China Box Office: ‘The Boy and the Heron’ Reaches $93 Million After Second Weekend

The Young and the Restless is one of the most popular soap operas in television history and the show is still going strong after 50 years on air!

Patrick Frater Asia Bureau Chief Asian TV channels operator Celestial Tiger Entertainment and myTV SUPER, the OTT platform of Hong Kong’s Television Broadcasts Limited (TVB) are to launch PopC, a movie channel dedicated to Chinese online films, with content supplied by mainland China streamer iQiyi. It launches in Hong Kong from May 1. “The idea of PopC first came about when we saw the amount of great, high quality movies that were being produced for the online space in China.

Patrick Frater Asia Bureau Chief Epic war-time survival tale “The Guns of Muschu” has already assembled a weighty cast ahead of a production start in the first quarter of 2025. The film is an adaptation of the non-fiction book “The Guns of Muschu,” written by Don Dennis, with an adapted screenplay by Tom Broadhurst and Jack Brislee (“Danger Close: The Battle of Long Tan”). The narrative brings to life a pivotal chapter of Australian war history with gritty authenticity, recounting the high body count Operation Copper, a mission during WWII when Australian and New Zealand troops were sent into the jungles of Papua New Guinea. The objective of the mission was to investigate the Japanese defenses on Muschu Island, capture a Japanese officer for interrogation and discover the location of two naval guns on the island that were protecting a harbor.

Patrick Frater Asia Bureau Chief Fantasy action movie “Godzilla x Kong: The New Empire” retook the top spot at the mainland China box office from Studio Ghibli animation title “The Boy and the Heron” during the latest weekend. “Godzilla x Kong” recorded earnings of $7.3 million (RMB51.5 million) between Friday and Sunday, a 32% week-on-week drop, according to data from consultancy firm Artisan Gateway. But it returned to the top spot on the box office charts in its fourth weekend of release and overtook “The Boy and the Heron” in the process.

Patrick Frater Asia Bureau Chief While multiple Korean TV series have connected with global audiences, Japan’s production committees, terrestrial broadcasters and talent agencies have kept their TV industry tightly focused on a local market. Anime and variety have long remained the Japanese TV industry’s best-known exports, while the premium end of the spectrum has largely escaped Japanese producers.

Patrick Frater Asia Bureau Chief Online comic book platforms Marvel Unlimited and VIZ Manga are to begin cross-promotions that are aimed at expanding fandom in the genre. The move follows the 2022-23 collaboration between Marvel Comics and Viz Media that extended stories from the Marvel comics universe into the Japanese manga format, in a handful of titles. Subscribers to the VIZ Manga digital service can now access titles featuring fan-favorite characters including “Deadpool: Samurai,” “Wolverine: Snikt!,” “Spider-Man: Fake Red” and “Marvel’s Secret Reverse.” Later in the year other Marvel-manga crossover titles will be added including “Spider-Man: Octo-Girl” and “X-Men: The Manga: Remastered.” To launch their cross-platform cooperation, VIZ Manga and Marvel Unlimited will offer each other’s U.S.

Patrick Frater Asia Bureau Chief Disney has confirmed that Korean webtoon-to-screen adaptation “Low Life” is poised to begin production. When valuable treasure is discovered off the coast of Korea, the country’s biggest degenerates come crawling out of the woodwork in the hope of striking it big. Word spreads after a fisherman got lucky and kept a piece of the booty for himself.

Patrick Frater Asia Bureau Chief Crime drama “The Goldfinger” was the numerical winner at the Hong Kong Film Awards, where it won six prizes on Sunday. But it missed out on the best film prize, which went to box office record breaker “A Guilty Conscience.” “The Goldfinger,” a retro financial thriller starring Tony Leung Chiu-wai and Andy Lau Tak-wah, earned a slew of technical award (cinematography, art direction, costume and make up, sound design and visual effects) as well as the lead actor prize for Leung. Two films took three prizes each: “In Broad Daylight,” an investigation into abuse at a care home, and “Mad Fate,” Soi Cheang’s grungy examination of superstition in the city.

Patrick Frater Asia Bureau Chief “Kung Fu Panda 4” took top spot at the South Korean box office becoming the film that finally pushed aside local champion “Exhuma,” which had dominated for seven consecutive weeks. But it was an understated victory, rather than a triumphant one, and the exhibition industry’s $5.6 million nationwide haul was among the lowest scoring weekends this year. “Kung Fu Panda 4” earned $2.81 million between Friday and Sunday with a 50.1% market share. Over its full five day run since a Wednesday opening, it enjoyed a $5.96 million total. “Exhuma” slipped to second place in its eight weekend of release.

Patrick Frater Asia Bureau Chief TF Entertainment, the company behind Chinese pop sensations TFBoys and Teens in Times (aka TNT), has struck a strategic alliance with Universal Music Greater China. The deal includes global digital distribution for TF Entertainment’s roster of talent and the targeting of markets outside Mainland China. The objective is to leverage parent group Universal Music Group’s global distribution capabilities and marketing network to elevate Chinese pop’s global prominence. TF Entertainment was founded in 2009 and developed a trainee system to cultivate idol groups within Chinese pop.

