“Fast X” is doing blockbuster business at the box office, not just in North America but worldwide.
08.05.2023 - 20:35 / variety.com
Brent Lang Executive Editor CJ 4DPlex is off to the strongest start in its history with revenues for the first four months of the year tracking 70% higher than 2022. It’s a sign of how much movie fans seem to be enjoying immersive experiences as the pandemic starts to recede. The first four months of 2023’s box office for the company’s 4DX and ScreenX theaters is tracking 36% higher than pre-pandemic levels (2019), and generating over $150 million through May 1. The company’s combined network has more than 1,100 premium screens consisting of both its ScreenX venues, the world’s first multi-projection cinema with an immersive 270-degree field of view, and its multi-sensory 4DX theaters, which add motion, vibration, water, wind, snow, lightning, scents and other special effects to movies that are unfolding on screen. The company is headquartered in Seoul with international offices in Los Angeles and Beijing.
Recent films that proved to be particularly strong performers include “Avatar: The Way of Water” and “The Super Mario Bros. Movie.” The CJ 4DPlex network also benefited from record-breaking and successful event cinema releases including “BTS: Yet to Come in Cinemas” and “Coldplay – Music Of The Spheres: Live At River Plate.” The event cinema releases account for 11% of the company’s box office to date, it said. In terms of percentage growth, the domestic box office had one of the most dramatic increases, with a 98% increase from 2022. “We are thrilled with our year-to-date performance of our ScreenX and 4DX formats at the box office, which is coinciding with the rapid growth of both theatre formats globally,” said Jongryul Kim, CEO of CJ 4DPlex. “We are particularly excited about the blockbuster-filled summer which
“Fast X” is doing blockbuster business at the box office, not just in North America but worldwide.
Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide.
Rotten Tomatoes. Those are the scores this remake will need to keep legging out against a crowded June slate that starts next weekend with “Spider-Man: Across the Spider-Verse.” But here comes the bad news: “The Little Mermaid” has posted an international opening of just $68 million from 51 markets.
Brent Lang Executive Editor Thirty five years after the animated story of Ariel, a flame-haired siren of the sea who falls for a prince, charmed audiences, a live-action remake of “The Little Mermaid” dominated the Memorial Day weekend box office. The Disney release is on track to debut to a massive $118 million over the four-day holiday, with $96 million of that coming over the weekend. It ranks as the fifth highest Memorial Day opening in history. The film got a lift from many of the same moviegoers who first fell in love with Ariel when she flitted across the screen in 1988, as well as from the generations of fans who weren’t alive when the original movie opened, but who were nevertheless weaned on the classic from its various appearances on DVD, television, and later streaming. The live action “Little Mermaid” (and “live action” is doing a lot of lifting here considering the sheer tonnage of CGI required to bring Ariel’s ocean home to life), was directed by Rob Marshall and stars Halle Bailey as the title character. Melissa McCarthy plays Ursula, the malevolent sea witch who steals Ariel’s voice in return for giving her legs and a chance to canoodle with the dreamy Prince Eric (Jonah Hauer-King). Javier Badem, Awkwafina and Daveed Diggs round out the ensemble.
according to IMDB’s Box Office Mojo.It is expected to enjoy a $104 million three-day weekend, according to Deadline.The Post called the flick, produced in part by Lin-Manuel Miranda, “more lifeless than far better two-dimensional painted drawings.”“Fast X,” which was in the No. 1 spot last Friday, slowed down to second, with $6.3 million in sales.The 11-title “Fast and Furious” franchise already sped past $7 billion in the global box office.
The Little Mermaid” is making quite the splash at the domestic box office this weekend, with an opening day total of $38 million. The fantasy, which is opening in 4,320 theaters, is expected to gross between $120 million and $130 million over the four-day Memorial Day weekend. The musical remake, starring Halle Bailey as the mermaid princess Ariel, took in $10.3 million in previews on Thursday, ranking as the seventh-highest haul for a movie rated G or PG. That puts the film on track to gross well over $100 million over the holiday weekend. With a $250 million production budget, “The Little Mermaid” must bait box office success in order to make a reasonable return.
on Rotten Tomatoes) amid a marketplace lacking youth-skewing biggies since “The Super Mario Bros. Movie” in early April.
Jordan Moreau Disney’s live-action remake of “The Little Mermaid” is beginning its box office swim with $10.3million in previews. It opens in 4,320 theaters on Friday. Thursday’s preview haul is the seventh-highest ever for a G- or PG-rated movie. “The Little Mermaid” also picked up $850,000 from Wednesday early access screenings. Starring singer and actor Halle Bailey as Ariel, the new movie is projected to open with $100 million this holiday weekend. With Memorial Day on Monday, its four-day total could land between $120 million and $125 million. “The Little Mermaid” is expected to make a big splash as one of Disney’s more successful live-action remakes. In comparison, Disney’s most recent remake, the 2019 photorealistic and computer animated “The Lion King,” roared with a $191 million opening from $23 million in previews. It went on to make more than $1 billion globally. And just a couple months before “The Lion King” released, the live-action “Aladdin” opened with $117 million over the four-day Memorial Day weekend (from $7 million in previews) and also cracked $1 billion worldwide.
