‘Decision’ Cannes Win is Vindication for Korean Culture, a Tight Group of Friends and the Corporation That Backed Them Over Two Decades

The worldwide fascination with all things Korean has been proven by Best Picture Oscar-winner Parasite, Netflix smash Squid Game, and the record-setting popularity of music group BTS,to name just three exports that have made a powerful impact.

South Korean supergroup BTS  is to go on “temporary hiatus” so its members can pursue solo careers. The news came as the seven-man group hosted their annual FESTA dinner, which celebrates their founding.

Mark Schilling Japan CorrespondentBack in Japan after his Korean-language drama “Broker” won two prizes at this year’s Cannes festival, Kore-eda Hirokazu appeared as a press event in Tokyo on Tuesday to announce the launch of a group of industry professionals who aim for structural reform of the Japanese film industry.The group calls itself the “Association for the Establishment of a Japanese Version of CNC.” The reference is to France’s government-backed oversight body, the Centre National du Cinema et de l’Image Animee. Kore-eda noted the low incomes and long working hours of freelance filmmakers and emphasized the need for reform.

Patrick Frater Asia Bureau ChiefAction-drama film, “Emergency Declaration” pulled together several of Korea’s top stars – Song Kang-ho (“Parasite”), Lee Byung Hun (“G.I. Joe”) and Jeon Do-yeon (“The Housemaid,” “Secret Sunshine”) – and it first took to the air as a Midnight Screening at the Cannes Film Festival, back in July 2021.Directed by Han Jae-rim, the story involves a veteran police detective who receives a tip-off about an unspecified terrorist threat against a plane. Puzzlingly, he discovers that the chief suspect has got on the flight too.

Squid Game breakout star Jung Hoyeon and Killing Eve actress Sandra Oh recently came together to discuss what it’s like being at the forefront of Korean-American representation.In a new instalment of Variety’s Actors on Actors conversation series, the two the actresses sat down to chat about the growing amount of Korean-American and Asian-American representation in the media during the past few years.“I think that we both feel like being here together, having this conversation and being shot together is very special – and I’m curious about your point of view,” said Oh, who was born to Korean immigrants in Canada. “This is a real change for us as Korean-Americans, and I’ve been always interested in the native Korean perspective.”The South Korean model-turned-actress the shared her view on what it’s like being a native Korean in media, specially following the success of Squid Game.

Broker lead actor Song Kang-ho has shared his thoughts on his recent Best Actor win at this year’s Cannes Film Festival.In a recent interview with South Korean outlet Korea JoongAng Daily, the South Korean actor, who plays Sang-hyun in the film, shared his sentiments on “finally” taking home an award at the Cannes Film Festival after previously starring in six films that have all debuted at the festival prior.Song is the second Korean to win Best Actor, after Jeon Do-yeon for 2007’s Secret Sunshine. “Of course, winning an award from such a prestigious festival as Cannes is a great and happy moment, an unforgettable turning point of my life,” Song said, before adding that awards are not as significant as they might seem.“I don’t think the action [of receiving an award] itself holds much significance,” he explained.

Patrick Frater Asia Bureau Chief“Broker,” the unconventional family drama which appeared in competition at last month’s Cannes Film Festival, topped the box office in South Korea on Wednesday, its opening day.“Broker” grossed $1.10 million, enough to depose crime actioner “The Roundup” from the top spot that it had enjoyed for the past three weeks and which had made it the highest performing film this year.According to data from the Kobis tracking service operated by the Korean Film Council, “Broker” played on 1,590 screens and sold 145,000 tickets for Wednesday screenings. Its cumulative total of $1.15 million includes some $44,000 of previews earned on 14 screens.The feat by a local art-house film gives further support to the notion that cinema attendance is rebounding in Korea.

Jazz Tangcay Artisans EditorNetflix’s “Squid Game” featured sets such as the M.C. Escher- like staircase and a tug-of-war area, as characters on a remote island compete in deadly versions of childhood games.Production designer Chae Kyoung-sun built killer sets on a large scale for the 456 contestants as they battle it out to be the last man standing, all for a cash prize.Its most iconic set is right at the beginning, as the contestants play Red Light, Green Light.“I wanted to fill the set for the first game with fantasy and fairy- tale-like images,” Chae says.

Eric Nam has opened up about his experience growing up Korean-American and how it has influenced his career.The 33-year-old singer-songwriter recently appeared in an episode of The Zach Sang Show, where he opened up about his Korean heritage. During the interview, Nam confessed that he previously thought of being a Korean-American as a “hindrance”.“I think for a long time, being a Korean-American, or being Asian-American in the States, it felt as if it was a hindrance, or it was like, something that was supposed to hold me back,” he shared.

