‘Elvis’ Cinematographer Mandy Walker Becomes First Woman To Win Top ASC Award

Paddy McGuinness was a picture of despondency this week, as the BBC indefinitely paused production on his motoring series Top Gear.The 49 year old dad-of-three has co-presented the show since 2019 alongside ex-cricketer Andrew 'Freddie' Flintoff and Chris Harris, following the exit of previous stars Jeremy Clarkson, Richard Hammond and James May several years earlier, who collectively jumped ship to Amazon Prime Video for The Grand Tour. News of Top Gear's axe arrived on Thursday in light of 45 year old Freddie's life-threatening injury while working behind the wheel for the show. Back in December at Surrey's Dunsfold Aerodrome, he was involved in a horrific accident that saw him airlifted to hospital.

Captain of the England women’s football team Leah Williamson is set to become the first female footballer to read a CBeebies Bedtime Story. The 25-year-old Arsenal captain led the Lionesses to victory in the Euro 2022 final against Germany last summer. Williamson will read Remarkably You by Pat Zietlow Miller, an uplifting story that reassures children that being different and unique is something to be celebrated.

United Talent Agency cut the ribbon to its Atlanta offices Wednesday, marking the first of the major talent agencies to offer a full-service office expansion in the growing market of the Peach State’s capitol.“Atlanta is a vibrant city for music, sports and arts, and there is a ripe opportunity to create another center of gravity for film and television,” UTA CEO Jeremy Zimmer said in a statement. “We are excited to bring our full range of services to the community of talented artists, athletes, musicians and creators who call the Southeast their home.” UTA Atlanta co-heads Steve Cohen and Rob Gibbs jointly added that the city “planting our flag here gives us the ability to support clients with investments and opportunities across the city’s growing creative ecosystem.”UTA’s Atlanta offices will offer representation across entertainment and talent divisions, including film and television, music, sports, digital talent, marketing, gaming and fine arts.

to specifically ban , as Republican Governor Mark Gordon signed a  making it illegal to “prescribe, dispense, distribute, sell or use any drug for the purpose of procuring or performing an abortion.” “My promise to protect the unborn has been fulfilled,” State Senator Tim Salazar, the sponsor of the legislation,  on social media Friday, noting that virtually all abortions in Wyoming are medication abortions. The law, which takes effect in July, carries up to six months imprisonment, up to $9,000 in fines, and includes limited exceptions, including using such medication to treat “natural miscarriage.” In addition to the abortion pill ban on Friday, Gordon—one of several GOP governors to sign a “trigger ban” on abortion after the Supreme Court’s Dobbs ruling last year —allowed another bill restricting abortion to be enacted without his signature, though he cautioned that legislation could get hung up in a court battle. “I understand the Legislature’s effort to improve Wyoming’s pro-life legal framework and preemptively clarify some of these legal questions,” Gordon wrote in a  to Wyoming Secretary of State Chuck Gray.

Charna Flam Rodrigo Sorogoyen’s “The Beasts” (Spain), Lilo and Camilo Vilaplana’s “Plantadas” (U.S.), Hansel Porras Garcia’s “Febrero” (U.S., Cuba), Chandler Levack’s “I Like Movies” (Canada) and Pavel Giroud’s “The Padilla Affair” (Cuba, Spain) were among the winners at the 40th edition of Miami Dade College’s Miami Film Festival, which ran March 3-12. “The Beasts,” won the festival’s top awards, including the top jury prize, the $25,000 Knight Marimbas trophy and the Rene Rodriguez Critics nod. In addition to the two awards, “The Beasts” composer, Oliver Arson was recognized for his soundtrack and awarded the Alacran Music in Film Award, he was selected by Art of Light (Composer) Award honoree Nicholas Britell.

The first “Big Brother Canada” season 11 housemate has been evicted.

Michelle Yeoh became the first Asian woman to take home the best actress accolade at the Academy Awards ceremony on Sunday night.

Oscars history, the Academy Awards for Best Picture, Best Director and all four acting categories went to films released by the same studio. That historic feat was achieved on Sunday by indie distributor A24.

While it's highly unlikely we'll see a repeat of last year's infamous slap, tonight's Academy Awards could still make history - albeit in rather less dramatic fashion. While Will Smith will not be present - he received a ten year ban after storming on stage mid-ceremony last year to slap comedian Chris Rock - there remains the potential for some groundbreaking first-time winners and major career milestones. Here are some of the moments that might define this year’s Oscars...

Roger Deakins, legendary cinematographer and knight of the British realm, cut to the chase: In his view several of the best examples of cinematography are missing from this year’s Oscars list.

Jenelle Riley Deputy Awards and Features Editor Cate Blanchett wore gold sequins and “Elvis” filmmaker Baz Luhrmann directed a group photo shoot at the Australian Oscars Nominees Reception held Thursday night in Hollywood at the Chateau Marmont penthouse. The guest list also included Oscar nominees from “Elvis,” including Luhrmann, DP Mandy Walker, costume designer Catherine Martin and producers Gail Berman, Schuyler Weiss and Patrick McCormick. Also joining in the festivities was filmmaker Lachlan Pendragon, director of “An Ostrich Told Me the World Is Fake and I Think I Believe It,” which is nominated for best animated short film. The event was hosted by Australian Consul-General Los Angeles Ambassador Jane Duke, Ausfilm, Screen Australia and Australians in Film (AiF) 

Baz Luhrmann says it would be “an amazing historical moment” if Elvis cinematographer Mandy Walker were to triumph at Sunday’s Academy Awards. To quote Lizzo, “It’s been too long,” the filmmaker tells me last night at the Australian Oscar nominees soirée held in the Chateau Marmont’s penthouse suite.

