‘Civil War’ continues dominant box office campaign as new releases fail to woo crowds

Oscar Isaac and Kristen Stewart are collaborating on a new thriller movie. The two will play a couple in “Flesh of the Gods,” a film set in the ‘80s that features vampires and appears to be a horror project. Kristen Stewart reveals Jodie Foster threw her a birthday party when she was 11Oscar Isaac to star in crime thriller ‘In the Hands of Dante’The film will be directed by Panos Cosmatos, the director known for his work in the beloved film “Mandy.” It’s written by Andrew Kevin Walker, a screenwriter with plenty of credits in Hollywood, most notably, “Se7en.” The news of the casting were broken by Deadline, who reports that Stewart and Isaac wille be playing a married couple named Raoul and Alex.

Naman Ramachandran Warner Bros.’ “Challengers,” led by Zendaya, debuted atop the U.K. and Ireland box office with £1.6 million ($2 million), according to numbers from Comscore. In its third weekend, Studiocanal’s “Back to Black” dropped to second place with £1.4 million for a total of £8.9 million.

Refresh for latest…: Universal/DreamWorks Animation’s Kung Fu Panda 4 has topped the half-century mark globally, now with $503.5M worldwide. Of that, $318.5M is from the international box office. Passing $500M makes KFP4, directed by Mike Mitchell (and co-directed by Stephanie Ma Stine), only the fourth animated title to the benchmark since 2020, joining Illumination’s The Super Mario Bros. Movie ($1.4B) and Minions: The Rise of Gru ($943M), and Sony/Marvel’s Spider-Man: Across the Spider-Verse ($691M).

Naman Ramachandran Studiocanal’s Amy Winehouse biopic “Back to Black” stayed atop the U.K. and Ireland box office for the second consecutive weekend with £1.8 million ($2.3 million), according to numbers from Comscore. The film now has a running total of £6.3 million.

Rebecca Rubin Senior Film and Media Reporter A24‘s political thriller “Civil War” is resonating not just in red states and blue but overseas, too. Alex Garland’s film, starring Kirsten Dunst as a photojournalist who traverses a violently divided United States, has grossed $45.7 million in North America and $20 million internationally. Global ticket sales stand at $67.3 million through Monday, and it’s projected to cross $70 million on Tuesday.

This weekend was the first in some time without a specialty film in the top ten as wide releases ramp up from Civil War to Abigail and hang in theaters as per Kung Fu Panda 4 and Dune: Part Two — in weeks 7 and 8, respectively. One distributor calls late April a bit of a dumping ground for indies – no judgement on the films but in the sense that there are a bunch of them and they can sometimes struggle to find audiences — calling this an anomalous weekend after a spring dotted with breakout titles. IFC’s Late Night With The Devil ($9.7 million cume); A24’s Love Lives Bleeding ($7.8 million); Bleecker Street’s One Life ($4.5 million); Sony Pictures Classics’ Wicked Little Letters ($3.6 million) all did great and indies overall are taking bigger swings – with Civil War (A24) one of the biggest.   

J. Kim Murphy It’s a close contest at the domestic box office, with the opening day gross of Universal’s ballerina vampire film “Abigail” leading Lionsgate’s fellow new release “The Ministry of Ungentlemanly Warfare” and the second frame of A24’s dystopian thriller “Civil War.” “Abigail” earned $4 million from 3,384 theaters across its opening day and preview screenings, making it the top performer of the weekend so far.

FRIDAY MIDDAY: Mish mosh at the box office with A24’s weekend two of Civil War at $3.5M today/$11M+ and Universal’s Radio Silence R-rated vampire pic, Abigail with $4M today (that includes $1M previews)/$11M vying for No. 1.

Rebecca Rubin Senior Film and Media Reporter Talk about nepo babies. “Abigail,” a blood-sucking thriller about the daughter of Dracula, arguably the most famous vampire in history, is poised to lead at the domestic box office. The R-rated movie, from Universal Pictures, is aiming for $12 million to $15 million from 3,300 North American theaters in its first weekend of release.

With spring break simmering to 8% K-12 on break, and 1% colleges off, it’s hodgepodge at the weekend box office until 20th Century Studios’ Kingdom of the Planet of the Apes arrives to a $50M+ opening during the second weekend of May.

Alex Garland’s bold new political thriller “Civil War” won the box office this weekend, grossing $25 million, the highest opening for an A24 movie ever. Captivating the public with its visceral violence, shocking images, and frightening cautionary tale politics that mirror today’s division, the movie is also earning much acclaim for a brief but chilling performance by Jesse Plemons (“Killers of The Flower Moon”) playing a cold-blooded soldier unnervingly executing civilians at will (read our review).

Jon Stewart mocked Donald Trump on The Daily Show as the former POTUS campaigns and makes a run for the White House amid the hush money criminal trial.

Jazz Tangcay Artisans Editor SPOILER ALERT: This contains major spoilers for the ending of “Civil War,” now playing in theaters. “Civil War” production designer Caty Maxey was tasked with building a dystopian America that showed bombed-out buildings and abandoned cars that stretched for miles on the freeway. It was all part of her creative brief for Alex Garland’s latest film. Garland drops audiences into the middle of “Civil War.” America is no longer united and there are warring factions.

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse.The film also inspired audiences to go to the cinemas this weekend where it surpassed expectations and earned $25.7 million in ticket sales in North America, according to studio estimates Sunday.It’s the biggest R-rated opening of the year to date and a record for A24, the studio behind films like “Everything Everywhere All At Once” and “The Iron Claw.”“Civil War” also unseated “Godzilla x Kong” from its perch atop the box office. The titan movie from Warner Bros.

Rebecca Rubin Senior Film and Media Reporter Director Alex Garland’s provocative dystopian thriller “Civil War” lit up the box office with $25.7 million in its debut. It’s the first A24 movie to lead the charts in North America, setting an opening weekend record for the New York-based specialty studio. It also marks the biggest R-rated start of the year.

Owen Gleiberman Chief Film Critic A great many people appear to have come out of “Civil War,” Alex Garland’s a-house-divided-against-itself-can-kick-highly-equipped-military-ass dystopian combat thriller, feeling all shook up. They’re disturbed by it, unsettled by it. They experience the movie as if it were holding a violent mirror up to the simmering rage of America’s current political/spiritual/ ideological divide.

Civil War is having a huge start for A24!

according to Box Office Mojo.The impressive premiere puts it on track for a debut of around $26 million, Variety reported.The $50 million film, from director Alex Garland, follows a team of military-embedded journalists racing against time to reach Washington, D.C. before rebel factions descend upon the White House.Starring Kirsten Dunst, Cailee Spaeny, Nick Offerman and Jesse Plemons, the thriller has been dubbed a “a terrifying premonition of American collapse,” though critics say its political message was “muddled.”The Post’s Johnny Oleksinski went as far as to call it “a torturous, overrated movie without a point,” bashing its script as lousy and the acting as monotonous.Behind “Civil War” was “Godzilla x Kong: The New Empire,” which topped the charts when it premiered two weeks ago.

J. Kim Murphy The box office is united behind “Civil War.” A24‘s dystopian thriller earned$10.7 millionfrom 3,838 locations across its opening day and preview screenings, putting itself on track for a debut of around $26 million. The debut figure represents the highest opening day gross ever for A24, besting the $5.1 million earned by 2018’s “Hereditary” in its first screenings.

Fresh off its SXSW world premiere, Alex Garland‘s “Civil War” hits theaters today, the latest film in an impressive filmography. So impressive, in fact, with films like “Ex Machina” and “Annihilation” among it, that one may ascertain to call Garland an auteur.