Killers of the Flower Moon star Lily Gladstone is encouraging Indigenous viewers to watch the Martin Scorsese film “when and only if you feel ready.”
24.10.2023 - 03:09 / deadline.com
Devery Jacobs has watched Martin Scorsese’s Killers of the Flower Moon and has “strong feelings” about the film.
In a thread shared on X, the social media platform formerly known as Twitter, the Reservation Dogs star said the “film was painful, grueling, unrelenting and unnecessarily graphic.”
“Being Native, watching this movie was fucking hellfire. Imagine the worst atrocities committed against yr ancestors, then having to sit thru a movie explicitly filled w/ them, w/ the only respite being 30min long scenes of murderous white guys talking about/planning the killings,” she posted.
Jacobs called Lily Gladstone “an absolute legend” for her role of Mollie adding, “All the incredible Indigenous actors were the only redeeming factors of this film. Give Lily her goddamn Oscar.”
She continued, “But while all of the performances were strong, if you look proportionally, each of the Osage characters felt painfully underwritten, while the white men were given way more courtesy and depth.”
Jacobs goes on to talk about the violent scenes in the film understanding that it “is to add brutal shock value that forces people to understand the real horrors that happened to this community.”
“I don’t feel that these very real people were shown honor or dignity in the horrific portrayal of their deaths,” she added. “Contrarily, I believe that by showing more murdered Native women on screen, it normalizes the violence committed against us and further dehumanizes our people.”
“I can’t believe it needs to be said, but Indig ppl exist beyond our grief, trauma & atrocities. Our pride for being Native, our languages, cultures, joy & love are way more interesting & humanizing than showing the horrors white men inflicted on us.”
Jacobs called out
Killers of the Flower Moon star Lily Gladstone is encouraging Indigenous viewers to watch the Martin Scorsese film “when and only if you feel ready.”
Scoring Killers of the Flower Moon was a daunting prospect for Robbie Robertson.
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the movie – which stars Leonardo DiCaprio, Robert De Niro, and Lily Gladstone – is a Western crime drama based on real events, set in 1920s Oklahoma, about the murders of a series of Osage Nation members after oil was produced on tribal land. Fraser plays attorney W. S.
Martin Scorsese’s Killers of the Flower Moon, from Apple, Paramount and Imperative Entertainment, has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office.
Martin Scorsese has heaped praise on Brendan Fraser following heavy online criticism of his performance in Killers Of The Flower Moon.The recently released film – which is led by Leonardo DiCaprio, Robert De Niro and Lily Gladstone – is based on a non-fiction book of the same name published in 2017. It tells the true story a series of murders of Osage Native Americans over the rights for the oil under their land in Oklahoma.Fraser, who plays lawyer W.S.
Addie Morfoot Contributor Sin, forgiveness, the glamour of evil, Barbara Stanwyck, Marlon Brando, terrible preview screenings for “Goodfellas,” Robert De Niro‘s silence and, of course, “Killers of the Flower Moon” were all topics of conversation during Montclair Film Festival’s Filmmaker Tribute to Martin Scorsese on October 27 at the New Jersey Performing Arts Center. The director, who has received 14 Oscar nominations, was in the Garden State for the festival’s annual “An Evening With Stephen Colbert” fundraiser. Colbert, a Montclair resident, has long been a booster of the event, which is currently in its 12th year.
A handful of theaters across the globe have imposed their own intermission on Martin Scorsese’s Killers of the Flower Moon, Deadline has confirmed, leading to intervention on the part of the Apple pic’s theatrical distributor, Paramount.
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At its LA premiere last week, Osage community members who worked on Martin Scorsese‘s “Killers Of The Flower Moon” expressed reservations about its depiction of the Osage Nation tribe. But their feedback isn’t nearly as harsh as how “Reservation Dogs” star Devery Jacobs feels about the new film.
Jazz Tangcay Artisans Editor Costume designer Jacqueline West, a four-time Academy Award nominee, had several directors on her wish list. She had already worked alongside Denis Ville- neuve, Ben Affleck, Terrence Malick and Alejandro González Iñárritu. This year, she finally crossed Martin Scorsese’s name off the list.
Devery Jacobs is sharing her thoughts on Martin Scorsese‘s new movie Killers of the Flower Moon, which recounts the murders of indigenous Osage tribe members in 1920s Oklahoma.