Jang Nara is getting married, but she’s facing some difficulties regarding anonymity.

Dennis Harvey Film CriticOne of the most enjoyable South Korean action movies in recent years, 2017’s “The Outlaws” was a deft mix of brutal gang-warfare thrills and Keystone Cops comedics. It provided an ideal vehicle for Ma Dong-seok aka Don Lee (“Train to Busan” and “Eternals”) as the police investigator whose hit-first-ask-permission-later methods regularly got the job done while infuriating his superiors.That burly protagonist and his sidekicks are back in “The Roundup,” which despite a different directorial (newbie Lee Sang-yong replacing the prior edition’s Kang Yoon-seong) and writing crew, maintains the original’s strengths.

Zack Sharf Tucker Carlson has made an enemy out of the BTS Army after he spoke out against the K-pop group’s May 31 appearance at the White House. The group addressed the press and spoke with President Joe Biden about Asian inclusion and representation to mark the final day of Asian American and Pacific Islanders Heritage Month.“Things have gotten very bad for Joe Biden, both public-facing and internally,” Carlson told viewers of his eponymous Fox News show.

Broker and Decision to Leave have made history at the 2022 Cannes Film Festival, marking the first time two Korean works have won at the same ceremony.The upcoming Korean films Broker and Decision To Leave have both taken home one award each at this year’s Cannes Film Festival, marking the first time two Korean films have won an award at the festival in the same year.South Korean actor Song Kang-ho, who rose to international prominence in Bong Joon-ho’s Parasite in 2019, took home the Best Actor award for his role in Broker, which was directed by Japanese filmmaker Hirokazu Kore-eda. This makes Song the second Korean, after Jeon Do-yeon for 2007’s Secret Sunshine to win the award, and the first Korean male actor to do so.During his acceptance speech, the 55-year-old actor thanked director Hirokazu Kore-eda, along with his Broker co-stars Gang Dong-won, IU, Lee Joo-young and Bae Doo-na.

Patrick Frater Asia Bureau ChiefKore-eda Hirokazu, director of the well-received Cannes competition film “Broker” says his diverse and lonely characters constitute a family of choice.“This film tells the story of a family which came together by choice. Each character had been rejected. They set off on a car journey, as if by accident.

Broker, starring singer-actress IU, was given a 12-minute standing ovation at the 2022 Cannes Film Festival.Broker, the first-ever Korean-language film by Japanese filmmaker Hirokazu Kore-eda, recently premiered at the 2022 Cannes Film Festival on May 27. Once the screening had concluded, the fil received a 12-minute-long standing ovation from those in-attendance, according to a report from Korean news outlet Edaily.The publication also claimed that the standing ovation began with Cannes Film Festival’s executive director, Thierry Frémaux.

“It’s rare when the thing that you’re working on so deeply reaches in your own life, your own history, your own family,” says director J.D. Dillard, whose forthcoming “Devotion” is as much a historical drama as it is an exploration of his own ancestry and childhood.

BLACKPINK singer Rosé has opened up about her thoughts on the future of the K-pop girl group.The Australian-Korean idol recently spoke with Rolling Stone as part of the girl group’s special cover edition with the news outlet, during which she opened up about her hopes for BLACKPINK’s future. When asked about whether she had ever thought about life after BLACKPINK, Rosé revealed that while she indeed has, she “[doesn’t] think it will be over”.“I grew up with them. They’re a part of me.

When the Cannes Film Festival lineup was announced on April 14, Twitter positively exploded with excitement over the news that Lee Ji-eun would make her Riviera debut with Hirokazu Kore-eda’s Broker in Competition. The Korean actress, singer and songwriter—popularly known as IU—has a legion of fans, including 26 million followers on Instagram, and has been described as a national treasure at home. She may now be well poised for crossover success with her first commercial film.

While Park Chan-wook’s The Handmaiden dealt with a lot of sex and kink in its story of a handmaiden who gets into the good graces of her Japanese heiress, only to defraud her, the Korean filmmaker in his latest Decision to Leave, dotes on a detective Hae-Joon (Park Hae-il) who is head over heels with a very possible murder suspect, Seo-rae (Tang Wei).

An adoptee explores her Korean roots in Return To Seoul, Davy Chou’s engaging drama premiering at Cannes in Un Certain Regard. Newcomer Park Ji-Min plays the magnificently complex Freddie, who was raised in France and has impetuously decided to spend a couple of weeks in the country of her birth.