‘Comandante’ Review: Venice Opens with a WWII Submarine Film That Salutes a Momentous Act of Italian Heroism

a hearing into the future of the venue commenced last Monday (September 11), which sought to determine whether or not the Academy Music Group (AMG) could continue to operate its licence at the venue following a fatal crowd crush at an Asake concert last December.The event left two people dead and one in a critical condition. The Academy had its licence suspended and Metropolitan Police then reportedly made a push for the location to close its doors for good after the deaths of Gabrielle Hutchinson and Rebecca Ikumelo, who were aged 23 and 33 respectively.A hearing regarding the future of the Brixton venue kicked off at the start of last week.

Water For Elephants, the new stage musical adapted from the acclaimed 2006 novel by Sara Gruen to be directed by Kimberly Akimbo director Jessica Stone, will open on Broadway this spring, producers announced today.

Michael Keaton, after making his directorial debut with 2008’s The Merry Gentleman, steps behind the camera for only the second time with his latest film, Knox Goes Away in which he also delivers one of his finest and most poignant performances as a man facing a rare form of fast moving dementia, but who is racing the clock to save his estranged son’s life before it is too late.

Michael Schneider Variety Editor at Large SPOILER ALERT: Do not read ahead if you have not watched the Season 10 season premiere of “The Masked Singer,” which aired Sept. 10 on Fox. “The Masked Singer” kicked off its 10th season on Sunday night with a special episode — and a lotta Lovato. Demi Lovato as “Anonymouse” was the first celebrity unmasked this season — although there’s an asterisk there.

Jeff Nichols was just at the Telluride Film Festival last weekend for the world premiere of his upcoming film, “The Bikeriders.” And while he was there, the director hopped on the “Happy Sad Confused” podcast to talk about his new movie, failed pitches for projects like “Aquaman,” and other topics. That includes “Alien Nation,” a long-gestating project of Nichols’ that never panned out (and is the reason for seven years between “The Bikeriders” and 2016’s “Loving” and “Midnight Special“) but came closer to being made than anyone realizes.

Polish director Malgorzata Szumowska and Michal Englert’s transgender drama Women Of world premieres in Competition at the Venice Film Festival on Friday.

It was 22 years ago that Skip Hollandsworth wrote a Texas Monthly article about Gary Johnson, a school teacher who moonlights as a hit man who doesn’t kill people. Now if that doesn’t sound like the formula for a hit movie, you may understand why it has taken so long for Gary’s story to make it to the silver screen, so long in fact that its subject passed away before he could hit the red carpet of the Venice Film Festival where the film is having its World Premiere tonight. Nevertheless Glen Powell never forgot the story and has teamed with Richard Linklater to finally tell it, but it is only “loosely” based on the article. Certain details in the screenplay co-written by Linklater and Powell are made up, and those are the details that actually help make this a hilarious winner, as well as perhaps Linklater’s most commercial movie since School Of Rock. Its quirky true crime element also has a bit in common with Linklater’s Bernie which starred Jack Black. The director seems drawn to this kind of offbeat tale, with some level of truth to it.

Sofia Coppola’s new film about Priscilla Presley is earning rave reviews.

Guy Lodge Film Critic About 20 minutes pass in “Enea” before someone asks the young, handsome, splendidly attired title character what he does for a living, during which time audiences are likely to be wondering the same thing. This, to be fair, is not a negligent omission in writer-director-star Pietro Castellitto’s script, which tells us early on that Enea, the elder son of a wealthy Roman family, ostensibly manages a high-end sushi restaurant, atop an assortment of more underhand dealings.

Busan International Film Festival (BIFF, October 4-13) has unveiled its full line-up, including opening and closing films, and announced that Hong Kong star Chow Yun-fat has been named as Asian Filmmaker of the Year. 

Ellise Shafer Woody Allen got a warm ovation from journalists at the press conference for “Coup de Chance” at the Venice Film Festival, where he managed to avoid any controversial questions about his stalled career and the sexual abuse allegations made against him by his daughter, Dylan Farrow. That was in large part thanks to his longtime cinematographer, Italian superstar Vittorio Storaro, who spoke for nearly a third of the press conference, while answering a single question.

Time is a relative construct stretched to the limits of elasticity by Saverio Constanzo with the period drama “Finally Dawn.” The bloated 140-minute runtime begins at a cinema in Rome in 1953 as three women watch the final scene of a saccharine war drama, the light of the big screen coming to reveal a mother and two daughters, one donning the beauty of a Hollywood starlet and the other the beauty of a traditional Italian woman, with big blue eyes framed by thick curly hair. Venice Film Festival 2023: The 17 Most Anticipated Movies To Watch The curly-haired girl is Mimosa (Rebecca Antonaci), a shy 21-year-old used to inhabiting the uncomfortable but familiar shadow of her daintier sister, Iris (Sofia Panizzi).

A popular LGBTQIA+ bar in Los Angeles has become the subject of what seems like a “deliberate” attack.

Ellise Shafer The stars were out in Venice for Variety and the Golden Globe Awards’ party on Thursday night, featuring Chase Stokes, Kelsea Ballerini, Lukas Gage and Pablo Larraín. Presented by Iervolino and Lady Bacardi Entertainment, the event celebrated breakthrough talent and excellence in Italian filmmaking, handing out several awards under the moonlight.

Owen Gleiberman Chief Film Critic In Michael Mann’s heady, intricately dark, raptly absorbing “Ferrari,” there’s a quiet scene that takes place the night before the Mille Miglia, the spectacular 1,500-kilometer motorsport endurance race. Enzo Ferrari (Adam Driver), the Italian sports-car magnate who needs to win the race (the survival of the company that bears his name depends on it), has five drivers who are scheduled to compete. In a kind of calm-before-the-storm ritual, several of them write notes to their romantic partners, telling them how much they love them, just in case they don’t survive the race.

Watching Michael Mann’s “Ferrari,” one may wonder whether it’s even possible to make a film about an Italian figure and have it not be at least 80% about style. An admittedly rather inane thought, but one made a little more legitimate by the central presence of Adam Driver as the titular Enzo Ferrari.

Venice Film Festival. But the SAG-AFTRA strike made it impossible for the tennis drama, which MGM pushed to a 2024 release date, to come to the Lido. So instead, Venice kicked off with World War II drama “Comandante” by young Italian auteur Edoardo De Angelis.

The Venice Film Festival kicks off its 80th edition on Wednesday with Italian director Edoardo De Angelis’s World War Two Italian submarine drama Comandante.

This year’s Taipei Golden Horse Film Festival will open with a double bill of Snow In Midsummer, directed by Malaysia’s Chong Keat-aun, and Be With Me, from Taiwanese filmmaker Hwarng Wern-ying.

Patrick Frater Asia Bureau Chief The Taipei Golden Horse Film Festival has announced dual opening night titles, both inspired by faith and local memories, as well as its closing gala presentation. The festival will open with “Snow in Midsummer,” directed by Chong Keat-aun, a former winner of the Golden Horse Film Awards’ best new director prize with “The Story of Southern Islet,” and “Be With Me,” by Hwarng Wern-ying, who previously won Golden Horse prizes for art direction, costume and makeup. The festival, which runs Nov.