BTS have shared the first teaser for their new single and video ‘Yet To Come (The Most Beautiful Moment In Life)’.The track will feature on the band’s upcoming anthology album ‘Proof’, which arrives on Friday (June 10).In the teaser, the seven members of the Korean group are seen in individual scenes in a desert-like setting. Singer V stands holding a rose and looking off into the distance, while rapper Suga is standing on top of a cabinet in front of a sand dune.At the end of the clip, singer Jungkook holds his hand up to his face as if holding a telescope, while he sings over the visuals: “You and I, best moment is yet to come.” Watch the teaser below now.Last weekend (June 5), Charlie Puth seemed to let slip that he will soon be releasing a collaboration with BTS.
‘Decision to Leave’ Film Review: Park Chan-Wook Mixes Crime Story With Love Story
23.05.2022 - 19:49 / thewrap.com
South Korea may have made big inroads on American TV recently with “Squid Game” and “Pachinko,” and the country’s intriguing film and television industry also has a stronger-than-usual presence at this year’s Cannes Film Festival. “Squid Game” star Lee Jung-jae’s political thriller “Hunt” premiered as a midnight screening early in the festival; Davy Chou’s “Return to Seoul” landed a pre-Cannes deal with Sony Pictures Classics and is one of the hits of the Un Certain Regard sidebar; and Japanese director Hirokazu Kore-eda is in the main competition with “Broker,” his first film shot in South Korea in the Korean language.
And on Monday, veteran Korean director Park Chan-wook premiered his new film, “Decision to Leave,” as part of Cannes’ main competition. Park is no stranger to the festival, having won the Grand Prix for “Oldboy” in 2003 and last appearing with “The Handmaiden” in 2016.Park’s films, whether they are his propulsive and violent “Vengeance Trilogy” of “Sympathy for Mr.
Vengeance,” “Oldboy” and “Lady Vengeance” or the statelier and sultrier “The Handmaiden,” are nothing if not stylish. He’s one of the most accomplish visual stylists in international cinema, managing to make even the most prosaic locations in “Decision to Leave” – a police station, a parked car – look alluring and dramatic.He also has a fondness for oversized stories that grow more complex as they develop, with “Decision to Leave” a formidable 2 hour, 18 minute mixture of crime story, love story and meditation on loss.
‘Walker Independence’: Matt Barr & Justin Johnson Cortez On Telling Authentic Stories; Possible Love Triangle—ATX
Matt Barr and Justin Johnson Cortez have a lot to tease following the premiere of the CW’s Walker Independence at the ATX Festival in Austin. The pair star as Hoyt Rawlings and Calian, respectively, in the CW Walker prequel spinoff which was recently picked up to series.
13 Years Later, Park Chan-Wook Is Still Trying To Remake Costa-Gavras’ ‘The Ax’
The jury announces its winners at the Cannes Film Festival tomorrow, and speculation abounds over who will walk away with the Palme d’Or this year. And one of the frontrunners to win the top prize is South Korean filmmaker Park Chan-Wook for his romantic cop drama “Decision To Leave.” director is no stranger to Cannes.
13 Years Later, Park Chan-Wook Is Still Trying To Remake Costas-Gavra’s ‘The Ax’
The jury announces its winners at the Cannes Film Festival tomorrow, and speculation abounds over who will walk away with the Palme d’Or this year. And one of the frontrunners to win the top prize is South Korean filmmaker Park Chan-Wook for his romantic cop drama “Decision To Leave.” director is no stranger to Cannes.
‘A Chiara’ Film Review: Tough, Sensitive Coming-of-Age Drama Flips the Mafia Movie On Its Head
omertà, which only makes Chiara more frustrated and more curious. Carpignano and cinematographer Tim Curtin, who also shot “A Ciambra,” keep the audience locked into Chiara’s subjective experience. Curtin’s handheld camera roves over the faces of Chiara’s friends and family, even drifting out over the horizon at times when she feels lost and confused.
‘Broker’ Film Review: Hirokazu Kore-eda Continues to Explore What Makes a Family
The Palme d’Or can be a blessing and curse, a gold-plated sword of Damocles hanging over the heads of filmmakers lucky enough to claim it. After the first waves of shock and joy recede, and their subsequent year-long victory lap reaches the finish line, those same filmmakers are left alone with one troubling thought: What’s next? Director Hirokazu Kore-eda offers a fine case study in how that question might trip someone up.
‘Elvis’ Film Review: Baz Luhrmann Gleefully Distorts Legend’s Life in Extravagant Biopic
that Elvis. The problem with Luhrmann, though, is one that at times rubs off on Luhrmann’s “Elvis,” which premiered on Wednesday at the Cannes Film Festival: The Australian director also has a lot of Colonel Tom Parker in him. Parker was a showman, to be sure, a former carny who managed Elvis and steered him on a path where profit always took precedence over artistry.
Erotic Love Story ’99 Moons’ Wraps Further Deals for France, Italy, Japan (EXCLUSIVE)
Leo Barraclough International Features EditorBerlin-based sales outfit M-Appeal has closed further deals for Jan Gassmann’s “99 Moons” in Italy (Teodora Film), France (La Vingt-Cinquième Heure) and Japan (AT Entertainment), following the film’s world premiere in the Cannes’ ACID sidebar.“99 Moons” follows the passionate and turbulent relationship of Bigna and Frank, two people from different worlds who become entwined in an erotic love story. With raw and intimate cinematography (Yunus Roy Imer, “Systemcrasher”), the film takes an unflinching look at the magnetism and power games of sexual attraction.
‘Decision to Leave’ Star Tang Wei Tells Park Chan-wook: ‘You Make My Life Complete’
Patrick Frater Asia Bureau ChiefTang Wei, the Chinese star of Korean film “Decision to Leave,” says she told director Park Chan-wook that he’d made her life complete after seeing the finished version of the film at its Cannes Film Festival gala premiere.The film played in competition this week in Cannes. She revealed her confession on Tuesday at a press event, accompanied by Park, cast member Park Hae-il and scriptwriter Chung Soo-kyung.Switching between Chinese and English, Tang Wei said: “This in not the first time I’ve worked with a Korean director.
‘Decision To Leave’ Filmmaker Park Chan-wook Knows Somethin’ About Love, Especially When It’s Between A Cop & Suspect – Cannes
While Park Chan-wook’s The Handmaiden dealt with a lot of sex and kink in its story of a handmaiden who gets into the good graces of her Japanese heiress, only to defraud her, the Korean filmmaker in his latest Decision to Leave, dotes on a detective Hae-Joon (Park Hae-il) who is head over heels with a very possible murder suspect, Seo-rae (Tang Wei).