Cinecittà Chief Nicola Maccanico on Turning a Profit Despite Hollywood Strikes and Prospects for Italy’s New Tax Rebates (EXCLUSIVE)

Nick Vivarelli International Correspondent Italian state broadcaster RAI is under heavy fire amid allegations that it censored a planned anti-fascist monologue by prominent writer Antonio Scurati, author of international bestseller “M: Son of the Century,” which reconstructs fascist dictator Benito Mussolini’s rise to power. Scurati was meant to read his monologue – written to mark the country’s upcoming April 25 national holiday that celebrates Italy’s liberation from fascism – on the talk show “Chesarà,” which aired on the broadcaster’s RAI 3 channel Saturday night.

Lise Pedersen “The Landscape and the Fury” by Switzerland’s Nicole Vögele took the Grand Jury Prize in the International Feature Film Competition at Swiss doc festival Visions du Réel on Friday. Shot on the Bosnian-Croatian border, which is also the European Union border, the film unveils the struggle of refugees being chased away by police and navigating a terrain still contaminated with mines from the Bosnian War.

Nick Vivarelli International Correspondent Ed Westwick (“Gossip Girl”), John Hannah (“The Mummy”) and British newcomer Alanah Bloor are set to join Turkish lead Can Yaman in “Sandokan,” Lux Vide’s reboot of the cult Italian TV series about the adventures of its titular pirate who, with his motley crew, fights against colonial powers in Southeast Asia. Shooting is set to start April 22 outside Rome on this high-end reboot of Italian writer Emilio Salgari’s exotic epic.

Nick Vivarelli International Correspondent After reaping the rewards of a protracted growth spurt, Italy‘s film industry is facing a forced slowdown as the country’s right-wing government dithers with modifications they plan to make to several key regulations, most significantly to the country’s now stalled tax incentives for film and TV production. At a packed protest event held earlier this month in Rome’s Cinema Adriano multiplex, industry figures from all sectors – including producers, writers, actors and big-name directors such as Paolo Sorrentino and Marco Bellocchio – lashed out against having to wait endlessly for the government to approve new guidelines so production companies can apply for the 40% tax credits that basically drive the business.

Patrick Frater Asia Bureau Chief Korea’s second largest generalist film event the Jeonju International Film Festival has set eight fiction films by first or second-time feature directors, for its main competition. They are “Cu Li Never Cries,” by Pham Ngoc Lan; “Junkyard Dog,” by Jean-Baptiste Durand, “La Palisiada,” by Philip Sotnychenko; “My Endless Numbered Days,” by Shaun Neo; “Oxygen Station,” by Ivan Tymchenko; “Practice,” by Laurens Perol; “The Major Tones,” by Ingrid Pokropek; and “The Permanent Picture,” by Laura Ferres. Additionally, two documentary features also compete: “After the Snowmelt,” directed by Lo Yi-Shan and “Kix,” by Balint Revesz and David Mikulan. The COVID-pandemic continues to affect filmmaking and festival selection, organizers said. “Even films planned to be made beforehand had to extend their production period due to the pandemic, and many works highlighted the limitations of the production environments, such as smaller cast numbers and minimal locations,” said chief programmer Chun Jinsu. The festival runs May 1-10 in Jeonju, a major town on South Korea’s west coast.

Nick Vivarelli International Correspondent Marco Mueller has been appointed artistic director of Italy’s Taormina Film Festival, which will have a top notch selection committee comprising British film curator and former London fest chief Sandra Hebron and former Cannes Directors’ Fortnight boss Edouard Waintrop. As anticipated by Variety, Mueller, who over the past decades has headed both the Venice and Rome fests — among several other events — is taking the reins of the storied Sicilian event that has had its ups and downs over the years. Held since the mid-1950s in the Sicilian resort known to U.S.

EXCLUSIVE: Isabel J Kim’s debut novel Sublimation, which has been causing quite a stir in publishing and television circles, has landed at Universal International Studios.

EXCLUSIVE: Filming has recently wrapped in Morocco on under-the-radar Biblical thriller Mary, starring Oscar winner Anthony Hopkins as King Herod and emerging Israeli actress Noa Cohen as Mary.

Nick Vivarelli International Correspondent Prime Video has announced the full cast for action comedy show “Costiera” set on Italy’s iconic Amalfi Coast being directed by Emmy-winner Adam Bernstein (“30 Rock,” “Breaking Bad”) and featuring Jesse Williams (“Take Me Out”) as the lead. The ensemble cast for the English-language series being co-produced by Amazon Studios and Luca Bernabei for Lux Vide comprises British actor Jordan Alexandra (“Doctor Strange in the Multiverse of Madness,” “The Winter King”) (pictured, center); Spain’s Alejandra Onieva (“Alta Mar”) (pictured, left); Italy’s Maria Chiara Giannetta (“Blanca”) (pictured, right); Antonio Gerardi; Tommaso Ragno (“Nostalgia”); Amanda Campana; Pierpaolo Spollon; Britain’s Sam Haygarth (“Jojo Rabbit”); and France’s Jean-Hugues Anglade (“Sink or Swim”).

