Christmas Box Office: ‘Aquaman 2’ Sinks With $40 Million Debut

Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning.

Rebecca Rubin Film and Media Reporter Can “Mean Girls” make fetch happen at the box office? Paramount’s new take on the teen classic is aiming to generate $30 million from 3,800 North American theaters over Martin Luther King Jr. weekend. The studio projecting a debut in the high $20 million range.

Rebecca Rubin Film and Media Reporter “Night Swim,” a supernatural thriller about a ghost-plagued pool, is attempting to start the 2024 box office with a splash. The Universal Pictures film, which marks the year’s first nationwide release, is targeting a debut of $9 million to $11 million from 3,200 North American theaters. It’s a decent start for the $15 million-budgeted movie, which won’t face competition on the horror front until March’s haunted-teddy-bear-inspired “Imaginary.” “Night Swim,” written and directed by Bryce McGuire and starring Wyatt Russell and Kerry Condon, follows a family who finds out that an otherwordly presence haunts the backyard swimming pool in their new home.

French exhibitors can start 2024 with renewed confidence as new figures released by the National Cinema Center (CNC) show that audiences are heading back to the big screen.

Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost City” is quickly sinking at the box office. The comic book adventure, starring Jason Momoa as the King of Atlantis, was positioned on the calendar as the de facto blockbuster of the holiday season. But, so far, the follow-up to 2018’s megahit “Aquaman” has failed to recapture the spark of the original.

according to IMDB’s Box Office Mojo.“Wonka” also surpassed the $100 million earning mark domestically this week, as per Variety. Last week, the Timothee Chalamet-led musical fantasy had been dethroned by “Aquaman and the Lost Kingdom,” which is now in second place with $6.75 million in earnings.

J. Kim Murphy Warner Bros. is continuing to beat out Warner Bros.

Christmas Week rang in an estimated $281.4 million at the domestic box office, up 14% from the December 23-29 period a year ago ($246.4M), indicating that moviegoing remains healthy post-pandemic for a family-heavy yet diversified lineup of movies — this despite the lack of one big five-quad tentpole on marquees.

Brent Lang Executive Editor Timothée Chalamet retained his holiday season crown as “Wonka” topped the box office on Thursday. The family film, which looks at chocolatier Willy Wonka and his quest to open the world’s most fantastical candy company, earned $8 million, pushing its domestic gross to $110.6 million. “Wonka” carries an $125 million budget and has been a success overseas, where it has earned more than $180 million.

Hundreds of youngsters in war-torn Ukraine enjoyed surprise Christmas boxes sent from Scotland.

It’s funky times at the holiday box office.

Typically the momentum of Christmas moviegoing spills over into Dec. 26, but that wasn’t the case this year as Warner Bros’ Wonka led all titles with $8.9M — the second lowest take for a No. 1 movie after Christmas (since 2000) ahead of the studio’s own Wonder Woman 1984 which made $5.8M when a bulk of the nation’s cinemas were closed due to Covid. Yikes!

Rebecca Rubin Film and Media Reporter “The Color Purple,” a vibrant adaptation of the book-turned-beloved-movie-turned-hit-Broadway-musical, dominated at the box office on Christmas Day. The film has outperformed expectations with $18 million from 3,152 North American theaters. It’s the largest Christmas Day opening for a film since 2009, and the second-biggest Christmas Day opening of all time.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” didn’t give Hollywood much to be merry about at the Christmas box office. The comic book sequel, starring Jason Momoa as the King of Atlantis and directed by James Wan, opened slightly below estimates with $27.7 million over the traditional weekend and a disappointing $40 million through the four-day holiday frame.

Naman Ramachandran “Aquaman and the Lost Kingdom” led the worldwide box office with a $108 million debut weekend, according to numbers released by Comscore. Warner Bros. and DC Studio’s “Aquaman 2” also topped the U.S.

led a crowd of new releases at the box office on the weekend before Christmas Monday. The DC and Warner Bros.

Rebecca Rubin Film and Media Reporter “Aquaman and the Lost Kingdom” opened to $80 million at the international box office, which isn’t all that super considering those ticket sales are on par with eventual big-budget superhero disappointments like “The Flash,” “The Marvels” and “Ant-Man and the Wasp: Quantumania.” The comic book sequel, starring Jason Momoa as the king of Atlantis and directed by James Wan, has generated $120 million globally to start, including a weak $40 million in North America. The Warner Bros.

The numbers are in for Aquaman 2.

Warner Bros/DC’s Aquaman and the Lost Kingdom began offshore rollout on Wednesday, and with numbers through Friday included has grossed $40.9M in 73 international box office markets. This portends a full overseas opening in the $70M range. With domestic’s three- and four-day, the global start will top $100M.