Patrick Frater Asia Bureau Chief China’s video streamers, much like their counterparts in the west, have passed their peak growth phase and have been forced to refocus their efforts on achieving profitability. In the case of IQiyi, which is a subsidiary of tech giant Baidu but has its own stock market listing on the NASDAQ, that transition has meant reduced content spending and a more rigorous approach to quality and investment in winning shows. “To the Wonder,” which debuted on Sunday in competition at Canneseries, is a product of that less-is-more approach.

Patrick Frater Asia Bureau Chief “Snow in Midsummer,” which quietly probes the 1969 massacre of Malaysian Chinese during post-election turmoil, was named the winner of the best film for young cinema competition (Chinese-language) at the Hong Kong International Film Festival. Liang Ming was named best director for “Carefree Days,” while the film’s female lead Lyu Xingchen collected the best actress award.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation film “The Boy and the Heron” earned a chart-topping $34.9 million between Friday and Sunday at the mainland China box office. Over its full five-day opening run, it took an even more spectacular $73 million. China was the last major territory to play the Studio Ghibli-produced fantasy in cinemas – it released in its native Japan in July and is imminently headed to streaming in many other territories – but that did not stop Chinese audiences from lapping it up. While most films release in China on a Friday, “The Boy and the Heron” was given a Wednesday outing in order to capture momentum from the Thursday-to-Saturday Qingming public holiday. Consultancy firm Artisan reports that it earned RMB248 million ($34.9 million) over the conventional Friday-to-Sunday weekend.

Patrick Frater Asia Bureau Chief Without significant new challengers, spooky Korean drama “Exhuma” held on at the top of the South Korea box office chart for the seventh consecutive weekend. Its cumulative passed the symbolic $80 million mark. The lack of strong new release titles also meant that aggregate weekend box office in Korea slipped to a lowly $5.59 million. The Choi Min-sik-starring “Exhuma” dropped roughly 50% week-on-week to record $1.59 million between Friday and Sunday, and a 28% market share, according to data from Kobis, the tracking service operated by the Korean Film Council (Kofic).

Refresh for latest…: A busy holdover weekend for wide studio releases was led by the trio of Godzilla x Kong: The New Empire, Kung Fu Panda 4 and Dune: Part Two. And, in a soaring performance, Hayao Miyazaki’s Oscar winner The Boy and the Heron swooped into China helping the market set a new Qingming holiday record. 

Patrick Frater Asia Bureau Chief Worldwide box office is headed for a marginal decline of 3% in 2024, a setback that follows three years of recovery from a pandemic era low in 2020. Gower Street Analytics, a distribution and exhibition industry consultancy, forecasts that worldwide box office this year will aggregate at $32.3 billion, down by more than $1 billion from the $33.9 billion earned in 2023. “A $32.3 billion global box office in 2024 would represent an approximate 5% decrease year-on-year (a 3% decrease at current exchange rates) from 2023. The 2024 revised estimate is 18% lower than an average of the last three pre-pandemic years (2017-2019),” Gower Street said. The forecast comes on the eve of CinemaCon, the annual National Association of Theater Owners convention, being held in Las Vegas April 8-11. While Gower Street’s forecast is for a marginal decline, it actually represents a more than $1 billion improvement on its previous $31.5 million forecast for 2024.

Marc Malkin Senior Editor, Culture and Events Dev Patel refused to let the slew of injuries he suffered while filming his elaborate fight scenes in “Monkey Man” get in the way of him completing the movie. Patel not only directed and co-wrote the action movie, but he also stars as Kid, a young man who seeks to avenge his mother’s death at the hands of India’s corrupt law enforcement officials, political figures and spiritual leaders. He earns money by competing in a brutally violent underground fight club.

Patrick Frater Asia Bureau Chief Oscar-winning Japanese animation “The Boy and the Heron” opened its wings in mainland Chinese theaters in midweek and soared to the top of the box office. Data from multiple local tracking sources show the Miyazaki Hayao-directed fantasy-adventure accounting for more than half of all cinema revenues on both Wednesday and Thursday. On Wednesday it garnered $13.8 million, according to estimates from Ent Group. By 6.30pm on Thursday, ticket sales firm Maoyan was showing the title as having grown its two-day running total to RMB254 million or $35.2 million. While films mostly open on Fridays in China, “The Boy and the Heron” was given a Wednesday outing in order to play into the three-day Qingming public holiday.

Masterpiece PBS and the BBC have released first look photos from Wolf Hall: The Mirror and the Light, an adaptation of the final novel in Hilary Mantel’s award-winning trilogy.

K.J. Yossman The long-awaited adaptation of Hilary Mantel’s novel “The Mirror and the Light” has wrapped.