‘Drift’ Review: Cynthia Erivo Stars In An Impressionistic, But Hollow Refugee Drama [Sundance]

Why do we always remember the arguments? If there’s a family spat at the Thanksgiving table, it’ll be remembered long after grandma’s gravy recipe is lost to the ages.

Hey Wisconsin, Kitty Forman is back! Debra Jo Rupp returned as the sitcom mom everyone knows and loves, but she told Us Weekly what fans might not know about her real life.

Benjamin Hall, the Fox News correspondent who was severely injured while covering the war in Ukraine last year, made his first live appearance since the attack on him and members of his crew.

Passing down the silver spoon! Julia Louis-Dreyfus’ massive Hollywood success is trickling down to her children.

PARK CITY – After almost 40 years, there are actually few subjects in the LGBTQ community the Sundance Film Festival hasn’t put a spotlight on. The fact that Vuk Lungulov-Klotz’s “Mutt,” a rare non-coming-out story about a trans man, is part of the annual independent event is therefore noteworthy in and of itself.

Television that makes you cry is something Jason Katims (“Friday Night Lights,” “Parenthood”) is well known for, and his latest on Apple TV+, “Dear Edward,” is no exception to this rule.

Raine Allen-Miller’s “Rye Lane,” her directorial feature debut, is a wonder. Not since Spike Lee introduced the world to Bed-Stuy, has a Black director so seamlessly embedded viewers into the verve and flavor of their neighborhood.

After growing up on a steady diet of “Law & Order: SVU,” Dianey Bermeo wanted to be like Olivia Benson, helping victims of sex crimes by bringing their assailants to justice. She gave up on that dream after police investigators in her college town failed to find the man who she said impersonated an officer and sexually assaulted her.

FX has rounded out the series regular cast for its hourlong pilot The Answers, the network’s adaptation of Catherine Lacey’s novel. Lucy Hale (Pretty Little Liars) is set to star alongside Raul Esparza (Retreat), Krys Marshall (For All Mankind), Melanie Field ( A League Of Their Own), Pallavi Sharda (Wedding Season) and Kineta Kunutu (Citadel) in the project from Sorry for Your Loss creator Kit Steinkellner, Dopesick creator Danny Strong, Requiem for a Dream director Darren Aronofsky and 20th Television. They join previously announced male lead David Corenswet.

There’s a popular song in North Korea called “Nothing to Envy.” Lines include, “Who can ever break our strength? / We are not afraid of any storm or stress” and “Our home is the bosom of the Party / We are all brothers and sisters / We envy nothing in the world.” Though they lack running water, indoor plumbing, and basic freedom of thought — to name just a few things — North Koreans are taught to believe that they genuinely have it better than any other country on earth.

In Greek mythology, it holds that for a time, gods and mortals mingled freely, creating demigods whose sole aim was to prove their worth so they might join their celestial kin. For the Greeks, the gods who ruled on mount Olympus formed the idealized version of humans—often possessing super strength to match their perfect physiques.

Richard Pryor used to do a bit on the differences between Black and white churches – one that was often revised and revisited by his many imitators in the decades that followed. But one thing he got particularly right, beyond the lameness of the hymns and the restrained quality of the ministers, is the eerie quiet of white churches, the way that the fires of hell and the sins of man can be described in tones barely more threatening than a hot dish recipe.

With her breakout turn as a soulful queer rancher in Kelly Reichardt’s “Certain Women,” Lily Gladstone proved herself to be one of the most unique and affecting performers of the last decade. Although she has worked steadily since it’s ridiculous that it’s taken this long for another role that really allows her tremendous talent to shine.  READ MORE: 25 Most Anticipated Movies At The 2023 Sundance Film Festival Co-written by director Erica Tremblay (“Reservation Dogs”), whose short “Little Chief” also starred Gladstone, and Miciana Alise, the family drama “Fancy Dance” explores the systematic mishandling by the police and the FBI of missing and murdered indigenous women.

While introducing “Radical,” director Christopher Zalla (“Sangre de Mi Sangre”/”Blood of My Blood”) said it was a labor of love. In addition to that, he said it’s a “movie about what happens when kids are empowered.” And while the film definitely explores this in a well-crafted display of filmmaking, it also leaves a bit of a dark shadow in the minds of those allergic to the notion that your mind is all you need to succeed.

In Greek mythology, it holds that for a time, gods and mortals mingled freely, creating demigods whose sole aim was to prove their worth so they might join their celestial kin. For the Greeks, the gods who ruled on mount Olympus formed the idealized version of humans—often possessing super strength to match their perfect physiques.

PARK CITY – When a toddler age Alysia Abbott moved to San Francisco with her father Steve in 1973 her life took a decidedly different direction. She was raised in what today would still be considered unconventional circumstances (no, it wasn’t in a commune).

“We can’t live in the past!” Rachel (Emilia Clarke) tells her husband Alvy (Chiwetel Ejiofor).  “Things are evolving!” She should know; she spends her days creating AI companions and coordinating automation (her latest big triumph appears to be a combination of virtual assistant, friend, and mood ring). But Alvy, as she puts it, “studies plants… and plant-like things,” taking horticulture students out to fig trees and saying things like, “The texture is completely different when it’s fresh from the tree.” READ MORE: 25 Most Anticipated Films At The Sundance Film Festival So it’s a real opposites-attract situation, the old-school luddite and the literal creator of artificiality, and there are therefore obvious disagreements over her rather unilateral decision to take advantage of her company’s offer to set her up at “The Womb Center” (“It is our hottest perk – we we just want to retain the best and brightest women”).