HBO debuted the trailer for Year One: A Political Odyssey, which examines President Joe Biden’s first year in office, with what the premium network calls a “rare glimpse into the inner working of the White House.”
19.09.2022 - 19:15 / mambaonline.com
The recently released queer horror film They/Them places queer fear and homophobia front and centre in a thrill-fest that’s also laced with laughs, and features an emotional storyline that’ll hit home for many members of the LGBTQI+ community.
This slasher film follows a group of queer teens at an LGBTQ+ conversion camp who not only have to face the psychological manipulation of their “treatment” but also a masked killer,
The name of the flick already sets the scene for a story that’s as layered as it is nail-biting: “They-slash-Them” is a clever way of tying the title of the movie to the steadily growing list of queer horror films (think of Jennifer’s Body, The Hunger and Hellbent).
According to They/Them’s lead, Theo Germaine, the title also points to the growth of their character, Jordan Lewis – one of the campers and the story’s protagonist. Speaking to The Hollywood Reporter, Germaine describes how the title also plays into the trajectory of Jordan’s experience at a so-called conversion therapy camp.
Says Germaine, “If we’re talking specifically about the character, Jordan, and the trajectory that they experience and they go through during the film, they start off by their self. They show up at this conversion therapy camp a very hyper independent, you know, pretty traumatised person who very much is like, I’m going to need to get through this myself, which is how they have always gotten through things […] So in that aspect, at the beginning of the film, it’s they – a singular they, Jordan by themselves. By the end of the film, because of all the experiences that happen, Jordan experiences this feeling of community and camaraderie with all of these other campers that they really didn’t expect to feel. So that makes
HBO debuted the trailer for Year One: A Political Odyssey, which examines President Joe Biden’s first year in office, with what the premium network calls a “rare glimpse into the inner working of the White House.”
Jordan Moreau Adam Driver is going Italian again. He will play racecar driver Enzo Ferrari in director Michael Mann’s upcoming drama “Ferrari,” and the first look at his transformative role has been officially released. The movie takes place during 1957, when Ferrari enters the 1,000-mile Mille Miglia race. Born in 1898, Ferrari will be around 59 years old in the film, putting him a couple decades older than Driver, who is currently 38. Here’s the official logline: “‘Ferrari’ is set during the summer of 1957. Ex-racecar driver, Ferrari, is in crisis. Bankruptcy stalks the company he and his wife, Laura, built from nothing 10 years earlier. Their tempestuous marriage struggles with the mourning for one son and the acknowledgement of another. He decides to counter his losses by rolling the dice on one race – 1,000 miles across Italy, the iconic Mille Miglia.”
Sir Michael Caine has been snapped on the set of his new series, The Great Escaper, which tells the story of a war veteran's escape from a British care home. The 89 year old actor was pictured at Camber Sands, East Sussex, as he takes on the starring role of Bernard Jordan - the former navy officer who made headlines around the globe in 2014. The then-90 year old left the safety of The Pines care home in Hove, East Sussex, to attend the 70th Anniversary of the D-Day Landings in Normandy, France.
The Only Way is Essex star Dani Imbert has shared her thoughts on Ella Rae Wise and Pete Wicks’ blossoming romance. There’s been undeniable chemistry between both Ella, 22, and Pete, 33, with the pair first locking lips last year and while they've never officially coupled up before, the current season of TOWIE is documenting them appearing to rekindle their romance. While things seem to be going quite well between the two, there are concerns about the 11-year age gap between them.
There’s a possibility that Jonathan Majors will play Dennis Rodman in “48 Hours in Vegas”, a film adaptation about the former basketball star’s infamous getaway during the 1998 NBA finals.
Marsai Martin, the sports fantasy film follows Callie A. Coleman (Martin), who discovers that she can magically control her father’s (Omari Hardwick) performance as a running back for the Atlanta Falcons. Along with Martin and Hardwick, the film stars Kelly Rowland, Rome Flynn, Elijah Richardson, Hanani Taylor, Abigail Killmeier, Tyla Harris and Isac Ivan. “Fantasy Football” is produced in partnership with The SpringHill Company and Genius Entertainment. Based on an original screenplay by Richard T. Jones, Jeremy Loethen and Tim Olgetree, the film is directed by Anton Cropper and written by Zoe Marshall, Dan Gurewitch and David Young. LeBron James, Spencer Beighley, Jamal Henderson, Marsai Martin, Joshua Martin and Timothy Bourne produce, while Maverick Carter and Jamila Jordan-Theus serve as executive producers.
Liza Foreman Liam Neeson and Diane Kruger turned out at the San Sebastian Film Festival on Saturday to support the world premiere of Neil Jordan’s “Marlowe,” which closes the festival tonight. Jordan and William Monahan’s adaptation of John Banville’s novel “The Black-Eyed Blonde” centers Raymond Chandler’s famous detective Philip Marlowe, and – like Chandler’s books – is set in 1930s Los Angeles. Jordan said it was confusing to call it a film noir. “First of all, it’s shot in color,” he said. Even though it is set in the past, it’s a futuristic film that provided his reference point for the look of this one.
