Colman Domingo Boards Oscar Entry Short ‘Leylak’ As EP

Buffalo 8 Distribution has acquired the North American rights to Jan P. Matuszyński’s Leave No Traces starring Tomasz Ziętek (Corpus Christi), Sandra Korzeniak (Influence) and Jacek Braciak (Edi).

EXCLUSIVE: Elisabeth Moss and Lindsey McManus have boarded writer-director Blerta Basholli’s Hive as executive producers. The Love & Squalor Pictures partners will spearhead the awards push for the Kosovan Oscar entry.

A version of this story about “Compartment No. 6” first appeared in the International issue of TheWrap’s awards magazine.. Finnish director Juho Kuosmanen’s road film “Compartment No.

The eponymous edifice of Cambodia’s International Feature Oscar entry, White Building, is barely white at all by the time we encounter it. A low-rise apartment block in Phnom Penh — the sort of teeming anthill of humanity familiar to anyone who has spent time in a South East Asian city — it is stained with tropical rain, its cement falling off in chunks, its cat’s cradles of improvised electrical wiring truly shocking, in every sense of the word. Director Kavich Neang grew up here.

Flash, flicker, flash, cut to black. We’re watching grainy film of men walking in and out of the stalls in a West German public toilet, casting glances at each other, maybe a fumbling feel; a reverse angle shows us the camera behind the mirror. The men can’t see it, but some of them must surely guess it’s there and defy the odds anyway. Because without defiance, without desire, what are they? Without those things, they know they will only ever be half-alive.

John Hopewell Chief International CorrespondentKino Lorber has acquired U.S. and Canadian  distribution rights to Aly Muritiba’s “Private Desert” (“Deserto Particular”) Brazil’s International Feature Oscar submission and a love story hailed for its large sensibility as well as political point.The deal was negotiated with the film’s world sale agent, Rome-based Intramovies.

John Hopewell Chief International Correspondent“Spencer” director Pablo Larraín has thrown his weight behind Chilean Oscar entry “White on White” (“Blanco en Blanco”), hailing it as a “really interesting, strange and highly violent film.”“White on White” also addresses issues that are “highly unsettling and complex and which haven’t been resolved or at least discussed at sufficient length,” Larraín adds.His words come from a conversation, which he moderates, with “White on White’s” director

The Icelandic mountains loom, the mists swirl between the peaks to where horses suddenly skitter in the snow. The only sound is stertorous breathing as the camera, clearly asserting something’s point of view, approaches the herd. Away they run.

John Hopewell Chief International CorrespondentStarring Pablo Larraín regular Alfredo Castro, Chilean-Spanish writer-director Theo Court’s “White on White” (“Blanco en Blanco”) has been acquired for distribution in North America by Outsider Pictures.The deal follows on the film’s world premiere this September at the Venice Film Festival’s Horizons sidebar, where Court won a Silver Lion for the section’s best director and a film writers’ Fipresci Prize.

Naman Ramachandran Oscar-winning actor Eddie Redmayne has said that playing a trans character in “The Danish Girl” was a “mistake.”Based on true events, Redmayne played one of the first people in the world who underwent gender reassignment surgery in the Tom Hooper-directed film.Redmayne, who won a best actor Oscar in 2015 for playing disabled scientist Stephen Hawking in “The Theory of Everything,” earned an Oscar nomination in the same category a year later for “The Danish Girl.” There were

It took eight years and a very enticing look book before Lamb co-writer and director Valdimar Jóhannsson got Iceland’s current Oscar entry off the ground.

Escape From Mogadishu, Korea’s submission to this year’s International Feature Oscar race, tells the harrowing true story of North and South Koreans caught in the middle of a brutal civil war in Somalia in 1991, and how the divided nation worked together to survive the crisis in a foreign land.

The sobering story of Pebbles, about domestic violence in India, is inspired by an incident in filmmaker P.S. Vinothraj’s real-life past, in which his sister was “chased away by her husband” and forced to walk 14 miles whilst cradling her baby in scorching terrain.

Filmed with an international cast speaking French, English and Spanish, and co-written with cinematographer Sara Mishara, Ivan Grbovic’s Drunken Birds begins in urban, crime-infested Mexico and swiftly transports us to the rural farmlands of Quebec, where former drug runner Willy has come in search of a former lover is in hiding from her mobster partner.

Lana Barić joined director Danilo Šerbedžija at Deadline’s Contenders Film: International awards-season event to talk about the taboo-busting Tereza37, Croatia’s official candidate for the International Feature Oscar. The film centers on Barić’s character Tereza, a married woman who decides to sleep with multiple men while trying for a baby.

Filmed in the mountains of Greece — which doubled for the stark, alien landscapes of war-torn Afghanistan — Shariff Korver’s Do Not Hesitate tells the story of three young Dutch soldiers who are left guarding a military vehicle after it breaks down. A chance encounter with a local boy causes tensions in the group, which reach a shocking climax.

Apichatpong Weerasethakul has long been an ambassador for his native Thailand, but his latest film—the Cannes Competition hit Memoria—was shot entirely in Colombia, which has chosen the film as its 2021 International Feature Oscar entry. Compounding the truly international flavor of the production, it stars the UK’s Tilda Swinton as a Scottish woman named Jessica who is in Bogotá to see her sister when a mysterious noise she hears at daybreak sets her on a mesmerizing journey of self-discovery.

At Deadline’s Contenders Film: International award-season event, director Eran Kolirin (The Band’s Visit) explained why he chose to adapt Sayed Kashua’s novel Let It be Morning, the film that has become Israel’s submission into the International Feature Oscar race.

When Kosovan writer-director Blerta Basholli met war widow Fahrije Hoti, the subject of her new feature film Hive, she was immediately struck by her strength of character and personality, which helped shape how she would approach making a feature film based on the story of Hoti’s life after the Kosovo War.