‘Coco Before Chanel’ Director Anne Fontaine Celebrates Premiere of ‘Boléro,’ Teases New Project About Popular Music (EXCLUSIVE)

John Hopewell Chief International Correspondent Jean Labadie’s Le Pacte and sales agency Film Factory have joined Spanish pay giant Movistar Plus on the next film from Alberto Rodríguez (“Marshland”), which is shaping up fast with as one of the biggest packages from Spain this year at the Berlinale’s European Film Market. Le Pacte will co-produce the thriller out of France and handle French distribution rights. Film Factory is launching international sales at Berlin.

Leo Barraclough International Features Editor In Christine Angot‘s documentary “A Family,” which premieres Sunday in the Encounters section of the Berlin Film Festival, the French novelist explores how various members of her family reacted to the revelation that she was repeatedly raped by her father from the age of 13. The film starts with a startling confrontation between Angot and her stepmother in Strasbourg, with Angot pushing her way into her stepmother’s apartment with a camera-person and proceeding to question the woman about Angot’s late father’s crimes and the wife’s view on that. Angot says that this incident was not planned at all.

Elsa Keslassy International Correspondent Mk2 Films, the Paris-based outfit behind Justine Triet’s Oscar-nominated “Anatomy of a Fall,” is set to restore Robert Bresson’s “Four Nights of a Dreamer,” a romantic drama which competed at the Berlinale in 1971 and disappeared from screens in 1985. MK2 Films, the division of a major arthouse cinema chain in France, will digitize “Four Nights of a Dreamer” in 4K and will bring it to global theatres in 2024. “Four Nights of a Dreamer” is the 10th film directed by Bresson and the only one which wasn’t restored.

Elsa Keslassy International Correspondent Pulsar Content has closed major deals on “Niki,” a biopic of French-American artist Niki de Saint-Phalle. “Niki” marks the feature debut of popular French actor Céline Sallette and stars Charlotte Le Bon (“The Walk” “Saint-Laurent”) as de Saint-Phalle. Pulsar closed deals with Neue Visionen (Germany), Movies Inspired (Italy), Paradiso (Benelux), Praessens (Switzerland), Vercine (Spain), Magic Films (CIS), Best Films (Baltics), Shaw (Singapour), Sky Digi (Taiwan) and Immovision (Brazil).

CPH:DOX, the prestigious documentary film festival in Copenhagen, has announced a competition program across six categories that features 47 world premieres.

Paramount’s Bob Marley: One Love had offshore audiences getting together and feeling more than alright in Wednesday international box office play. Beginning overseas release yesterday, the Reinaldo Marcus Green-directed biopic grossed $4.9M across 10 markets, several of them giving the story of the reggae icon No. 1 status and the biggest or second-biggest launch day ever for a music biopic — in Jamaica, it scored the biggest opening day of all time. 

Nick Vivarelli International Correspondent Iranian director duo Maryam Moghaddam and Behtash Sanaeeha were recently banned by Iranian authorities from traveling to this year’s Berlin Film Festival, where their drama “My Favourite Cake” is premiering in competition. The film is about a 70-year-old woman named Mahin who has been living alone in Tehran ever since her husband died and her daughter left for Europe. Suddenly an incident prompts Mahin to break her solitary routine and revitalize her love life.

Leo Barraclough International Features Editor Beta Cinema has sold political thriller “Hammarskjöld — Fight for Peace,” which is a box office hit in its home territory Sweden, to multiple key territories. Sales include Italy (Rai Cinema), France (Swift Prods.), Spain (Twelve Oaks), Portugal (Outsider Films) and former Yugoslavia (Discovery). A U.S.

Elsa Keslassy International Correspondent Subversive American author Bret Easton Ellis is set to make his directorial debut with “Relapse,” an elevated horror film he wrote starring “Stranger Things” breakout Joseph Quinn. Paris-based SND has boarded the project as producer, alongside Adrian Guerra’s Nostromo (“Penny Dreadful”) and Simon Wallon’s Kiss & Kill (“Bonnie”). SND will handle worldwide sales on “Relapse,” as well as French distribution, and will tease the title at the EFM with an exclusive sizzle reel.