BTS member J-Hope has just become the first member of the K-Pop supergroup to achieve a solo entry in the Official Singles Chart Top 40. 

Nikki Reed is making history with her new photography project.

‘Riceboy Sleeps’ Scoops Top Canadian Film AwardAnthony Shim’s Riceboy Sleeps has won Canada’s biggest film award, the Rogers Best Canadian Film Award. The prize, decided by the Toronto Film Critics Association (TFCA), comes with a CAN$100,000 ($72,000) cash prize. Riceboy Sleeps beat nominees Clement Virgo’s Brother and David Cronenberg’s Crimes of the Future. The semi-autobiographical film explores the challenges of living between two cultures through the tale of a Korean immigrant single mother raising her son in Canada. Shot in the Greater Vancouver area and Korea, the feature world premiered at the Toronto International Film Festival in 2022, winning its Platform Prize, and then played in Busan and a raft of other festivals. The win comes as Toronto-based distributor Game Theory Films gears up for the title’s Canadian release on March 17. The feature will also be released in Korea, Singapore and the US in the coming months.  “The Toronto film community has been so good to us since TIFF where this crazy journey first began and I hope to make more films in the future that will warrant the same type of support,” commented Shim.

Jazz Tangcay Artisans Editor The American Society of Cinematographers handed out its best visual storytelling in feature film award to “Elvis” on Sunday night, and in doing so, Mandy Walker has become the first woman to win the top prize in the society’s history. Walker triumphed over Greig Fraser (“The Batman”), Darius Khondji (“Bardo, False Chronicle of a Handful of Truths”), Claudio Miranda (“Top Gun: Maverick” and Roger Deakins (“Empire of Light”) in a very competitive race.  Walker‘s win comes as Oscar voting ends on March 7, where she is also nominated. She became only the third woman ever nominated for cinematography for her work on “Elvis.” Rachel Morrison (“Mudbound”) made history as the first female DP to land a nom in 2018, while Ari Wegner was nominated last year for “The Power of the Dog.”

THEATRICAL FEATURE FILM NOMINEESRoger Deakins, ASC, BSC for “Empire of Light”Greig Fraser, ASC, ACS for “The Batman”Darius Khondji, ASC, AFC for “Bardo, False Chronicle of a Handful of Truths”Claudio Miranda, ASC for “Top Gun: Maverick”Mandy Walker, ASC, ACS for “Elvis” *WINNERSPOTLIGHT AWARDSturla Brandth Grøvlen, DFF for “War Sailor” *WINNERKate McCullough, ISC for “The Quiet Girl”Andrew Wheeler for “God’s Country” EPISODE OF A ONE-HOUR NON-COMMERCIAL TELEVISION SERIESJohn Conroy, ASC, ISC for “Westworld” – “Années Folles” Catherine Goldschmidt for “House of the Dragon” – “The Lord of the Tides” Alejandro Martinez for “House of the Dragon” – “The Green Council” M. David Mullen, ASC for “The Marvelous Mrs. Maisel” – “How Do You Get to Carnegie Hall?” *WINNERAlex Nepomniaschy, ASC for “The Marvelous Mrs.

The American Society of Cinematographers is handing out its 37th annual ASC Awards tonight at the Beverly Hilton, and Deadline is posting the winners as they’re announced. See the list below.

David Heuring When the American Society of Cinematographers hosts its 37th annual awards bash on March 5 at the Beverly Hilton hotel, the lucky people in the room will rub shoulders with an astonishing assemblage of motion imaging artists. Hanging over the proceedings will be the ghost of the generation that invented visual storytelling. Although they’re gone, they’ve left a legacy to their descendants: continue to extend the craft and push the liveliest art into the future while adapting tools and techniques that evolve from year to year. Directors of photography will heed that advice. For them, reaching an audience emotionally has always been the result of intuitive manipulation of tone aided by the skillful application of optical and photographic tools – all in concert with other film arts such as direction, acting and editing. Trends have evolved year to year, culminating lately in large-format cinematography, with its fresh image architecture and distinctive depth of field.

she won the AACTA (Australian Academy of Cinema and Television Arts) for the film, the first time a woman had ever won for cinematography in film at the “Australian Oscars.” In her speech, Walker emphasized that she hoped her win served to open the door for many more women in the camera department. During a lively conversation for TheWrap Screening Series of “Elvis,” Walker was joined by producer-costume designer-production designer Catherine Martin and producer Gail Berman to discuss the hard work, craft, grit (and “girl power”) that went into making the dynamic, colorful biopic. In speaking about the gender disparity in her field, Walker pointed out Luhrmann deserves credit for hiring her to lens a feature film in the first place, 15 years ago.