Comedy Town Hall: Bert Kreischer, Fortune Feimster & More Dish On Trends In Booming Stand-Up Business
09.11.2023 - 00:45
/ deadline.com
If it’s an understatement to call film and television challenged, amidst the ongoing SAG-AFTRA strike, in the world of comedy, the story is very different.
In truth, stand-up has never been bigger, with one story after another rolling out of comedians setting records for attendance and viewership. Take Nate Bargatze, for example, who earlier this year set an Amazon streaming record with his special Hello World, before going on to sell a record number of tickets to an April show at Nashville’s Bridgestone Arena. Or Matt Rife, a young up-and-comer with 10+ years under his belt, who hit the upper echelons of comedy seemingly overnight after blowing up on TikTok, selling out a global tour encompassing some 600,000 tickets in less than 48 hours, before going on to land his own forthcoming Netflix special, Matt Rife: Natural Selection. Also operating at the highest level is Gabriel “Fluffy” Iglesias, who after becoming the first comic to sell out Dodger Stadium, went back for a second, field-level-only show.
According to German data gathering platform Statistic, yearly revenue stemming from the comedy event market in the United States has increased from $1.7B in 2017 to $3.1B in 2023. Pollstar’s top touring comic of 2022 was Sebastian Maniscalco at over $44.9M, and this isn’t to speak of the money that stand-ups now stand to make from podcasts, film and TV, brand deals, merchandise sales, and more.
What this all says to comedian Trevor Wallace, whose debut special Pterodactyl debuts on Prime Video November 14th, is that stand-up comedy is cool again. “I feel like 10, 15 years ago you would kind of go, ‘Oh, there’s comedy on the cruise. We can stop by,'” he says. “But now it’s like all these clubs are packed every night.”
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