sense of escapism that gets triggered every time you sit down in one of those palaces. If you are a movie lover, it’s hard to resist “Empire of Light’s” charm and stylized beauty.

magic of movies genuinely registers as a vibe in Sam Mendes’ “Empire of Light,” a frustratingly uneven and often meandering period drama written by Mendes, loosely drawing remembrances from his own formative years. And he pulls from “a lockdown mindset,” too, as the director put it before his ’80s-set film’s world premiere at the Telluride Film Festival, a melancholic state of being marked by feelings of loneliness and even fear that things we love (like movie theaters) would be lost forever in a post-pandemic world.Perhaps because his inspirations seem to be so extensive here, it often feels like Mendes is searching for a story within a bottomless well of moods and ideas throughout “Empire of Light.” Ironically enough, this undisciplined disposition is the exact opposite of the kind of taut restraint that was at the core of “1917,” his previous, tightly orchestrated and end-to-end choreographed film.“Empire of Light” starts with an admiration towards the enchanted majesty of cinemas, as Hilary (an affecting Olivia Colman, with an impressively wide-ranging emotional scale) preps the beautiful movie palace she works at for its daily opening, her gentle touches aided by Trent Reznor and Atticus Ross’ soothingly nostalgic score.

TELLURIDE – When has Olivia Colman ever been bad in anything? Think about it for a moment. Can you remember any performance of hers where you reacted with an “Eh, she was fine”? The answer is you have to do some serious digging to find a miss (we tried).

Peter Debruge Chief Film Critic In the era where content is king, Sam Mendes still believes in moving pictures. “Empire of Light” is the proof. While the world was in lockdown these past couple years, Mendes let his imagination run to his happy place: a grand old English movie palace he dubbed the Empire Cinema. Thousands pass through its Art Deco doors seeking escapism, but Mendes is more interested in the employees — the projectionist, the ticket-takers, the box office attendant and so forth, who collectively form an ersatz family — whose stories, he senses, are every bit as interesting as the ones they show. And so he put them up on screen where they belong. But “Empire of Light” is more than just Mendes’ homage to an endangered art form — in fact, it spends a lot less time valorizing the medium than you might imagine. He has assembled a terrific cast, trusting that these performers can go deeper than their dialogue makes explicit, whether it’s Olivia Colman (who can do anything) as the romantically frustrated theater manager Hilary or relative newcomer (and “Blue Story” breakout) Micheal Ward as Stephen, Mr. Ellis’ latest hire (in an unusually sleazy cameo, Colin Firth plays the boss).

ARMAGEDDON TIME (d. James Gray, U.S., 2022) BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS (d. Alejandro González Iñárritu, Mexico-U.S., 2022) BOBI WINE, GHETTO PRESIDENT (d.

The 49th Telluride Film Festival opens Friday in a much-awaited edition that is set to feature world premieres of Searchlight’s Oscar hopeful Empire of Light from director Sam Mendes, starring Olivia Coleman and Colin Firth; Women Talking from director Sarah Polley, starring Rooney Mara and Frances McDormand in the ensemble; Sebastian Lelio’s The Wonder, starring Florence Pugh; and Sony/Netflix’s sizzling new version of D.H. Lawrence’s Lady Chatterley’s Lover with Emma Corrin and Jack O’Connell; among other films.

Over the past 20+ years, filmmaker Sam Mendes has released numerous films, each earning acclaim. Even his two James Bond films, “Spectre” and “Skyfall,” are seen as high watermarks in the world of 007.