Michaela Zee editor The U.S. premiere of Jordan Peele and Henry Selick’s “Wendell & Wild” will kick off the fifth edition of Animation Is Film (AIF) on Oct. 21. The screening of the forthcoming Netflix feature will be followed by an in-person Q&A with Selick. “I’m delighted my new film ‘Wendell & Wild’ — co-written and produced with Jordan Peele — will have its U.S. premiere at Animation Is Film, a festival that celebrates the non-traditional and ground-breaking in animated movies,” Selick said in a statement. “Our made-in-the-USA stop-motion feature is many things: scary, funny, creepy, sad, and empowering, but most of all, it’s very very original so I can’t think of a better place for its U.S. premiere than Animation Is Film. Hope you enjoy the show.
Wendell & Wild, the upcoming Netflix movie directed by Henry Selick that features the voices of Jordan Peele, Angela Bassett, Keegan-Michael Key and Lyric Ross, has been selected as the opening-night film for Animation Is Film, the growing animation festival that will run October 21-23 and October 29 at the TCL Chinese 6 Theaters in Hollywood.
Daniel Goldhaber announced “How to Blow Up a Pipeline,” the film he made with Jordan Sjol, Ariala Barer, and Daniel Garber, on the morning of August 3rd, just out of nowhere, like Beyoncé dropping an album. It’s not only the spontaneity of the announcement that feels fitting, but the devil-does-care energy and urgency to it: not merely a “we did a thing,” but, like its assemblage of characters assemble in the film, a bomb waiting to go off. Continue reading ‘How To Blow Up A Pipeline’ Director Daniel Goldhaber On Channeling Political Restlessness In Genre Film [Interview] at The Playlist.
EJ Panaligan editor NewFest, a New York-based LGBTQ+ film festival, has announced the full lineup for its 34th iteration. The 2022 edition will run from Oct. 13 to Oct. 25. With world, North American, U.S. and New York premieres for more than 130 films from 23 countries, the festival will be headlined by the world premiere of HBO documentary “Mama’s Boy” from Laurent Bouzereau as the opening night screening. Additionally, the festival will hold an advance screening for the Season 2 premiere of popular HBO series “The White Lotus.” Other high-profile screenings through the festival’s run include Michael Grandage’s love triangle film “My Policeman,” starring Harry Styles and Emma Corrin, and the stop-motion horror comedy “Wendell & Wild,” from writer-director Henry Selick. Jordan Peele co-writes, while also featuring in a lead voice role. Keegan-Michael Key inhabits the film’s other lead voice role, marking a “Key & Peele” reunion on the animated stage between the two longtime collaborators.
Jordan Peele’s third feature, “Nope,” focuses on a group of characters (played by Daniel Kaluuya, Keke Palmer, Steven Yeun, Brandon Perea and Michael Wincott) attempting to track down an unidentified flying object spotted in the air around the Agua Dulce desert. Many of the film’s scenes take place in the dead of night, but as Peele describes it, the majority of them weren’t filmed at night. Instead, cinematographer Hoyte van Hoytema shot most of the scenes during the day using some innovative technological approaches “I haven’t wanted to ruin the illusion, but I’ll ruin it for you today,” Peele said at a Toronto International Film Festival Q&A on Sept. 12. “The night shots, for the most part, were shot in the day, which is due to a technological and strategic thing that [Hoytema] brought to the table. ”
Brent Lang Executive Editor New Slate Ventures has come on board as a production partner for Insignia Films’ “Free Money.” The announcement was made just ahead of the documentary feature’s world premiere at the 2022 Toronto International Film Festival. Jordan Fudge, Jeremy Allen and Tess Cohen will join producer Amanda Pollak, and executive producers Stephen Ives, Bradwel Iro (LBX Africa), Chris Buck (Retro Report) to back the film. The film explores what happens when universal basic income (UBI) comes to the Kenyan village of Kogutu. GiveDirectly, a non-profit organization, is sending free money for 12 years as part of an experiment. Filmmakers Lauren DeFilippo and Sam Soko juxtapose the story of these young economists, bankrolled by Silicon Valley and convinced that they have found an infallible algorithm to improve lives, with those of the villagers.
William Earl Zach Cregger has delivered one of the most twist-filled movies of the year with “Barbarian.” But perhaps the biggest shock to fans is that a member of irreverent sketch group Whitest Kids U’Know switched to horror so effortlessly. For Cregger, the two worlds are not far apart. “I don’t think horror and comedy are too dissimilar,” Cregger says. “The anatomy of a scare is very similar to the anatomy of a laugh. It’s all about timing and tone and zigging when the audience expects you to zag. I feel like my time in sketch comedy has equipped me to play in this pool.” Cregger got advice from a friend who had a similar trajectory: Jordan Peele, who went from sketch comedy series “Key & Peele” to directing his breakout feature “Get Out” and two other horror hits.