Taylor Swift: The Eras Tour topped the US box office for a second week, seeing off competition from Martin Scorsese’s Killers Of The Flower Moon.According to Deadline, Taylor Swift: The Eras Tour took $32million (£25.5m) in its second weekend in the region, a 67 per cent drop. Globally, film has taken $164.8million following its release on October 12 in the US across AMC theatres and October 13 in other territories.Killers Of The Flower Moon, meanwhile, took $23million (£18.9m) in its opening weekend at the US box office, which is the third best opening for Scorsese, following 2010’s Shutter Island ($41m) and The Departed ($26.9m) in 2006.Scorsese’s film, however, topped the worldwide box office with $44million (£36.2m), with Taylor Swift: The Eras Tour slipping to second with $41.5million (£34.1m) globally in its second week (via Screen Daily).While Scorsese’s latest film may struggle to become profitable against its estimated $200million budget, the opening numbers are considered a success due to its lengthy 206-minute running time and the fact it’s a period movie skewed towards adults.Killers Of The Flower Moon, starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, is also set to release on Apple TV+ at an unconfirmed date.In a five-star review, NME wrote: “Each conversation between De Niro and DiCaprio is an exercise in clever euphemism and while some may find the tempo a bit too stately, the story of an entire people’s eradication deserves to be told in full.
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in 24 of those, including France, Germany, Australia, Spain, Netherlands and Switzerland. The global bow, factoring in its strong domestic opening, was $44M; great for a period movie with a long running time and at a moment when talent could not promote it due to the actors strike.
Naman Ramachandran Lokesh Kanagaraj‘s Tamil-language “Leo: Bloody Sweet,” starring Vijay, debuted in third position at the global box office over the latest weekend, with $31.2 million planetwide, according to estimates released on Sunday by Comscore. The weekend was won by Martin Scorsese’s “Killers of the Flower Moon,” starring Leonardo DiCaprio, Robert De Niro and Lily Gladstone, with $44 million, followed by “Taylor Swift: The Eras Tour” with $41.5 million. However, in terms of worldwide cumulative among new releases, “Leo” scored $48.5 million (after four days) compared with the $44 million earned by “Killers of the Flower Moon.” An homage to David Cronenberg’s 2005 film “A History of Violence,” “Leo” released on Oct.
Rebecca Rubin Film and Media Reporter Taylor Swift’s movie is presiding over Martin Scorsese’s in North American theaters, but the “Mean Streets” director has outstripped the “Mean” singer at the international box office. Scorsese’s “Killers of the Flower Moon,” a crime epic starring Leonardo DiCaprio and Robert De Niro, has generated $21 million from 63 overseas markets. In terms of weekend ticket sales, it’s pacing ahead of Swift’s “The Eras Tour,” which added $10.5 million in its second weekend of release.
Jazz Tangcay Artisans Editor SPOILER ALERT: This article has minor spoilers for “Killers of the Flower Moon,” now playing in theaters. There is a scene near the beginning of Martin Scorsese’s “Killers of the Flower Moon” that shows crude oil spurting out from the ground — “black gold.” It’s a joyful moment for the Osage tribes. “Scorsese kept talking about oil gushing up in the air,” cinematographer Rodrigo Prieto tells Variety. “When you find oil, it bubbles under the surface, but he wanted to do something surreal and joyful, which contrasts with what that black gold brought them.” So, the shot required an oil pump as well as a derrick oil rig.
Chris Willman Senior Music Writer and Chief Music Critic When I spoke with Robbie Robertson over the phone in the last week of July, it was at what everyone might have expected would be the beginning of a great victory lap for the musician. His work with the Band in the late ‘60s through mid-‘70s had been properly commemorated, through a memoir and documentary that covered those crucial years. But the film work that had consumed so much of his attention in the decades since, almost all of it as a close collaborator with, and close friend, to Martin Scorsese? There hadn’t really been a proper nexus point to fully celebrate and explore that.
Jazz Tangcay Artisans Editor Colorful blankets play a huge part in Native culture. And therefore, they also play an important role in Martin Scorsese‘s “Killers of the Flower Moon.” Osage clothing consultant Julie O’Keefe explains the blankets became an essential part of storytelling, and are “an expression of how we represent ourselves even to this day.” Scorsese brought on costume designer Jacqueline West to craft the looks for “Killers of the Flower Moon.” “He wanted this to be character-driven, with the clothes and wardrobe helping to tell the story,” West explains.
Killers of the Flower Moon” earned $9.4 million from 3,628 theaters on its opening day, a figure that includes $2.6 million in Thursday previews. The epic-length historical drama is now projecting a finish of $23.5 million over the three-day opening frame, tracking behind the second weekend of Swift’s “Eras Tour” concert film.