Well Go USA has landed North American rights for Dutch action thriller Invasion about a daring military operation in the wake of a hostile attack on the Caribbean islands of Aruba and Curacao.

Nick Vivarelli International Correspondent Italian collecting company Artisti 7607, which represents thousands of local acting and dubbing talents, has announced it is suing Netflix in a Rome court “to obtain adequate and proportionate compensation due by law to its mandated artists.” Artisti 7607, which was founded as a co-op more than a decade ago by a group of Italian A-list actors including Elio Germano — who in 2015 won top acting honors in Cannes with Daniele Luchetti’s “Our Life” — has long been doing battle with Netflix over residual rights. “After more than eight years of sterile negotiations to obtain the data necessary to determine the compensation for artists in observance of European and national legislation, Artisti 7607 is forced to appeal to an ordinary court to request compliance with the law,” the indie collecting company said in a statement.

Patrick Frater Asia Bureau Chief “Snow in Midsummer,” which quietly probes the 1969 massacre of Malaysian Chinese during post-election turmoil, was named the winner of the best film for young cinema competition (Chinese-language) at the Hong Kong International Film Festival. Liang Ming was named best director for “Carefree Days,” while the film’s female lead Lyu Xingchen collected the best actress award.

Paul Ince has admitted he realised Liverpool didn't have the mentality to replicate Manchester United's success quickly after making a controversial move to Anfield.

Nick Vivarelli International Correspondent Euro Gang Entertainment, the company launched last year by Hollywood veterans Gianni Nunnari (“300,” “Immortals”) and Simon Horsman (“Legacy: The True Story of the L.A. Lakers”) is ramping up operations in Italy through a partnership with Rome-based Alfred Film, the young shingle co-founded by experienced producers Roberto Amoroso and Maria Theresia Braun.

Gene Maddaus Senior Media Writer When the Writers Guild of America went on strike last May, union leaders argued that artificial intelligence posed an existential threat to writers, painting a picture of a dystopian future in which TV shows might be crafted by one writer and a machine. Ten months later, the tone in Hollywood labor circles has shifted significantly. At a March 3 rally in Los Angeles, Matthew Loeb, international president of IATSE, argued that AI has the potential to make union members’ jobs easier.

Leo Barraclough International Features Editor Mario Van Peebles has been tapped to direct “That’ll Be the Day,” the story of how Buddy Holly and other musicians of the late 1950s helped give birth to rock ‘n’ roll and influence the wider societal and cultural landscape, including the civil rights movement. Music has been central to much of Van Peebles’ work, from his 1991 gangster movie “New Jack City” to his work on “Wu-Tang: An American Saga,” which he co-executive produced for Hulu.

Leo Barraclough International Features Editor “Long Live the Tyrant: Life and Times of Giancarlo DiTrapano,” a feature documentary about the independent book publisher, is being developed as an Italy-U.S. coproduction. DiTrapano is described by Ian Thornton, one of the film’s producers, as the “Basquiat of the New York literary scene.” The film is written by Guia Cortassa and directed by Cortassa and Vittorio Antonacci.

Italian film and TV orgs will hold an emergency press conference in Rome next week to discuss the damage being done to their sectors by uncertainty over the future of direct funding and tax credits. 

Nick Vivarelli International Correspondent Switzerland’s Locarno Film Festival is set to celebrate the centennial of Columbia Pictures with a retrospective featuring classic titles spawned by the Hollywood studio between the dawn of sound and the late 1950s. The Locarno retro, titled “The Lady With the Torch –– The Centenary of Columbia Pictures,” is being curated by Ehsan Khoshbakht, co-director of Italy’s Il Cinema Ritrovato festival, which is dedicated to cinematic treasures of the past and organized in partnership with Switzerland’s Cinémathèque Suisse.

Nick Vivarelli International Correspondent Last May, after “Killers of the Flower Moon” premiered at Cannes Film Festival, Martin Scorsese traveled to Rome with his wife, Helen Morris, to attend a conference titled “The Global Aesthetics of the Catholic Imagination.” There, the director announced that he had responded to an appeal by Pope Francis to artists “in the only way I know how: by imagining and writing a screenplay for a film about Jesus.” The conference was organized by Jesuit publication “La Civiltà Cattolica.” It took place after the journal’s editor, Father Antonio Spadaro, held a series of one-on-one conversations with Scorsese that have just been published in Italy in book titled “Dialoghi sulla fede” (“Dialogues on Faith”). The final chapter of this book is titled, as translated from Italian, “Screenplay for a Possible Film on Jesus” by Scorsese.