‘Civil War’ Actor Wagner Moura to Star in Kleber Mendonça Filho’s ’70s-Set Political Thriller ‘The Secret Agent’ (EXCLUSIVE)

EXCLUSIVE: We can tell you that James Franco and Oscar winner Tommy Lee Jones are leading the action thriller The Razor’s Edge from producer Corey Large (Paradise City, It Follows, The November Man) and filmmaker Demian Lichtenstein (3000 Miles to Graceland).

Ed Harris (Appaloosa, Pollock) will direct his own adaptation of Kim Zupan’s 2014 novel The Ploughmen with Owen Teague, Nick Nolte, and Bill Murray signed on to star. 

EXCLUSIVE: Ryan Phillippe (Shooter) and Kate Beckinsale (Underworld) are leading thriller The Patient, which is launching in the Cannes market with International Film Trust.

Marc Malkin Senior Editor, Culture and Events Eric Schultz knows his way around politics. The Washington, D.C. consultant served as deputy White House press secretary during the Obama Administration from 2014-2017.

EXCLUSIVE: Political drama-thriller Words Of War, led by an ensemble including Maxine Peake, Ciarán Hinds, and Jason Isaacs, is heading to this month’s Cannes Market. 

Steve Martin‘s 2006 Saturday Night Live hosting assignment still stands out for Seth Meyers, Andy Samberg, Akiva Schaffer, and Jorma Taccone. But not for the right reasons.

Kirsten Dunst and Wagner Moura may lead dystopian war thriller Civil War, but the film’s standout scene is carried by an unsettling appearance from Jesse Plemons.Directed and written by Alex Garland, the film follows a team of photojournalists as they travel across the US to Washington D.C. during a civil war between an authoritarian government and various regional factions.Other cast members include Cailee Spaeny, Stephen McKinley Henderson, Sonoya Mizuno, Nick Offerman, and Jefferson White.Jesse Plemons, who plays a racist ultranationalist militant during an intense confrontation, is the reason why the red sunglasses made their way into his character’s costume.Speaking to GQ, Civil War’s costume designer Meghan Kasperlik, said: “When Alex [Garland] and I spoke, he wanted Jesse’s character to be in a military uniform.

Steven Olikara When millions of Americans came together to marvel at the stunning solar eclipse, we saw a rare moment of unity amid the darkness of a country torn apart by polarization. Bookending the same week? The release of action-thriller “Civil War,” now the number one film in America and A24 Films’ most successful release yet. Set against the backdrop of an imagined second American Civil War, the film follows photojournalists led by Lee Smith (Kirsten Dunst), as they capture the horrors of a failed country.

Rebecca Rubin Senior Film and Media Reporter A24‘s political thriller “Civil War” is resonating not just in red states and blue but overseas, too. Alex Garland’s film, starring Kirsten Dunst as a photojournalist who traverses a violently divided United States, has grossed $45.7 million in North America and $20 million internationally. Global ticket sales stand at $67.3 million through Monday, and it’s projected to cross $70 million on Tuesday.

J. Kim Murphy It’s a close contest at the domestic box office, with the opening day gross of Universal’s ballerina vampire film “Abigail” leading Lionsgate’s fellow new release “The Ministry of Ungentlemanly Warfare” and the second frame of A24’s dystopian thriller “Civil War.” “Abigail” earned $4 million from 3,384 theaters across its opening day and preview screenings, making it the top performer of the weekend so far.

FRIDAY MIDDAY: Mish mosh at the box office with A24’s weekend two of Civil War at $3.5M today/$11M+ and Universal’s Radio Silence R-rated vampire pic, Abigail with $4M today (that includes $1M previews)/$11M vying for No. 1.

William Earl “The Gray House,” the Kevin Costner-produced limited series about a female spy ring during the Civil War, will open Monaco’s 63rd annual Monte-Carlo Television Festival in June. The six-episode limited series tells the hidden-history tale of four Southern women — a Virginia socialite and her mother, a formerly enslaved Black woman and a high-end prostitute — who served as key espionage agents for the Union. The foursome are credited as unsung heroes who helped end the nation’s brutal cleavage in 1865.

With spring break simmering to 8% K-12 on break, and 1% colleges off, it’s hodgepodge at the weekend box office until 20th Century Studios’ Kingdom of the Planet of the Apes arrives to a $50M+ opening during the second weekend of May.

Zack Sharf Digital News Director “Civil War” writer-director Alex Garland gave a lengthy interview to Vulture in which he was asked to weigh in on accusations against his film that claim it’s irresponsible to open it in theaters amid such a turbulent election year. Garland’s film is set in an America at war with itself (Texas and California have seceded to become the Western Forces) and follows a group of journalists attempting to interview the U.S. president.

Alex Garland’s bold new political thriller “Civil War” won the box office this weekend, grossing $25 million, the highest opening for an A24 movie ever. Captivating the public with its visceral violence, shocking images, and frightening cautionary tale politics that mirror today’s division, the movie is also earning much acclaim for a brief but chilling performance by Jesse Plemons (“Killers of The Flower Moon”) playing a cold-blooded soldier unnervingly executing civilians at will (read our review).

Jon Stewart mocked Donald Trump on The Daily Show as the former POTUS campaigns and makes a run for the White House amid the hush money criminal trial.

Jazz Tangcay Artisans Editor SPOILER ALERT: This contains major spoilers for the ending of “Civil War,” now playing in theaters. “Civil War” production designer Caty Maxey was tasked with building a dystopian America that showed bombed-out buildings and abandoned cars that stretched for miles on the freeway. It was all part of her creative brief for Alex Garland’s latest film. Garland drops audiences into the middle of “Civil War.” America is no longer united and there are warring factions.

Alex Garland’s provocative “Civil War” didn’t only ignite the discourse.The film also inspired audiences to go to the cinemas this weekend where it surpassed expectations and earned $25.7 million in ticket sales in North America, according to studio estimates Sunday.It’s the biggest R-rated opening of the year to date and a record for A24, the studio behind films like “Everything Everywhere All At Once” and “The Iron Claw.”“Civil War” also unseated “Godzilla x Kong” from its perch atop the box office. The titan movie from Warner Bros.

Rebecca Rubin Senior Film and Media Reporter Director Alex Garland’s provocative dystopian thriller “Civil War” lit up the box office with $25.7 million in its debut. It’s the first A24 movie to lead the charts in North America, setting an opening weekend record for the New York-based specialty studio. It also marks the biggest R-rated start of the year.

Owen Gleiberman Chief Film Critic A great many people appear to have come out of “Civil War,” Alex Garland’s a-house-divided-against-itself-can-kick-highly-equipped-military-ass dystopian combat thriller, feeling all shook up. They’re disturbed by it, unsettled by it. They experience the movie as if it were holding a violent mirror up to the simmering rage of America’s current political/spiritual/ ideological divide.