EXCLUSIVE, late Thursday PM: Sources are telling us that Disney’s Rob Marshall directed The Little Mermaid is singing some high notes tonight of $10M+ in previews. Should that figure exceed $10.8M it will rep the 6th highest preview performance among PG and G rated titles in motion picture history. Tracking pegged the Halle Bailey movie at a $120M 4-day start over Memorial Day.
“Elemental” are not looking good, as the original title about a city full of fire, water, plant and air beings is tracking for one of the worst opening weekends in Pixar history. Currently, “Elemental” is projected for an opening weekend of around $40 million.
The arthouse box office hasn’t recovered quickly post-Covid, but one of the oases for the sector, even by pre-pandemic benchmarks, has always been a Wes Anderson movie.
Disney’s return to live-action takes of their animated vault in the fullest theatrical form happens this weekend with Rob Marshall’s The Little Mermaid which is eyeing a $180M worldwide start.
Imax chief executive Rich Gelfond said he’s never seen China let as many U.S. titles into country as early as they have this year. After a slowdown in the pace that caused some angst in Hollywood, there’s been a steady stream of releases — although not necessarily a surge in ticket sales — with The Flash, The Little Mermaid and Indiana Jones and the Dial of Destiny all cleared and upcoming and Mission: Impossible Dead Reckoning likely to be, he told the J.P. Morgan media conference today.
Rebecca Rubin Film and Media Reporter Disney’s “The Little Mermaid” is poised to make a box office splash over Memorial Day weekend. The big-budget remake is projected to earn a mighty $100 million from 4,300 North American theaters in its first three days of release and $120 million to $125 million by Monday’s holiday. Based on those estimates, it’ll be the fourth movie (and third from Disney) this year to clear the $100 million mark in its debut, following “The Super Mario Bros. Movie” ($146 million), “Guardians of the Galaxy Vol. 3” ($118 million) and “Ant-Man and the Wasp: Quantumania” ($106 million). Rob Marshall directed “The Little Mermaid,” which looks like it’ll be one of Disney’s more successful live-action adaptations. The studio has revisited classics like “The Lion King,” “Beauty and the Beast” and “Aladdin,” — all of which cracked $1 billion globally — as well as the less commercially embraced “Mulan” and “Dumbo,” to varying degrees of box office glory.
Broadway’s box office was up a bit during the final week of the 2022-23 season, with only a few productions reporting slips from the previous week, including two – Funny Girl and Grey House – that saw temporary declines due to Covid cases within their casts.
Broadway box office for the 2022-23 season – the first full season since the industry’s return from the Covid closure – reached $1,577,586,897, a big increase over the last two hard-hit seasons but still about 14% lower than the pre-pandemic high of $1.8 billion.
Naman Ramachandran Universal’s “Fast X” debuted atop the U.K. and Ireland box office with £5.8 million ($7.3 million), according to numbers released by Comscore. In second place, Disney’s “Guardians Of The Galaxy Vol. 3” continued its strong run in the territory, adding £2.8 million in its third weekend for a total of £28.9 million. In its seventh weekend, Universal’s “The Super Mario Bros. Movie” earned £544,283 in third position for a total of £51.8 million. Lionsgate’s “Are You There God? It’s Me, Margaret” debuted in fourth place with £327,197. Rounding off the top five was another debut, Sony’s “Beau Is Afraid,” with £231,370. The other debut in the top 10 was Trafalgar Releasing’s “Don Giovanni – Met Opera 2023,” which bowed in ninth position with £99,842.
Patrick Frater Asia Bureau Chief “Fast & Furious 10” (aka “Fast X”) dominated the mainland China box office with a strong opening weekend and a revved up opening five days. Data from consultancy firm Artisan Gateway shows Fast X scored $51.1 million between Friday and Sunday, to comfortably top the Chinese box office, with a 58% market share. Unusually, the film opened on a Wednesday. Over five days, it accumulated $77.4 million.Imax reported that the film pulled in $8.4 million from China, accounting for 11 of the China market opening, from fewer than 1% of the screens in the market. The figures reflect the five-day score, not the conventional weekend.
Patrick Frater Asia Bureau Chief “Fast & Furious 10” (aka “Fast X”) drove off with the top prize at the South Korean box office on its opening weekend. It earned $4.99 million between Friday and Saturday, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic). And over its full five-day run, from a Wednesday opening, it earned $6.76 million. Kobis showed the film claiming a 48% market share. The speedy start for “Fast X” was enough to depose “Guardians of the Galaxy 3,” which had ridden atop the Korean chart for the two previous weekends. In its third weekend on release “GOTG 3” earned $3.04 million, a 48% week-on-week decline, giving it a cumulative of $26.9 million after 19 days on release in Korea. That is the fourth highest total for any film that has played in Korean cinemas this year.
according to IMDB’s Box Office Mojo.The Vin Diesel-led action flick, which The Post called “another idiotic” member of the longstanding movie series, is projected to enjoy a $67.25 million debut weekend, according to Variety.At this year’s CinemaCon, Diesel announced there will be another addition, “Fast 11” whichwill arrive in 2025, according to the Hollywood Reporter.It is the longest movie franchise in history, in regards to the same cast portraying the same characters.“Fast X” managed to speedily dethrone “Guardians of the Galaxy Vol. 3,” which took home just over $8.37 million.The Marvel superhero movie had spent two weeks in the No.