‘Deadpool 3’ won’t be Disneyfied, say writers

“Deadpool 3” will be the third film in the series, but the first time the merc with a mouth enters the MCU. And while Marvel fans are eager to see Ryan Reynolds constantly quip, break the fourth wall, and regenerate after being killed in another romp, it’s still unknown how Deadpool will fit into Phase 4’s larger saga.

Ryan Reynolds has revealed that his recent incarnation as a global marketing supremo came about in part because of tireless efforts to get his hit comic movie Deadpool off the ground.

The Native American Media Alliance announced they are accepting applications for the fifth Native American Feature Film Writers Lab. This is a 10-week program that will take place on-line from September through November 2022 and sponsored by COMCAST NBCUniversal, Cherokee Nation Film Office and A+E Networks.

Universal’s Global Talent Development & Inclusion today announced the debut of the Universal Writers Lab. The new initiative is mean to elevate the Universal Writers Program experience, which the studio launched in 2014.

Get used to Rick Glassman’s name: you’ll be hearing a lot more of it as his career continues to ascend. The comic—and host of the Take Your Shoes Off podcast—plays a starring role as Jack in Prime Video’s As We See It, from creator Jason Katims. The show follows a group of three Angeleno roommates living with autism as they attempt to navigate the world. And Katims, whose own son has Asperger’s syndrome, was determined that the show be cast authentically, with actors living on the spectrum given the lead roles. Sue Ann Pien and Albert Rutecki round out the lead cast as Jack’s roommates, while Sosie Bacon plays the group’s neurotypical live-in aide and Joe Mantegna plays Jack’s dad.

In this episode of The Discourse Podcast, we talk to screenwriters Rhett Reese and Paul Wernick. Known for being the writers behind the “Zombieland” and “Deadpool” franchises, Reese and Wernick’s latest movie is “Spiderhead,” an adaptation of a George Saunders dystopian sci-fi short story directed by Joseph Kosinski for Netflix.

James Patterson is backtracking on his remarks about white writers.

following a prior remark on racism. Speaking to the UK’s Sunday Times this weekend, Patterson said that “white older male writers” aren’t getting hired for “writing gigs in film, theatre, TV or publishing” right now — claiming the phenomenon is “just another form of racism.”“What’s that all about? Can you get a job? Yes. Is it harder? Yes.

Offering his take. James Patterson shared his thoughts on the publishing industry in a new interview, and his opinions raised plenty of eyebrows.

to the Sunday Times this weekend, the crime novelist said that “white older male writers” aren’t getting hired for “writing gigs in film, theatre, TV or publishing” right now — claiming the phenomenon is “just another form of racism.” “What’s that all about? Can you get a job? Yes. Is it harder? Yes. It’s even harder for older writers.

Author James Patterson is coming under fire for making controversial remarks about alleged racism against older, white male writers.

Wilson Chapman editorJames Patterson claimed that white male writers face “another form of racism” and criticized his own publisher for dropping Woody Allen’s memoir in a new interview that published over the weekend.The author was profiled for British paper the Sunday Times for his recent memoir “James Patterson: The Stories of My Life.” Speaking to journalist Sarah Baxter about his career, Patterson claimed that it is more difficult for white male writers to get started in the publishing world now, saying they face “another form of racism.”“Can you get a job? Yes. Is it harder? Yes,” Patterson said.

The Brady organization against gun violence is calling on Hollywood writers, directors and producers to examine onscreen gun violence and depictions of gun safety, asking the creative community to sign a pledge that’s already garnered more than 200 signatures of such names as Judd Apatow, Shonda Rhimes, Damon Lindelof and Jimmy Kimmel and the writers of the Jimmy Kimmel Live!

The Times UK on Sunday. He says the problem is “just another form of racism. What’s that all about?” he muses.

Pharrell Williams has praised the writing prowess of Kendrick Lamar, declaring that his bars hit so hard “because he knows how to be very disciplined with a subject matter”.The claims came in a new interview with Zane Lowe for Apple Music 1, celebrating the release of Williams’ new Tyler, The Creator and 21 Savage-assisted single ‘Cash In Cash Out’. The song was released yesterday (June 10) and marked Williams’ second time joining forces with Tyler, after he produced Tyler’s track ‘Come On, Let’s Go’ for the ‘I Love Nigo’ compilation.Speaking to Lowe, Williams referred to Lamar as “one of the greatest writers of our times”, explaining: “He knows that stickiness is important, and he knows that it has to feel great.”Williams and Lamar have a long history, and linked up most recently to work on this year’s ‘Mr.

Selome Hailu The conclusions of dramas like “Ozark” and “Better Call Saul” have ruled cultural conversation about TV in 2022, while new shows such as “Bel-Air” and “As We See It” are a sign of the innovation and creativity to come. Creators and showrunners of some of the top dramas on the small screen came together for Variety’s “A Night in the Writers’ Room” to discuss bringing new ideas to old properties, what it’s like to write a series finale and more.Moderated by TV features editor Emily Longeretta, the event began with a conversation about what it looks like to run a writers’ room under pandemic restrictions.

Joe Otterson TV ReporterWelcome to Variety’s Writer Family Tree. In this series, we take an established showrunner and look back on some of the shows they have created and the writers that have worked for them. Many of those writers have since gone on to successful careers of their own and have carried lessons from those early days in the writers’ room along with them.In our inaugural entry, we take a look at Bill Lawrence, the co-creator of “Ted Lasso” and creator of “Scrubs,” who also co-created “Cougar Town,” “Spin City” and “Clone High.” Variety spoke with Lawrence as well as several successful writers who have worked with him on his various shows.