Elsa Keslassy International Correspondent The CGI animated sequel to “Chickenhare and the Hamster of Darkness,” the hit adventure film based on the Dark Horse comics which sold around the world, has lured buyers ahead of the European Film Market. Titled “Chickenhare and the Very Very (Very) Old Groundhog,” the movie is budgeted at $23 million (a large budget by European production standards) and brings back the creative team behind the first film.

Elsa Keslassy International Correspondent European production and distribution group Newen Studios has appointed Pierre Branco — the former country manager of Warner Bros Discovery for France, Benelux and Africa — as CEO. Branco will begin his position at Newen Studios starting in April, succeeding Romain Bessi, who has decided to step down after a six-year tenure during which he led the company’s expansion.

John Hopewell Chief International Correspondent Netflix Original “The Society of the Snow” won best picture and director for J.A. Bayona at Saturday night’s 38th Spanish Academy Goya Awards. Those plaudits were two of a total 12 prizes, the third-highest kudos count for any title in the Goyas’ near 40-year history.

It’s a weekend of well-reviewed indie openings with Bleecker Street’s Out Of Darkness, The Monk And The Gun (from the directors of Lunana: A Yak In The Classroom) and limited openings for The Taste Of Things, Perfect Days (Best International Feature nominated), Anthony Chen’s Drift, Bas Devos’ Here and Ennio by Giuseppe Tornatore, which premiered in Venice in 2021 and is finally getting a U.S. release.

Naman Ramachandran Award-winning artist Justin Anderson’s debut feature “Swimming Home” has its world premiere in competition at International Film Festival Rotterdam. Variety has secured access to the first clip from the film. The film, an adaptation of Deborah Levy’s 2012 Man Booker Prize shortlisted novel, centers on poet Joe (Christopher Abbott) and war photographer Isabel (Mackenzie Davis), whose marriage is dying when Kitti (Ariane Labed), a naked stranger found floating in the pool at their sunny holiday villa in Greece, is invited to stay.

Elsa Keslassy International Correspondent After keeping a fairly low profile as president of France’s leading commercial network TF1 Group for seven years, Gilles Pelisson, the discreet Harvard-educated executive, is ready for showtime. He has been propelled into the spotlight to promote French film and TV in his new role as president of Unifrance, succeeding Serge Toubiana last summer.

Nadia Romdhani, former Screen International and The Drum executive, is joining Deadline as Sales Director, International.

Former TF1 Group CEO and chairman Gilles Pélisson has gone through a baptism of fire this week in his new role of president at French film and TV promotional body Unifrance as he attends his first edition of its annual Paris Rendez-vous.

Patrick Frater Asia Bureau Chief Leading Asian film directors including Josh Kim, Fukada Koji and Patiparn Boontarig line up to pitch their in-development projects at the March edition of the Hong Kong – Asia Film Financing Forum (HAF). Leading directors Wang Xiaoshuai and Zhang Lu will also be on the ground at HAF, operating as producers. So too will established producers Yamamoto Teruhisa (“Drive My Car”) and Michael J.

The move in recent years to make the Oscars a truly global event in terms of the membership drive by the Academy of Motion Picture Arts and Sciences has paid off particularly well this year: Eligible voters from a record 93 countries submitting ballots in the Academy Awards’ nominating round, which ended Tuesday at 5 p.m. PT.

Nick Vivarelli International Correspondent A group of 20 prominent screen trade organizations have united to ask governments around the world to enact regulations ensuring that global streaming giants like Netflix and Disney+ invest more resources in local content. The joint plea — hailing from production bodies in Europe, Canada, Australasia and Latin America — comes as streaming services have scaled down on acquiring and commissioning local content across many markets within the last year in order to ramp up profitability.